May 022016
 

Necrosavant-Aniara MMXIV

 

(We’re late reviewing the very impressive debut album of Necrosavant, but DGR does his best to make up for the delay with this extensive review.)

Sometimes reviews start out as entirely different beasts from the ones that are eventually published. You close your eyes and start typing — in my case usually to discover that your fingers were off to the left by just one letter after about a paragraph — and the next thing you know your opening segment has spent more time talking about other projects that a band might be involved in than the release you were initially focused on. This review has one such lineage, starting out as one for In Mourning, before shifting to October Tide, before finally becoming a review for Necrosavant.

Believe it or not, there actually is a throughline for those three releases. The initially wild and wooly paragraph that opened up this monster would’ve taken you on a journey ’round the world before landing on why those three are tied together somewhat.  Instead, it came down to the fact that although our site posted about the Necrosavant kickstarter way back when it launched, and I personally was on pins and needles hoping to see it succesful (based on a one-minute sample video of guest vocalist Tobias Netzell (In Mourning, Antarktis) delivering a monstrous vocal performance), we actually never got around to talking about the whole album after its end-of-February release through Kolony Records came and went. The time has come. Continue reading »

May 022016
 

Revulsion - Drain-Reject Myself cover

 

When a band name themselves Revulsion, it’s a safe bet that they’re not going to play break-up songs, narcotic stoner jams, or ambient drone. Of course, that still leaves a lot of open territory, most likely the kind that resembles a war zone. But as much fun as guessing games can be, we won’t leave you guessing for much longer.

Of course, some people reading this will already know about Revulsion, but the two-track 7″ we’re premiering today was my first exposure to what they do. You can probably guess that I think it’s damned good. The name is Drain / Reject Myself. Continue reading »

May 012016
 

Sea of Bones-Silent Transmissions

 

Most of the music in this Shades of Black series comes from the realms of black metal, but not all of it. Music can be black for other reasons as well, as demonstrated by the first of the four bands featured here.

This is a collection of songs that have been keeping me company in recent dark days. Until I decided to add the fourth band, I was going to call this Shades of Black — Long-Form Edition, because the songs by the first three bands are indeed much longer than average. They convincingly earn the extra minutes, and I hope you’ll carve out some space for them.

SEA OF BONES

As far as these selfish ears are concerned, far too much time has passed since New Haven’s Sea of Bones released their last album, The Earth Wants Us Dead. At last, we have something new. Continue reading »

Apr 292016
 

Textures - Phenotype - Artwork

 

(TheMadIsraeli returns to NCS with a review of the new album by Textures.)

So what’s the result when a long-running, respected force in metal makes an album after the man who was thought to be their mastermind leaves?

Phenotype is Textures best record since Silhouettes without a doubt in my mind. If I have any complaint, it’s that the band didn’t use this rush of inspiration to write even more material, the album having only having nine tracks on it of varying lengths. Those nine songs however, are dynamic, diverse, and intense in a way the music definitely was not on their previous record Dualism, which, despite my enjoying it, was definitely stagnating a bit. Continue reading »

Apr 292016
 

Schammasch-Triangle

 

(We present the third part of a three-part review by Andy Synn of the new triple album by the Swiss phenomenon Schammasch, which is being released today. Part One is here; Part Two is here.)

The third and final part of Triangle is bound to be the most divisive and most hotly debated segment of the album, showing a very different third face of the band which (almost) entirely eschews the metallic menace of Part I and instead finds the band taking the esoteric progressivity of Part II to its logical conclusion, delving deep into a metaphysical void of moody, ambient minimalism, one which is punctuated here and there by exotic instrumental passages and hypnotic drumming rhythms.

It’s the sort of album designed to either be loved or hated – there’s no middle ground here – and it’s also the sort of album that will potentially take more than a few listens to fully appreciate and come to terms with as well. Continue reading »

Apr 282016
 

Spheron art

 

(Austin Weber continues to pitch in on round-up duty with the second part of a multi-part post recommending metal we haven’t previously covered. You can find Part 1 here and Part 2 here.)

