May 192014
 

Barring some truly unfortunate and unexpected mishap, I will be leaving Seattle on Wednesday morning at the ass crack of dawn to attend my first-ever Maryland Deathfest. I have to add that “mishap” caveat because two members of our original contingent of five Seattle travelers have already had to bail out, the most recent one due to a wrist fracture over the weekend that necessitates surgery tomorrow. So I’m not counting on anything until my butt (and the plane carrying it) lands on the East Coast.

Assuming I make it to Baltimore, there will likely be fewer posts the rest of this week than usual. I don’t plan on spending as much time scouring the web for new music or patiently listening to new releases for review purposes. Also, one of my NCS colleagues — BadWolf — will be at MDF, too, so I’m not expecting much out of him either. Correction: I do expect him to keep me out of jail and out of hospital emergency rooms.

We might have some photos, we might not. We might have some interviews, we might not. We might write some show reviews, but we might not. In other words, this really isn’t a blog-related project, and if the burden of writing about what we’re seeing and hearing interferes with the enjoyment of the moment (or with sleep), you can guess what’s going to take priority. Continue reading »

May 192014
 

To help start the new week, here are some new songs and related news that I came across over the weekend.

MASTER’S HAMMER

The Czech band Master’s Hammer began recording music in about 1987, with a 14-year hiatus between their third album in 1995 and their fourth one in 2009. Their sound evolved over those many years. In Darkthrone’s biography (here), Fenriz has referred to the band’s debut album Ritual as “actually the first Norwegian black metal album, even though they are from Czechoslovakia”, but later releases incorporated wide-ranging styles of music, including folk and classical.

Yesterday Master’s Hammer released their sixth studio album, Vagus Vetas, through the band’s own label, Jihosound Records, where it’s now available for order. Physically, it’s a very attractive release (some photos of the CD and the 12-page illustrated booklet that comes with it can be seen here), and it includes 12 songs. Unfortunately, I haven’t found any one of them on-line, but I do have a teaser video. Continue reading »

May 192014
 

(Saint-Petersburg-based guest writer Comrade Aleks has delivered to us the following interview with Antti Koponen of the Finnish doom band Serpent Warning.)

Finland is well known for bloody good doom bands of every kind. Some like funeral stuff in the vein of Skepticism or Shape of Despair, some remember the old heretics of Unholy, and most of us know the traditional doom scene of Land Of The Thousand Lakes, Reverend Bizarre, Lord Vicar, and Fall Of The Idols, just to name a few.

But new blood comes our way as well, and we have seen the arrival of such bands as The Wandering Midget, for example. Samuel Wormius, a voiceman of The Wandering Midget, did a great work with his killer vocal lines for the first EP and full-length of the very promising band Serpent Warning — and Serpent Warning adds yet another glorius chapter of the Finnish national doom epos indeed!

I Hate Records educated me about the debut album, and I’ve gotten in contact with the band. As a result, Antti Koponen (guitars) is online today! Continue reading »

May 182014
 

For those who may be unaware of Misantrof ANTIRecords, it’s a nonprofit organization headed by Daniel Vrangsinn of Carpathian Forest that among other things distributes music for free download, allowing the artists to keep all rights to their own music. Misantrof’s latest release is Oriental Flavors, a free compilation of songs by 19 metal bands from countries across the Middle East. The comp was assembled in collaboration with Middle Eastern Mayhem and Mohareb Records, and it’s also available from Misantrof as a limited 2-CD set for fans who prefer a physical format.

Making extreme metal and getting it noticed is a challenge almost everywhere, but as Vrangsinn observes in his introduction to Oriental Flavors, doing that in certain parts of the Islamic world can be downright dangerous to the welfare of the bands. But as this comp demonstrates, metal lives and grows in even the most inhospitable places.

The music is described by Misantrof as a mix of black metal, death metal, thrash, “and other kinds of lovely extreme metal from extreme people, for extreme people!” Of the bands on the comp, I was previously familiar with only one — Tunisia’s Barzakh, who were included in a series on North African metal that I wrote almost four years ago (here).

I only discovered the existence of Oriental Flavors this morning (it has just been released), so I haven’t had a chance to listen to all of it yet. But I have taken the liberty of uploading three tracks to our Soundcloud so I can stream them for you here, as a sample. Continue reading »

May 182014
 

As explained yesterday, I impulsively decided to write a weekend series on labels whose releases I have rarely (if ever) written about. As in the case of Ektro Records (featured yesterday), I happened upon the songs in this collection at Soundcloud. All of them are by bands whose music has been released by an underground Swedish label named Lamech Records, whose web site is here. I was unfamiliar with all four bands featured here before checking out these songs, but I really like what I’ve heard.

LVXCAELIS

LvxCaelis are from Santiago, Chile. It appears they have released a 2010 demo named Nigredo – The Dead Head and an album in 2012 entitled Mysteria Mystica Maxima XXIII. The song I stumbled across on Soundcloud is “Darkening Sun. Evolving Chaos”, which will apparently be included on a forthcoming four-song Lamech release called Slaughtering of the Lamb.

