May 262020
 

 

Death looms large in Exaugurate’s vision of death metal, but it is not a vision of sudden death or the endless void that would follow it. Instead, their malevolent and morbid music channels raging infection and delirium, protracted misery, the ravages of despair, the foul rot of untreated corpses, and the crushing grief of those left behind. Their death metal is a contagion shaped in sound, in the full expanse of its ravages, and so seems entirely appropriate for the current plague year.

Exaugurate’s debut EP, Chasm of Rapturous Delirium, will be released on May 29th by the Maryland-based label Rotted Life. It contains four monstrous abominations, and we’re streaming all four of them today. Continue reading »

May 252020
 


Sorcerer

 

(With this post Andy Synn embarks on a week-long excursion into shades of doom, beginning with this trio of reviews.)

So far this year the majority of my writing has tended to focus more on the Death and Black side(s) of things, with maybe a bit of Tech/Prog/’core thrown into the mix when the mood strikes me.

But, for whatever reason, very little from the doomier end of the metallic spectrum has grabbed my attention.

This was a little concerning. After all, every year there are several doom-laden diamonds which make my “Critical Top Ten List” with ease – the last few years alone have given us fantastic albums from Fvneral Fvkk, Sinistro, Loss, and more – but so far 2020 seemed to be really lagging behind.

Or so I thought… because over the last couple of weeks I’ve dug up, unearthed, or just randomly stumbled across so many brilliant Doom (or Doom adjacent) albums – some not yet released for public consumption, some a full five months old already – that I’ve decided to dedicate this entire week to the dreary, desolate, delights of the genre, beginning with the new albums from Exgenesis (CO/SE), Funeralopolis (CH), and Sorcerer (SE). Continue reading »

May 252020
 

 

(Seattle-based NCS contributor Gonzo has provided the following review of the new album by the multi-national band Sojourner, which is out now on Napalm Records.)

In all its forms and mutations, you could use a lot of adjectives to describe metal: Brutal. Powerful. Aggressive. Loud. Dynamic. Technical. And dare I say: Beautiful?

Some bands dabble in a “pretty” side at times, and it might work for them as a temporary gimmick or when forcing it into the occasional power ballad. But avid listeners are gonna know when you’re phoning it in, and as a result, the “beautiful” side gets buried under layers of the aforementioned adjectives. While there’s certainly nothing wrong with sheer, unabashed brutality (we ARE metalheads, for fuck’s sake), bands that succeed in combining the beautiful with the brutal can wield an almost overwhelming amount of power when they use it to write songs.

This brings us to Sojourner, a six-piece multi-national atmospheric black metal band, and their monumental new album Premonitions. Continue reading »

May 222020
 


Ante-Inferno

 

(Andy Synn delivers another installment of his occasional series devoted to reviewing releases by bands from his UK homeland.)

So how’s everyone doing? Going a little stir-crazy? Trust me, I know the feeling.

While I’m lucky enough to still be working right now (and my foresight of buying up an entire home gym’s worth of equipment over the years is really paying off) the days are definitely starting to all blur together… heck, I’ve got a four-day weekend coming up starting tomorrow, but I’m not really all that sure what I’m going to do to try and differentiate it from the rest of the week, apart from maybe (hopefully) getting to sleep in.

One thing that’s helping me to maintain my always tentative grip on sanity, however, is music, and I’ve uncovered, discovered, or re-discovered, a whole host of bands during the lockdown period which I’m eager to share with you all, so today I’d like to direct your attention to the recently released albums from Ante-Inferno, Burial, and Patrons of the Rotting Gate. Continue reading »

May 212020
 

 

(We present Andy Synn’s review of the astonishing new opus from the genre-bending UK band Rannoch, which is set for release on May 25th.)

How does one measure ambition?

How do we quantify it and qualify it? How do we analyse and assess it? How do we judge whether one band’s ambition to be the heaviest/fastest/most technical is somehow inferior/superior to another band’s desire to cross-pollinate multiple styles and sub-genres to create something entirely new?

