Jun 282014
 

Happy Saturday to one and all, and if you happen not to be happy on this Saturday, we offer our condolences. Perhaps some of the new sounds in the following collection will cheer you up. They sure as hell put a smile on my face.

XERATH

A couple days ago Candlelight Records announced that it will release the third album by UK-based Xerath on September 16 in North American (September 15 for Europe). The title is III, and it was produced by Jacob Hansen (Volbeat, Epica). The album is a mammoth one, with 14 songs and a run time of almost 70 minutes, and the cover art was again created by Colin Marks. The album also marks the appearance of new guitarist Conor McGouran, who has replaced the formidable Owain Williams. Also appearing on the album will be a live string quartet and classically trained alto and soprano vocalists.

I really enjoyed this band’s first two albums and have had high hopes for the new one. We got a first taste of the album in late April when Candlelight released a sampler that I wrote about here. The sampler included a previously unreleased Xerath song named “Sentinels”, and although I didn’t know it at the time, that turns out to be the seventh track on III. And then two days ago, a teaser of additional new music appeared on YouTube. Continue reading »

Jun 272014
 

Well, this is a damned fine way to end the damned work week — with the release of yet another free demo by Sweden’s Torture Division. This new one is named The Reaping.

As followers of the band know, they periodically release demos for free, and each time they complete a trilogy of demos they package them up for release on a compilation CD. In 2013, Torture Division released two demos, both of them (as usual) mixed and mastered by the masterful Dan Swanö at Unisound. The first one was named The Worship, and I reviewed it here. The second one was The Sacrifice, and I reviewed that one, too. And then I also picked one of the 2013 songs — “All Rise” — for my list of 2013’s Most Infectious Extreme Metal Songs.

The Reaping completes the latest trilogy of Torture Division releases. This one was also mixed and mastered by Dan Swanö, and in addition to providing a free download of the songs in mp3 format, this time Swanö has prepared a download file of the songs in full dynamic range FLAC format for the audiophiles out there. So go thank Mr. Swanö by liking his Unisound Facebook page, dammit!

And while you’re in a thankful mood, go throw some money at Torture Division via this link so they’ll continue showering us with the best goddamned death metal masterpieces the world has ever known (I know these are masterpieces because Torture Division says so, dammit!).

And now, for a few words about The Reaping. Continue reading »

Jun 272014
 

Display of Decay roam the badlands of Edmonton in Alberta, Canada. They released a self-titled debut album in 2012 and have followed that up with a five-track EP named Outbreak of Infection, due for release on August 26. Today we bring you the premiere of the EP’s title track.

“Outbreak of Infection” is a Deicide-al rampage of fast, rapacious riffing and spitfire soloing, with gut-punching drums and a gruesomely guttural vocal performance. These dudes do a good jump injecting the music with snake venom and radiating an aura of ravenous evil. They bring the death metal brutality, spiced up with insidious melody and high-voltage fretwork. Continue reading »

Jun 272014
 

(Our Russian contributor Comrade Aleks returns with another interview — and this time he talks with Kyle Alexander McDonald from the Canadian band Zaum, whose first album debuted earlier this month. We’ve got a stream of the album in here, too)

A caravan from distant Sweden comes into our city, as I Hate Records brings rich gifts, and among them I’ve found a rare one: Shining with colours of the sun, a disk with scriptures ancient, the 2014 debut CD of Zaum from Canada, with psychedelic heavy vibes. Enriched with the wisdom of Oracles, the melodies are spreading and full of Eastern mystic rituals that come and blind our feelings. Kyle, the master of the voice and heavy guitars, answers our questions and reveals secrets of the band and of long-gone tribes that make their stories come alive. So, welcome pilgrims of doom and praise the gods for rain.

********

Salute Kyle! First of all let me ask a straightforward question: What does the band’s name mean? I know only an accordant word in the Russian language, but I wonder if you meant that when you give your band such a name.

For us, ZAUM defines the form of communication beyond that with which we are commonly familiar and have used as humans.  By harnessing ZAUM, one is able to communicate at a higher form without the boundaries of a modern spoken language.  ZAUM tells of a deeper meaning in the medium beyond the borders defined by the music, experienced as a deep mental elevation.  We indeed reference the invention of ZAUM by Russian Futurist poet Aleksei Kruchenykh – so I suppose in that regard we do have a Russian connection.  I’ve used the name as a label for my personal demos since 1993, and when the time came to name the band – it just made sense, as this is my first band in which I’m writing 100% of the music rather than in collaboration.  That said, Chris [Lewis] does have a hand in the song arrangements.  Hopefully we can play there soon.

 

You’ve been playing heavy tunes since the mid-90’s. What have been the most memorable periods in your artistic life?

Speaking for myself — I formed and played bass in a 3-pc stoner/noise band called COPSHADES and did a lot of touring with that band, which is now defunct, though it was very dear to me and my artistic journey.  Additionally, I fronted a 3-bassed psych/doom monstrosity called SHEVIL – a band which is currently on hiatus due to 2 of the 4 members relocating for jobs.  We recorded an EP and most recently a full-length which was just pressed to vinyl and is available to purchase from shevil.bandcamp.com — only 100 copies pressed so get one while you can! Continue reading »

Jun 272014
 

Okay, maybe you’ll believe that Darkest Hour and Abigail Williams are making new albums. And I don’t actually know of any scientists who said they couldn’t do it. I mean, it’s not as if these new albums are going to open wormholes that tunnel to distant galaxies — but it could happen! They could also include 5 weight loss tricks guaranteed to give you six-pack abs while you sleep!

