NO CLEAN SINGING

SEEN AND HEARD: LEVIATHAN, LYCHGATE, IMPLODES, SVIN, KEEP OF KALESSIN

Feb 132015

Presented below, for your entertainment and edification, is a collection of songs and videos I discovered this morning. All but one are new. All are recommended. No two of them sound alike.

LEVIATHAN

Within the last couple of days Noisey published an interview of Leviathan’s Jef Whitehead by Drew Millard, preceded by Millard’s thoughts about the subject of the interview (“Whitehead’s a scary guy”). If you want to read that, the link is below. But the main point of attraction to me was an accompanying premiere of a new song from Leviathan’s forthcoming album, Scar Sighted (due for release by Profound Lore on March 3). Below, I’ve included the Soundcloud stream for that, too. Continue reading »

SHORT BUT SWEET: TUSSK — “PAR T. ANIMAL”

Album Reviews, SHORT BUT SWEET 1 Response »

Feb 132015

(Andy Synn reviews a new two-song offering by Tussk from Staffordshire, England.)

So last Friday I played my first show of 2015 with Beyond Grace, alongside fellow Nottingham natives The Five Hundred (think a more melodically-inclined Lamb of God) and The Winter Hill Syndicate (melodic/metallic/misanthropic hardcore), and bewhiskered Staffordshire riff-mongers Tussk… and it’s the latter band I’ve come here to talk about today.

Now Tussk don’t claim to be reinventing the wheel in the slightest, and their whiskey-soaked strut and shimmy certainly bears more than a few similarities to the cock-sure chaos of Every Time I Die… but after knocking back a couple of heavy doses of their high-proof, high-voltage riffery, each one accompanied by a chaser of smooth, bluesy swagger, I doubt it will matter to you whether you’ve been down this road before or not… what’s important is who’s doing the driving! Continue reading »

AN NCS PREMIERE: DECLINE OF THE I — “LE ROUGE, LE VIDE ET LE TORDU”

Premieres 2 Responses »

Feb 122015

The French band Decline of the I are nearing the release of their second album, a seven-track work entitled Rebellion. We’ve paid close attention to the music as individual tracks have been released for public consumption. Last October we wrote about the first advance track from the album, a song named “Hexenface”, and then covered the premiere of a second one — “Lower Degree of God’s Might” — in mid-January. Now we ourselves have the pleasure of bringing you a third example of what Rebellion holds in store.

The song we’re premiering is “Le rouge, le vide et le tordu” (“The red, the emptiness, the twisted one”), and it is yet another display of the diverse talents of the band’s principal creative force, multi-instrumentalist A.K., who has also performed in such bands as Vorkreist, Merrimack, and Malhkebre. Continue reading »

GRIND YOUR HEART OUT

Album Reviews, SHORT BUT SWEET 4 Responses »

Feb 122015

(Austin Weber brings us a collection of short reviews of grind core albums that have caught his fancy.)

I’m backlogged on metal I want to write about, including a diverse wealth of different-sounding grind bands I feel are worth mentioning. So here is a grind dump of grind bands whose names all coincidentally start with the letter C (except Executive Task Distraction, who have fucked that up). They all happen to kick major ass as well.

Also, watch how many times I say the word “grind”! Since grind is short, sweet, and in your face; the write-ups will be similarly brief. The last two bands give away their albums for free. Freedom is grind, free grind is freedom. Grind yer heart out!

Cave Moth – The Black Lodge

Cave Moth sound like the result of what would happen if you took every crooked and dark element of Gaza and condensed them into a hyper-violent grind format with a bit of mathcore influence and supported by a fuckload of stark dissonance. Continue reading »

SWAMP WITCH: “THE SLITHERING BOG”

Album Reviews 4 Responses »

Feb 122015

(Our guest Grant Skelton reviews the new album by California’s Swamp Witch.)

“This miry Slough is such a place as cannot be mended. It is the descent whither the scum and filth that attends conviction for sin doth continually run, and therefore it is called the Slough of Despond; for still as the sinner is awakened about his lost condition, there arises in his soul many fears and doubts, and discouraging apprehensions, which all of them get together, and settle in this place. And this is the reason of the badness of this ground.”

