Jun 252018
 

 

(In this post Andy Synn discusses the phenomenon of metal bands releasing remastered or re-recorded versions of older albums, and recommends two recent examples of the practice, by Vader and Hetroertzen.)

For all that we’re supposedly in another “Golden Age” of television, I know there are quite a few people out there (thousands upon thousands of them) who are becoming a little tired of the seemingly constant stream of reboots and remakes of supposedly “classic” (and some not-so-classic) shows from previous eras, under the assumption that some sort of ingrained sense of nostalgia will help sell them more than something like, say, quality writing or a new, interesting premise, would.

Don’t get me wrong. Some of these new versions of older shows are absolutely fantastic, and benefit greatly not only from the new and improved technology of today, but also a greater freedom to reimagine things which comes from a more modern idea of what television can be, when given the chance to do more than simply entertain. It’s just that, as you might expect, the number of lazy remakes vastly outweighs the more creative ones.

The same sort of thing goes on in the music world too, particularly in the Rock/Metal world, where artists with long-running, wide-ranging careers often feel the need to at least remaster, if not entirely re-record, material from their early days, if only because they feel that the technology or budget available to them at the time simply wasn’t sufficient to allow them to properly capture what they were really trying to convey.

And, let me tell you… I’m not entirely against this process. Continue reading »

Jun 252018
 

 

I wasn’t able to post a SHADES OF BLACK column or anything else yesterday, but fear not, all is well here in NCS land; I was just wholly consumed all weekend with activities related to my fucking day job, almost all of them quite pleasurable but nevertheless not conducive to my listening to new music or writing about it. I did manage to go through some of the songs on my ever-burgeoning list of new releases last night, and what follows are the ones I chose to recommend on this Monday morning.

I also have in mind presenting a collection of three new EPs that made an impression while I was listening last night. Don’t know if I can pull that off today, but I do know that before the day is out we’ll have a review of Craft’s new album and premieres of two other albums that I’m confident you’ll enjoy.

ALLFATHER

My colleague Andy Synn gave quite a positive review to the debut album by UK’s Allfather in 2016, which concluded as follows: Continue reading »

Jun 222018
 

 

As was also the situation on Wednesday, when I posted the last round-up before this one, I’m feeling hurried. Too much stuff going on in the fragments of life that aren’t devoted to NCS. But even though I don’t have time to cogently explain just how much I like the music I’ve chosen for this collection, and why, I didn’t want the week to end without putting more new music before you. (And of course we will have more for you this weekend as well.) So, without further ado, and without many complete sentences, let’s begin…

INNUMERABLE FORMS

…slow, titanic, teeth-loosening heaviness… a groaning melody that bespeaks utter soul-shattering misery… a monstrous voice that roars from an ice-cold void… and in the middle it becomes a rumbling, thundering, bone-snapping tank attack with a delicious solo (and there’s one more ravaging assault at the end)… This is “Punishment In Flesh“. Continue reading »

Jun 212018
 

 

Label samplers and other compilations are great ideas, especially compilations like the two recent offerings that I’m writing about in this post, which are available through Bandcamp for a price you pick for yourself. Between the two of them, they deliver 33 songs.

Apart from the obvious attraction of substantial playlists of music that you can pick up for free, or whatever your resources will allow you to contribute, samplers such as these provide an introduction to bands you might never have heard before (in addition to bands who’ve already made names for themselves that most of you will know of). I’m very glad I spotted alerts about them within the vast sea of dreck that is the NCS in-box.

LES ACTEURS DE L’OMBRE PRODUCTIONS: SAMPLER MMXVIII

I haven’t tried to manually count how many releases I’ve written about and recommended over the years from the French label Les Acteurs de L’Ombre Productions, but a word-search of our database turns up 17 of them. That number probably should have been larger, but there are only so many hours in the day. Suffice it to say that LADLO has good taste, which is to say that what tastes good to them almost always tastes good to me. The label is run by volunteers, they tend to focus on black metal, and they tend to focus on French bands, but not exclusively so. Continue reading »

Jun 202018
 

 

I’m in a hurry at the moment, with barely enough time to throw these five new songs and videos at you along with some basic background info, but not enough minutes to provide my usual introductory impressions. Enjoy the music — I sure as hell did.