I hate click bait with a fury hotter than the flames of hell, but I’m getting kind of bored with those “Seen and Heard” headlines. Anyway, here’s the news and snippets of music.

DARKEST HOUR

Yes, Darkest Hour have indeed finished recording a new album, just in time for them to hit the road on the Mayhem Festival tour, where they will be joining Cannibal Corpse, Wretched, Erimha, Body Count, and some other bands (and in what world do Emmure and Korn get higher billing than Darkest Hour and Wretched?).

Yesterday DH posted a snippet of music on a site called FuckWaitingAroundToDie. It’s all of 18 seconds long. It sounds scorching. Continue reading »

Jun 272014
 

(Andy Synn delivers another installment of his irregular series of album reviews in haiku. Two more reviews come after the jump. With music, of course.)

So it’s been a while since I’ve done one of these columns, as my productivity on NCS has been particularly dire recently. While I’m working to correct that though, I thought I might as well use the format of this particular column to try and catch up on a few things we’ve missed out on.

As part of that I’ve decided to shake things up slightly, and give each of these albums a small introduction preceding each haiku. It’s a good time to bring it in, too, as each of these albums fits vaguely under the “Post/Atmospheric Black Metal” banner, so are all somewhat disparately united under a common theme, despite all hailing from different countries around the globe.

Anyway, enough of that blather, on to the poetry! (that sounded way more metal in my head)

ION – ION

A Post/Ambient Black Metal three-piece from San Francisco, Ion released their self-titled debut in April this year and I was immediately blown away. This is a brilliant, mesmerising album of blackened blast beats and gleaming celestial melody, based around a vibrant core of feverish riffs and soaring leads, that gets better and better with each listen. It completely renews my faith in this style of music every time I hear it. Continue reading »

Jun 262014
 

If you’ve been lucky enough to catch the Southeastern leg of Agalloch’s current tour, then you’ve already had the chance to witness the live performance of Vex from Austin, Texas, who’ve been along with Agalloch for that ride. For those who haven’t had that chance, we’ve got the next best thing — a premiere of a new Vex song that’s destined to appear on the band’s third album, Sky Exile.

This really well-written, mainly mid-paced song employs the kind of heavy, hammering riffs and flesh-raking vocals that will be familiar to fans of classic Scandinavian melodic death metal, but as the song unfolds it moves in increasingly interesting and unexpected directions, becoming a sophisticated, multi-textured work with the power to draw you back again and again. Continue reading »

Jun 262014
 

Yesterday was an eventful one in the realms of metal, with enticing new-album announcements and new songs. I’ve collected a few of the most interesting items here. I stayed up late at a metal show last night and am now rushing to get my ass out of the house and onward to my fucking day job, so I’m presenting the new songs without my usual commentary (which I may add later).

DARK FORTRESS

More than four years have passed since Germany’s Dark Fortress released the fantastic Ylem. Finally, after a few postponements, a new album is ready. Entitled Venereal Dawn, it’s scheduled for release by Century Media on September 2 in North America (and September 1 everywhere else) and yesterday its cover art was revealed. The cover is a painting by a Netherlands-based artist named Nespress Danielewski and it appears he has created other art for the album as well. I really, really like this cover and am interested to see what else he’s done for Venereal Dawn.

Of course, I’m really interested in the music, too. The press release says: “Expect epic song structures, mighty sonic cathedrals, virulent and sinister magic and lots of unexpected twists and turns as the bands drags you screaming and headbanging through the abysmal roller coaster of their universe once more.” Oh yes…

https://www.facebook.com/officialdarkfortress Continue reading »

Jun 262014
 

(Austin Weber reviews the new second album by Inanimate Existence.)

With their first record, 2012’s Liberation Through Hearing, Santa Cruz-based Inanimate Existence showed themselves to be much more than a technically competent brutal death metal act. A full half of the album was an experimental instrumental affair of great diversity. As a result, the evolution of their sound present on their sophomore follow-up, A Never-Ending Cycle Of Atonement, is not completely surprising. Yet it’s still stunning that they’ve managed to merge their progressive and experimental side with a series of ferociously cutthroat, frenetic death metal songs.

It’s an eloquent feat that works far better than it sounds on paper. Even more, the whole experience is bound to a philosophically rich lyrical focus of cyclical failure, potential redemption, and the eventual return to start the process again.

A Never-Ending Cycle Of Atonement is a worthy sequel to their first album, similar but bolder, more extravagant, and still intent on further branching out from the confines of mere brutal death metal. There is a larger melodic focus this time as well — verging on the sound of both Decrepit Birth and Necrophagist at times. Continue reading »

Jun 252014
 

On July 15, Unholy Anarchy Records will release a four-song split by Krieg and Ramlord, and today we’re delighted to premiere one of Krieg’s two tracks, “Worthless Nothing” — a cover of a song from the 1993 LP The Greatest Invention by the seminal UK crust band Doom.

As I wrote in my recent review of this excellent split, Krieg’s decision to cover this particular song makes perfect sense in the context of this release. It’s a natural pairing with both Krieg’s other song, an original composition named “Mocking Dead Empires”, and the blackened crust-punk assaults mounted by Ramlord. “Worthless Nothing” drives hard and fast, propelled by a combination of virally infectious jumping riffs and doused in acid by one of the best voices in US black metal.

Krieg long ago cemented its place as one of the cornerstone bands of black metal in the U.S. After two decades in the trenches, Krieg has nothing left to prove — but the creative fires are obviously still burning hot and bright. Listening to Krieg turn back the clock to the spawning grounds of crust while putting the band’s own vicious stamp on the sound is proof of that, and it’s also an enticing tease for the Krieg full-length (Transient) that’s expected later this year. Continue reading »