–John Bunyan, Pilgrim’s Progress

Some metal is made to be immediately infectious. When I began my journey as a metal fan, I would describe my metal collection that way. Immediately infectious, catchy, listener-friendly, accessible. I became a metalcore junkie in high school and that lasted into my early-mid 20s. The older I get, the less time I have to listen to music than I did when I was younger. On the other hand, I find that I have an increasing desire to explore new genres. I want metal that takes me somewhere I’ve never been before. Everyone loves a memorable chorus that gets stuck in their head for days, but sometimes you don’t want just that.

Those of you who read fiction will likely be familiar with the term “suspension of disbelief.” It refers to a writer’s ability to make you forget the line between this world and that of the story you are reading. You forget truth, reality, value judgments, and the like and you plunge right into the narrative. Of course, suspension of disbelief requires some action on the part of you as the reader. But good writing invites you to suspend your disbelief without you even being aware that you’re doing it. You will participate in the story, and not merely read it. You live the events with the characters rather than just observe them. Suspension of disbelief is just as important for the most realistic murder mystery as it is for high fantasy realms of swords and sorcery. And music has something similar. A good album takes you somewhere. It tells a story that involves an introduction, a conflict, a climax, and a resolution. It can make you feel anger, grief, joy, fear, guilt, or longing. And it can do so without forcing those feelings upon you. Continue reading »

NAPALM DEATH: “APEX PREDATOR (EASY MEAT)”

Album Reviews 5 Responses »

Feb 122015

(DGR reviews the new album by Napalm Death.)

Our crops had been weak for decades, our village was starving, and we found ourselves on the near brink of ruin. Famine had torn through the whole country, but my village was hit especially hard. We knew that there wasn’t much time left, and despite this being the modern age we had few solutions going for us. We had tried so many on the path to getting ourselves back up on our feet but nothing had worked. We were desperate and starving and we all knew it. Ideas once thought stupid were now grand gestures of genius and we were embracing them all wholeheartedly. If we had honestly thought that painting ourselves blue and pretending to be cat people would’ve worked, we would’ve done it.

Now, we found ourselves turning to a person that we honestly hadn’t thought about or given a second notion to for years. He was a relic of the past, kept alive mostly by fool traditionalists and relatives. Nobody cared to learn his art and so he was to be the last of his kind, yet here we were, three days running now in a smoke-filled tent with a man now in his upper eighties with body paint on, deep in thought and apparently asleep. We had turned to our shaman and were using him in the way that my grandparents would’ve sought knowledge with his father. We were hoping to hear something wise, anything, really, to get ourselves out of the mess of starvation that we were currently in.

Finally, after three days of being so still as to appear petrified were it not for the glistening beads of sweat on his forehead, he began to convulse. My friend jumped forward to help but my father held him back, informing him that this was how it had always gone and were anyone to interrupt him the whole process would have to start anew. And so, we sat and watched a man convulse until finally he opened his eyes and one our own ran out of the tent hollering to the village that he had awoken and was going to speak. Finally, he opened his mouth and uttered a few words of wisdom before closing his eyes and nodding off.

“Napalm Death are an important band” Continue reading »

GET TO THE POINT: A.C. OF THROES

Interviews, RANDOM FUCKING MUSIC 2 Responses »

Feb 122015

(In this latest installment of his “Get To the Point” series, KevinP poses 5 questions to multi-instrumentalist “A.C.” of the UK band Throes, whose debut album Disassociation is coming out March 22nd… and we have a new song to stream as well.)

******

K: Another day, another new band from you. So what’s this all about?

A: Throes comes from a turbulent time. It was originally formed as a full band in 2011 but due to DG’s term of house-arrest we were forced to disband. There’s not a great deal worth delving into with regards to the history of Throes. In fact, we’d rather leave most of it feigned in mystery. This is for a variety of reasons but mainly because when you look at the current incarnation of Throes it bares no similarities to its predecessor (i.e., as opposed to being a full band), it is now a two-man outfit with all instrumental and writing duties handled by myself and vocals performed by DG.