Spheron – A Clockwork Universe

I’m actually surprised that the new Spheron record, A Clockwork Universe, hasn’t been covered here yet since their last one got covered quite a bit at NCS. At any rate, Spheron’s latest is a fantastic record that deserves to be heard by more people! For those unfamiliar, Spheron play a particularly proggy and dense sort of tech-death with a stronger emphasis on complex rhythm riffing over flashy lead playing. Continue reading »

Apr 282016
 

Schammasch-Triangle

 

(We present the second part of a three-part review by Andy Synn of the new triple album by the Swiss phenomenon Schammasch. Part One is here; Part Three arrives tomorrow.)

As it was written, so let it be done… I said I was going to write this review in three parts, echoing the construction of its subject matter, and with the publication of Part I yesterday it seems I’m now committed to this three-part treatise on the esoteric wonders of Triangle.

Now, as much as I foresee a certain amount of wailing and wringing of hands about it, the triple-album format of this release really does give the band a chance to fully indulge their more atmospheric ambitions and progressive proclivities while still retaining a sense of continuity and over-arching identity across each separate segment.

Apropos of this, with Part II you can really feel the doomier, proggier side of the band coming through, although this neither downplays the doomy touches already making themselves known during Part I, nor the blackened bite that many of the songs on Part II still possess. It’s simply an acknowledgement that for Schammasch this is yet another step onwards down a path of their own choice and making. Continue reading »

Apr 272016
 

Arms art

 

(Austin Weber continues to pitch in on round-up duty with the second part of a multi-part post recommending metal we haven’t previously covered. You can find Part 1 here.)

Arms – Blackout

You ready to get down with some nasty math-grind? Because Arms bring it throughout every jagged and howling minute of their sophomore full-length, Blackout.

I have Ken Reda from Bhavachakra (previously covered in a song premiere here at NCS!)  to thank for tipping me off to this most excellent display of virulent rad viciousness! I think it’s additionally cool that the diverse and complex sonic whirlwind that Blackout delivers is the result of only one guy, Orlando, Florida-based musician/sound engineer Paul Hundeby. Continue reading »

Apr 272016
 

Schammasch-Triangle

 

(We present the first of a three-part review by Andy Synn of the new triple album by the Swiss phenomenon Schammasch.)

It’s no secret that Contradiction, the second album by Swiss occultists Schammasch, is one of my all-time favourites. But where does a band go from a massive, potentially life-changing release like that?

Well, apparently you push things even further with a triple-CD release, split up into three distinct movements concerning the process of death, detachment, and transcendence, comprising some of the most ambitious, progressive, and creative compositions you’ve ever put together.

For such a mammoth undertaking it only seemed fitting to address each distinct part of the album separately, so for the next three days, leading up to its physical release on Friday the 29th of April, I’ll be publishing my thoughts on each sequential segment of Triangle, beginning with Part I: The Process of Dying. Continue reading »

Apr 262016
 

Nostril CavernsTectum Argenti
 
vipassicrisis actor art

 

(Austin Weber pitches in on round-up duty with the first part of a multi-part post recommending new metal.)

Hey there NCS readers, it’s been far too long since I stopped in with a massive round-up of obscure (and not yet covered at NCS) jams from all over the metal map musically. Seeing that Islander has been busy slaving away on work-related duties in order to raise funds to care for the recently rabies-infected horde of NCS Lorises, it felt like a good time to begin sharing some of the many bands I have piling up endlessly in multiple word files. There will be several more editions of this to come, so be sure to stay tuned.

Ever since Islander was kind enough to let me do some writing for NCS, this site has felt like home to me. Our audience is so special, and clearly more eclectic and willing to explore than visitors at most sites, it seems. So here’s to you, oh seekers of joy within chaos and serrated sounds. And also for those who are musically prog heads at heart! I made sure that none of what I’m covering here has been covered at NCS so far, so make sure to give everything a listen! Without further ado… it begins! Continue reading »