POUND

The Seattle duo Pound (who used to go by Lb!) have turned in some of the most electrifying live performances I’ve seen here in the Pacific Northwest. The sights and sounds of guitarist Ryan Schutte delivering a tornado of chaos and groove on a baritone 9-string guitar while David Stickney switches back and forth between two drum kits in riveting displays of percussive vulcanism is the kind of mind-blowing experience I don’t think I’ll ever get tired of. (You’ll get an idea of that experience in the second video below, but without the bowel-liquefying volume that comes in a live Pound performance.) Continue reading »

Jun 182018
 

 

As you can see, I decided to shift away from last week’s almost daily “Quick Hits” round-ups of new music and back to the longer compilations, though I’m still doing a bit of catching up on tracks that are now a week or two old. I might still break out the Quick Hits moniker every now and then, when I don’t have time to do more than throw a couple of songs your way.

P.S. Just as I was finishing this post I saw that Abhorrence premiered their first new track in 28 years at DECIBEL, and that Ván Records just revealed a track from the new album by the Irish black metal band Slidhr (with with Garðar S Jónsson of Sinmara and Almyrkvi taking the reins as bassist), which can be streamed HERE. I haven’t listened to either of these yet, but I bet they’ll be well worth your time. (Thanks to HGD for pointing me to both.)

MUTILATION RITES

Pierced Larynx” is such a goddamned good head-banger, and a ridiculously addictive one, too. It comes from the new album by Mutilation Rites, whose music seems to be continually evolving, if one were to judge by “Pierced Larynx”. Their line-up has evolved, too, and now includes drummer Tyler Coburn (Yautja, Alraune), along with bassist/vocalist Ryan Jones, guitarist/vocalist George Paul, and guitarist Michael Dimmitt. Continue reading »

Jun 162018
 

 

I’m still grateful to my friend Andy, whose Waxing Lyrical series continues to relieve my compulsion to come up with something new to post here on Saturdays. And as you can see, I’m still not completely free of the compulsion. I’ve also now abandoned the goal of this week-long series of Quick Hits as a vehicle for catching up on new music from the last two weeks. For the third day in a row, I’ve again been diverted by late-breaking releases: Everything collected here appeared yesterday or the day before.

THE SPIRIT

Last fall Germany’s The Spirit self-released an enormously impressive debut album entitled Sounds From the Vortex. In April, Nuclear Blast announced that they had signed the band, and yesterday revealed that they would be re-issuing Sounds From the Vortex on August 10th in CD, LP, and digital editions (with new cover art). To celebrate the occasion, Nuclear Blast released a lyric video for an album track named “The Clouds of Damnation“, which happens to be my favorite track from that record. And so, although many of you are no doubt familiar with the music through that previous self-release, I wanted to start today’s round-up with that new video. Continue reading »

Jun 152018
 

 

(Andy Synn offered the following thoughts about his conception of our mission here, plus recommendations of three new albums.)

Why are we here? That’s the big question which has been playing on my mind for a while now.

Not in the philosophical or religious sense though, more the very concrete, very real question of why are WE, the people who make up NoCleanSinging, actually here? What is our purpose? What are we trying to achieve? Continue reading »

Jun 152018
 

 

Once again, my plan for this week-long series has failed. Rather than catching up on new music from the last two weeks, I’ve instead been diverted by late-breaking releases. Moreover, rather than two new songs by only two bands, this collection includes music from three groups, beginning with a complete EP.

PALE

I discovered this EP yesterday thanks to a recommendation from occasional NCS contributor Conchobar, about a half hour before seeing a Bandcamp alert for the EP from Pest Productions in our e-mail. Conchobar characterized it as “very ‘post-black’ but in a very non-cliched way”. Continue reading »

Jun 142018
 

 

As promised earlier, I’m trying to make up for failing to post one of these Quick Hit features yesterday by posting two today. On the other hand, this second of today’s small round=ups isn’t really accomplishing the goal of catching up on music from the past couple of weeks that I wanted to recommend — because late-breaking developments have intervened.

FUNERAL MIST

In last Sunday’s SHADES OF BLACK column I trumpeted the news that Funeral Mist had sprung a surprise by announcing that a new album would be released on June 15th, more than nine years after the last one. I doubted that any music would become available for streaming until the album’s release, given the short time between the revelation of the news and the album’s release, and that proved to be true. But there was one further surprise: The album was released a day earlier than scheduled. In other words, it’s out now. Continue reading »