K: So musically what were you aiming for on this, as opposed to the plethora of other bands you are involved with?

A: This has a whole load of electronic influences and definitely takes a much more experimental approach than any other record I have done. Also, I wrote the material over a fairly short period of time in comparison to what I would normally spend on a record. Continue reading »

SEEN AND HEARD: VOICE OF THE SOUL, IN DREAD RESPONSE, SOUTHERN FRONT, MUSCLE AND MARROW, FALL OF SUMMER 2015

Exceptions to the Rule, Metal News, RANDOM FUCKING MUSIC 3 Responses »

Feb 112015

I would actually like to review an entire album. Or even an entire EP. And I harbor hopes of finishing the rollout of our Most Infectious Songs list for 2014. But on a daily basis I continue to find new songs that I feel compelled to say something about, and so here we have another round-up of such discoveries.

VOICE OF THE SOUL

I first came across Voice of the Soul four and a half years ago via a MISCELLANY excursion. The band’s vocalist/guitarist Kareem Chehayeb was then based in Kuwait, with other band members spread around other locations in the Middle East. When I reviewed their 2011 EP, Into Oblivion, I found that it represented a large leap forward, or more like a stretching of wings — by a rapidly maturing raptor with big claws that could do some damage, and an even more impressive ability to take flight on the wings of some very memorable melodies. Since then, Kareem Chehayeb and guitarist Monish Shringi relocated to Dubai in the UAE, and recorded the band’s debut album, Catacombs.

Guest writer Gorger reviewed the album for us last October and gave it high marks. But despite his praise and my own history with the band, I stupidly didn’t dive into it. Too many other distractions, I suppose. And then yesterday I watched and listened to the band’s new lyric video for a song from the album named “Defiled”, and holy shit. Continue reading »

SEVEN YEAR STORM: “AION I”

Album Reviews 3 Responses »

Feb 112015

(TheMadIsraeli recommends a forthcoming album by a new band named Seven Year Storm.)

Seven Year Storm is spearheaded by First Reign drummer Sean Lang and Archspire ax-murderer Dean Lamb. Figured that would get your attention immediately.

Aion I is instrumental metal with a rather video-gamey quality to it, in that it’s driven by very enigmatic melodies, and the music thrives on syncopated grooves and polyrhythms, with gorgeous leads and atmosphere. It’s captivating, the songs are concise, yet have a lot of substance. Aion I is the band’s first output, an EP, and it’s quite good if you’re into instrumental metal of any sort.

It’s a bit spacey, a bit jazzy, and a bit neoclassical — a winning combo for me and right up my alley. The interesting thing here is that this EP isn’t a skill showcase for either Lang or Lamb (both of whom are impressively skillful), but a genuine songwriting exercise. None of these songs in any way pushes any kind of instrumental capacity. It’s all about memorable melodies and celestial atmosphere with grooves that are very hooky. Continue reading »

ENSLAVED: “IN TIMES”

Album Reviews, Exceptions to the Rule 13 Responses »

Feb 112015

(Andy Synn reviews the new album by Norway’s Enslaved — now with a full-album stream at the end.)

The phrase “The more things change, the more they stay the same” is almost beyond cliché at this point, yet I feel that it still retains some value… as long as you use it in the right place, and at the right time.

Case in point: It seems to apply to Enslaved more than to most bands I can think of, as few other artists seem to have perfected the almost zen-like balance between progress and preservation as the Norwegian natives.

If you see the band live these days you’re likely to hear material from across the length and breadth of their career, from Frost to Monumension to Axioma… all seamlessly integrated and interwoven together… and it’s truly amazing to be able to hear songs like “Allfǫðr Oðinn” and “Death In The Eyes of Dawn” next to one another in the same setlist, forcing you to realise that no matter how far they’ve come or how much they’ve progressed over the years, Enslaved are still very much the same band they always were at heart, and that there’s no era or element of their sound that doesn’t represent who they are. Continue reading »

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