Jul 232017
 

 

Another Sunday, another edition of SHADES OF BLACK, and this time I’ve chosen advance tracks by five bands from forthcoming releases. Two of those releases are reissues of earlier works, but the bands were new to me despite the existence of those earlier efforts, and perhaps they’ll be new to you as well.

MALOKARPATAN

In the fall of 2015 the Slovakian band Malokarpatan released their debut album Stridžie dni (“the witching days”), which turned out to be one of the biggest and best surprises of that year, even though I didn’t tumble to it until early 2016. With lyrics written in a local dialect, the album was based on the grotesque myths and folklore of Western Slovakia, based on “rural witchcraft, drunkenness and also national pride.” As I wrote then: Continue reading »

Jul 222017
 

 

I started working on this post a month ago, but kept shoving it off to the side due to more urgent commitments. As time passed, I found a few more tracks to include. But still, I haven’t had time to write what I intended to write about each of the releases included here, and I’m not sure when that time would come. So I’ve decided to let the music mainly speak for itself, and I’ve picked out only one song from each release for this playlist, though in most cases you’ll be able to hear the full release if you’re interested.

All of the releases in this compilation are crushers — doom crushers, to be precise. But they’re not all cut from the same cloth. Some are apocalyptic, some are narcotic, some have harsh vocals, some have clean singing, and one has no singing at all. So get ready to travel in the low and slow lane, and if you have an eggshell skull it might be better to strap on a protective helmet.

MORBID EVILS

The first track I’ve chosen comes from the second album by Morbid Evils, a Finnish band that includes vocalist Keijo Niinimaa of Rotten Sound. Entitled Deceases, it examines the subject of death from various perspectives, blending elements of sludge, doom, drone, and black metal. The album will be released on August 25 by Svart Records. Continue reading »

Jul 212017
 

 

Do you groan when you see these big round-up posts? Especially when they come three in a row, day after day? Is it too much to process? Do you feel overwhelmed by the volume?

These are what are known as rhetorical questions, i.e., a figure of speech in the form of a question that isn’t intended to elicit an answer, e.g., “Can’t you do anything right?” Right or wrong, too much or too little, on we go… this time with new or newly discovered metal from seven bands.

HATE MOON

Fólkvangr Records tells us that “Hate Moon is a Norse-Gael symphonic black metal band hailing from Pennsylvania”, formed by “two Irish American descendants of Norse Vikings” (Tuathail and Tohmar) who have created music that “romanticizes the ancient Celtic world through a soundscape of historical fantasy”. Their debut album is The Imprisoning War, and the first item in today’s round-up is an album track named “Mountain of Death“. Continue reading »

Jul 202017
 

 

As forecast in yesterday’s SEEN AND HEARD post, I’ve accumulated enough new things of interest since the end of last week to justify posting a round-up today and tomorrow as well as yesterday. Because of the delays occasioned by goofing off last weekend, some of the items I’ve gathered together aren’t as “hot off the presses” as I’d prefer, but they still may be new discoveries for some of you, especially as I dig a bit deeper into the underground for Friday’s post.

DYSCARNATE

Dyscarnate was the subject of a SYNN REPORT back in 2016 in which my colleague Andy reviewed their discography as it then existed, culminating in 2012’s And So It Came To Pass. But nothing has come to pass from these death metal titans since that stunning record, until word began to spread last spring that the band were in the studio recording a new full-length (and that news landed them on a list of Andy’s most anticipated releases for this year). Now, more details have surfaced about this new Dyscarnate effort. Continue reading »

Jul 192017
 

 

I had a great weekend, thanks for asking. I devoted it to visits by out-of-town family and a two-day picnic, and NCS took a distant back seat, which is why there was no weekend round-up and no SHADES OF BLACK column. We avoided going dark only though the valiant efforts of Andy Synn and DGR.

Predictably, I now have a big list of new songs and videos to share around, too many for one post. We’ll start with offerings from five bands, and I’ll have at least one and probably two more round-ups this week. Might get one more done today, but maybe not. A meteor strike could decimate my home, the chime on a dryer could alert me that it’s time to get the clothes out, I might feel like chasing a passing car, the lorises might commence war games again. The crystal ball is cloudy.

KERES

The new Keres EP (released July 12th) is an exception to the (admittedly porous) rule in our site’s title, but it’s a slam-dunk exception: Justin Helvete’s voice is a truly remarkable instrument. And everything else about these three songs is also remarkable. Continue reading »

Jul 172017
 

 

(DGR takes over round-up duties again, with this collection of new songs and videos from eight bands.)

The end-of-the-week news flood was insane, as we have settled well into summer now and a lot of bands are either gearing up to hit the road or are already out making numerous loops on the festival circuit. Of course, this also means that there are a lot of albums in the hopper, getting ready to come out within weeks, or you’ll start seeing a lot of press for albums set to hit when the first leaves of fall drop.