The song is aptly titled. It is the sound of the sun being eclipsed, and chaos does indeed ensue as murky, eviscerating riffs vibrate ominously and the drums blast and rumble. As grim and frostbitten as the melody is, the music nevertheless has the power to set a hook in your head, even though the vocalist is trying to tear it off at the same time. A really good fusing of black and death metal. Continue reading »

May 172014
 

Here’s how this post came about:  I listen to Soundcloud every day, following links in our emails or ones I see on Facebook. Usually they’re advance tracks from new albums, and I’m trying to decide whether to write about them. Yesterday I listened to one solely because the band had the longest one-word name I’d ever seen.

When a song finishes on Soundcloud, another one generally starts playing, whether you want it to or not. That also happened yesterday, and it drew me into other bands on the same label as the first one — Finland’s Ektro Records. I’ve written about that label’s releases in the past, but infrequently.

So I had the impulsive idea of writing about a group of songs from recent Ektro releases that I found on Soundcloud. And I decided to do the same thing tomorrow, focusing on another label with which I’m even less familiar.

In the past I’ve found Ektro’s releases very interesting, though a high percentage of them aren’t straight down the metal fairway. The ones you’re about to hear aren’t either. But they’re not down the middle of any fairway — which is why I’m digging them. Continue reading »

May 162014
 

Lots of new songs appeared today. I picked six to play for you, despite the fact that I could maintain alliteration for only two groups of them. In a rare display of concision, I will be concise. If you don’t find at least one thing to like in here, there may be no hope for you.

VADER

I’m borrowing Axl Rosenberg’s introduction to the new Vader song at Metal Sucks because it made me laugh:

Vader have released a new song, “Triumph of Death,” which you can stream below. It’s a visceral track which, believe it or not, may make you tear up a bit, as its subject matter is one to which we all relate: a metalhead is forced against his will to go see the (Hed)P.E. and SOiL tour, but he ultimately manages a bittersweet victory when he kills himself mid-show by inhaling next to a guy in a Primer 55 shirt, thereby attaining sweet release. The metal community has lost too many good men and women that way, and I commend Vader for calling attention to these tragedies.

Continue reading »

May 162014
 

Here are a couple of North American tours announced this morning that I thought were worth spreading around. The music in the two tours lies on divergent ends of the metal spectrum, but both shows should be excellent.

CARNIVAL OF DEATH 2014

This death metal blockbuster is co-headlined by Suffocation and Kataklysm, with Suffocation closing the shows on the US dates and Kataklysm playing the final sets in the Canadian shows. Accompanying those two heavyweight acts on this tour will be Jungle Rot, Pyrexia, and Internal Bleeding.

As the poster up there indicates, the tour schedule hasn’t been announced yet.

Now, changing gears… Continue reading »

May 162014
 

(Austin Weber puts the spotlight on a big load of 2013 (and 2012) releases that he feels were overlooked. This is Part 4 of a four-part piece. Previous installments appeared on each of the preceding three days.)

SNAKE BAPTIST

Snake Baptist are a group I found through The Number 12 Looks Like You Facebook page when I recently scrolled through it. Even though they are broken up, I curiously checked their page after listening to #12 all day. I felt moved that day by the somber intro to #12’s “Jay Walking Backwards”, as they were a band who my late brother and I mutually enjoyed. So the sadness contained in that intro really hit me hard for some sentimental reason.

Anyways, on to the serpentine bastards in Snake Baptist. Basically, they mix The Sawtooth Grin type of chaotic grind (a comparison helped by the presence in the band of The Sawtooth Grin’s vocalist Rich) with a Dillinger tinge, and then make the sound more insane with a scalding powerviolence influence. Continue reading »

May 162014
 

It’s time for audio mauling, with flair, as we bring you music from two metal-weighted hardcore bands who’ll slug you in the mouth and then kick you in the cojones before you have time to pick up your teeth.

The bands are Benchpress from Lewiston, Pennsylvania, and Martyr’s Tongue from San Juan, Puerto Rico, and Get This Right Records has just released a split 7″ that includes two songs from each band. We’re premiering streams of all four songs after a brief introduction.

BENCHPRESS

As the band’s name signifies, the original members apparently came together with the tongue-in-cheek idea of making “beatdown anthems for gym-rats”, but the two songs on the new split aren’t joking around. “Penance” and “Pissed Away” rocket through the bloodstream in about six minutes. They inflict the punishment with thick, rebar-strength riffs delivered in both flashing jabs and brutal hammer blows, with squalling feedback leading to thunderous breakdowns. And you can feel the vocalist’s jugular veins coming apart violently as he vents his venom. Merciless and heavy-grooved, these tracks will make your bad moods murderous. Continue reading »