And what of those bands whose central ambition is simply to be the best that they can be and to write the best songs possible? Are they any less worthy than the band who just wrote an hour long, single-track, Prog-Metal odyssey?

All these questions, and more, were floating around my head while listening to the exceptional new album from Rannoch. Continue reading »

May 202020
 

 

(Andy Synn introduces our premiere of the self-titled debut EP by the western U.S. black metal trio Devil With No Name, which is set for release on May 22nd.)

Unlike most Black Metal bands, Devil With No Name take their inspiration not from the chilling heart of winter but from the burning heat of the Arizona desert, whose desiccated desolation is, in its own way, just as bleak and inimical to human life as the icy vastness of the frozen wastes. Continue reading »

May 202020
 

 

(This is Vonlughlio’s review of the new album by Detroit-based Syphilic, which was released on May 15th.)

Today’s subject is a project that in my honest opinion is one of the sickest bands, in terms of of shock value, due to the cover art for their albums throughout the years (we’ll talk more about this in a bit). That band is Syphilic and it was formed back in 2005 in Detroit, Michigan by Brian Forgue, and to this day has released nine albums. We are going to talk about Syphilic’s latest effort Empty Nest, which from the cover to the titles and the lyrics tells a story that is not for the faint of heart. Continue reading »

May 192020
 


Bombs of Hades – photo by Susan Wicher

 

(DGR prepared this collection of reviews, focusing on six 2020 EPs across a range of metal genres.)

If you’ve been reading the site recently you might’ve caught fellow writer Andy Synn doing a deep dive on six EPs that had seen recent release (here). Well, that wasn’t the only one of those on the docket, and what you’re looking at is a second collection of EPs: Stuff that I’ve noticed we haven’t dived into in print, stuff that might’ve glanced by us, and one or two that are basically on the DGR radar by proximity alone.

Musically, we’re all over the map – hell, Ovaryrot’s presence alone was likely to have that effect – as we travel through crusty death metal realms, thrashier-death and black hybrids, to black metal itself and all of its post-genre cousins, even making a trip to the tech-death world to say hi to those over-complicated goofballs and their tendency to try to write everything and the kitchen sink into five-minute chunks, before finally winding up on the doorstep of some nightmare music, because who the hell needs to sleep?

So if you saw the previous six EPs and thought, “Wow, what a fantastic idea”, then settle in my oddly specific friend because do we have a treat for you, another six EPs of music that have hit over the past few months for you to check out and bang your head to. Continue reading »

May 182020
 


Uprising

 

(Andy Synn wrote each of the three reviews collected in this post, singing the praises of the new albums by Afsky (Denmark), Odraza (Poland), and Uprising (Germany).)

Black, as we all know, is the best colour.

It’s slimming, effortlessly classy, and goes with pretty much everything. Which I guess is why Black Metal fans are renowned as the sexiest, suavest-looking motherfuckers on the planet…

All joking aside, while conventional wisdom and common consensus seems to be that 2020 has, thus far, been a big year for Death Metal, it’s also been a banner year for Black Metal too, and I’ve already written about several absolutely stunning entries to the canon (for example, here, here, here, and here) that will doubtless end up on many year-end lists.

Well, now I’m about to add three more contenders for the crown to those lists, with the new albums from Afsky (DK), Odraza (PL), and Uprising (DE). Continue reading »

May 182020
 

 

On their new EP A Blunt Description of Something Obscene, Protosequence have created a genuine musical spectacle, a fusion of tech-death and progressive metal that manages to be both jaw-dropping and beguiling, both head-spinning and bone-smashing. It creates pyrotechnic displays of breath-taking instrumental agility that often seem completely deranged or utterly alien, accompanied by bestial vocal ferocity, but it also seduces the listener with elements of mesmerizing melody. And around every corner (of which there are many in these labyrinthine compositions), a new surprise awaits.

The EP will be released tomorrow by Lacerated Enemy Records, but today we bring you the chance to hear all the music. Get prepared for a wild thrill-ride — and of course we have our own thoughts about these tracks to help you prepare, though no one will blame you for skipping over them and pounding the Play button down below. Continue reading »