That’s how you wind up with posts like this SEEN AND HEARD that helped kick off the weekend — not even counting our own fuel that we added to the fire, and the one that you’re reading now, which is basically just a gigantic dragnet for bands that had premieres elsewhere throughout the tail end of last week, or just blasted that thing right out to the world to see.

This episode of SEEN AND HEARD is eight (!) bands deep and skews death-metal heavy, so prepare yourselves for a lot of gigantic grooves, growled vocals, enough blasts to reach gunfire status, and enough chainsaw guitar destruction to fuel the planet. Continue reading »

Jul 142017
 

 

Well, that didn’t last long. Two days ago, when I posted the last SEEN AND HEARD round-up, I announced a plan to post other shorter-than-usual compilations of new music both yesterday and today. Having failed to post one yesterday, that means I’m now back to serving up a more typical groaning smorgasbord of new stuff, enough to challenge the most gluttonous of listeners. Et voila, music from nine bands!

POISON BLOOD

Poison Blood is a collaborative effort by Jenks Miller (Horseback) and vocalist Neill Jameson (Krieg), the latter of whom is a valued contributor to NCS. We’re told that these two came together as fans of each other’s work and a mutual appreciation for Beherit’s classic Drawing Down the Moon LP and the experimental deathrock of cult UK act Rudimentary Peni“.

I confess that I haven’t yet listened to all of their self-titled debut EP — which will be released on August 11 by Relapse — but I’m really enjoying the two tracks that have surfaced so far in the run-up to the release date. The first of those is “The Scourge and the Gestalt” and the second is “Deformed Lights“. Continue reading »

Jul 132017
 

 

(Our friend and long-time NCS supporter Booker from New Zealand prepared this guest post about an unusual new band from NZ named Alien Weaponry.)

New Zealand is a strange place; trust me, I live here. It refers to itself as “God’s own” country, and sees itself as an idyllic little egalitarian (supposedly) land at the edge of the earth, filled with natural beauty, and sparsely populated with easy-going sports-loving people. And yet, behind this idyllic facade it hides a dark past – and hides it well. But as readers of this site know, the hidden, darker side of human nature just happens to be something of a favourite theme for metal. All too often society seems to act like the evil queen in Snow White, only wanting the mirror it holds up to shower it with platitudes and reflect the good. But metal holds up the mirror which flatters not.

Not surprisingly, then, eventually a New Zealand metal band would come along which would dare speak openly of the country’s past. But what would be a surprise, is that it would take a band whose members are still in high school to do it – and in what seems to be a world first, do it with lyrics in Te Reo, the language of the indigenous Māori people. Welcome to Alien Weaponry. Continue reading »

Jul 122017
 

 

I’m showing rare restraint in this round-up. Rather than try to stuff 8-10 new things into one bulging post, which my gluttonous self has a habit of doing, this time I’ve just picked four new things. Following this new, but probably short-lived, format, my plan is to scatter more of these shorter round-ups over the remaining days of this week, too.

GODHUNTER

Back in May we had the pleasure of premiering an unusual song named “Cocaine Witches & Lysergic Dreams” off the band’s new EP, Codex Narco, which has now been released. The whole EP is as hard to pin down as the song we premiered, and that’s one of its many attractions — the creative and unexpected splicing together of disparate musical elements, along with the strong emotional force of the songs, is a big part of what makes Codex Narco stand out.

One of the tracks on the EP is a cover song, Godhunter’s take on “Walking With A Ghost“, which was originally recorded by Tegan & Sara. I also mentioned that the song would eventually become the subject of a music video made by Mitch Wells from Thou, and that video was finally released yesterday. It’s the first item in this collection. Continue reading »

Jul 092017
 


Amenra photo by Stephan Vanfleteren

 

As I mentioned in yesterday’s Overflowing Streams round-up, my plan was to pull together another compilation of recent recommended music under the SEEN AND HEARD header. By the time I finished, I realized that almost everything I had picked came in the form of a video, and the one exception was close enough that I decided to change the heading for this post.

I arranged these videos to achieve a kind of flow, or an arc — not seamless, to be sure, but in a way that made sense to me. Things begin in very dark fashion with the first three videos, then we have some death metal necrophilia as a transition (necrophilia is always a good transition, right?), and then a trio of high-energy tracks that have ethnic musical elements mixed in with otherwise diverse sounds, and then we go out in an explosive bonfire. And with that, let’s begin…

(P.S. My usual Sunday SHADES OF BLACK feature will be posted on Monday.)

AMENRA

The Belgian band Amenra are returning with a new mass, five years after the last one. Mass VI will be released on October 20 by Neurot Recordings, a date that seems very far away, but at least it’s on the calendar now. The video below isn’t a full song (sadly), but it’s a very effective teaser for the new album nonetheless. Continue reading »