Jun 092014
 

(Andy Synn wrote this review of the new album by Liverpool’s Anathema.)

Let’s start things off by getting a few things out of the way first, shall we? If your initial reaction to this post is:

“That’s a stupid name. I won’t listen to what any site named No Clean Singing has to say!”

Or:

“What is this? This is not metal! This site is stupid!”

Then there’s the door. Feel free to let it hit you on the way out.

For those of you who’re still reading (hopefully that’s most of you, because our readership here at NCS is, in the majority, pretty open-minded and interested in the albums/bands we elect to cover), thank you for sticking around, and I hope to make it worth your while. Continue reading »

Jun 092014
 

This is off-topic. No metal here. I’m just killing time until I can come up with something else to post today, if my fuckin’ day job will leave me alone long enough to do that. In the meantime, here’s something that happened in my home town of Seattle last Friday, June 7:

Seattle’s own Sir Mix-A-Lot performed “Baby Got Back” with the Seattle Symphony Orchestra and about two-dozen butts (attached to about two dozen ladies from the audience).

This was done as part of the symphony’s “Sonic Evolution” project, in which composers are commissioned to write orchestral world premieres inspired by bands and other artists from (or in some way related to) Seattle. In this instance, composer Gabriel Prokofiev wrote and conducted an original piece inspired by Sir Mix-A-Lot. Did not see that coming.

Also, as you’re about to witness, he also arranged an orchestral accompaniment to “Baby Got Back”, the second best-selling song in the U.S. in 1992 and controversial enough to be banned from MTV back then (briefly). I guess you could say times have changed. Continue reading »

Jun 092014
 

(Austin Weber returns to NCS with recommendations of new underground releases. There are four bands covered in this post and tomorrow there will be three more.)

Whenever I do get around to writing various articles or reviews, I typically find myself instantly sidetracked and sucked into more new music that inevitably deserves to be written about as well. Which leads to more articles like this, and while it’s not clear to me if anyone cares, I will keep churning them out anyways! The bands that follow below span an eclectic range of styles, so I hope you the reader will find something you enjoy in the mix.

ORGONE

Pittsburgh extreme death metal act Orgone came to fruition at the right time in tech-death’s growth during the mid 2000s. During that period there seemed to be a bit more experimentation, versus the largely codified style and sound of what we expect when we hear that term now. Orgone released a stupefying near-impenetrable debut called The Goliath in 2007 and then disappeared. Now they’ve returned with The Joyless Parson, a further test in pushing the boundaries of death metal.

It’s a uniquely experimental effort that thrives on lengthy, lumbering builds and abruptly vacillating tempo shifts. In fact, The Joyless Parson spends more time at a menacing, pained crawl than it does in roaring, fast-paced tempo territory. Some may have heard of the band through Patron Of The Rotting Gate’s cover of “Caress Of Vines”, before this album came out. But that’s a long story related to the album being released on the internet in 2011 in pre-production form, and not subsequently being mixed and mastered until last year, leading to its current new official release status. Continue reading »

Jun 092014
 

Here are four startling new events that happened over the weekend.

DEATH GRIPS

Death Grips released the first half of a new album last night. As is their want, there was no advance notice, or at least none that I saw. The name is niggas on the moon. It’s 8 tracks long, it’s streaming in full on Soundcloud and YouTube, and it’s free to download. And all 8 songs feature Björk. Seriously.

The band’s announcement says this 8-song release is the first half of a double album, the name of which is the powers that b. They say it will be released later this year on Harvest/Third Worlds Records.

I haven’t started listening to the music as I write this on a Sunday night, so I’ll save any thoughts about it for a later update. Or maybe someone else around here will provide some thoughts. I’m expecting weirdness.

To download the music, click this link:

http://thirdworlds.net/files/niggas-on-the-moon.zip

Stream it below. Continue reading »

Jun 082014
 

On June 7, 2014, Norway’s legendary Emperor performed at the Sweden Rock festival in Solvesborg, which was arranged as part of the band’s commemoration of the 20th anniversary of In the Nightside Eclipse. For this show, the band consisted of Ihsahn, Samoth, Faust, and two live session members — bassist Tony “Secthdamon” Ingebrigtsen and keyboardist Einar Solberg.

A video surfaced today which shows the end of the introductory music and the band playing “Into the Infinity of Thoughts”, the second track from In the Nightside Eclipse. The video quality is excellent, and the audio quality is good enough. And hell, it’s Emperor live in 2014 and what are you waiting for? Watch and listen next… Continue reading »

Jun 082014
 

Maybe sometime soon I will attempt to review a full-length album by someone, but this weekend I’ve been trying to catch up on shorter works. I have two recent split releases to recommend, with full music streams accompanying the following reviews.

RUINS / USNEA

This two-song split makes for an interesting juxtaposition of styles and a good introduction to two bands who deserve more notoriety.

Ruins make their home in Bielefeld, Germany, and this split is their most recent release following a 2013 album (Incidents) and a couple of other shorter recordings. Their track is named “Discrimen”. The band start ratcheting the tension immediately with a buzzing hornet swarm of guitars and the rhythmic thunder of a heavy bass line and tumbling drums. It’s a galvanizing start, and the music grows even more energized and potent as the song progresses and the vocalist’s gritty howls join the fray. Just as the slashing riffs start to really get their hooks into your head, the music veers off the road briefly before getting traction again in an intense finish.

The music fuels a blood lust, but the fist-swinging hardcore aggression is balanced by the band’s talent for interweaving rhythmic dynamism and subtly infectious melodies that have a way of hanging around your head after the song ends. Good stuff.

*** Continue reading »

Jun 072014
 

I was in a death metal mood this morning and spent some time exploring music from death metal bands I hadn’t heard before. From that foray, I surfaced with two offerings that I’d like to recommend.

GENOCIDE PACT

Genocide Pact are from Washington, DC. Two of their members (Tim and Nolan) also play in a grind core band named Disciples of Christ, and the third (the drummer, Connor) is a member of other bands as well. To date, Genocide Pact have recorded a demo that was released in 2013 by Malokul, which I discovered because A389 Recordings is distributing it on 7″ vinyl with cover art by Joshy of DC’s Ilsa.

The four songs on the demo are stripped-down and devoid of frills or fads. They lumber and crunch like a phalanx of huge earth-moving machines that haven’t had a tune-up in decades, belching the smoke of distortion and periodically squealing with feedback as the gears come close to locking up. The rhythms alternately bolt forward in a d-beat-driven rush, chug like a hellish locomotive, and stagger like a dying giant, with the crash of cymbals and the vocalist’s hoarse growls cutting through the cacophony of this brute-force demolition project. Continue reading »

Jun 062014
 

NCS reader Joseph D just e-mailed me some breaking news, for which I’m most thankful. You can see the news above: Sweden’s Dark Tranquillity and Finland’s Insomnium will be touring North America in January 2015.

January 2015 is a long way off, but man, I’m already very excited about this announcement, especially because the tour will be stopping in Seattle. I’m sure you get sick of me focusing on myself first and everyone else secondarily, but you wouldn’t want me to be dishonest would you?

All the dates are after the jump. Continue reading »

Jun 062014
 

I had this little itching sensation in the back of my skull, a nasty little nagging voice buzzing in the brainstem, telling me: “You can’t end the week with that post about In Flames, Mastodon, and Opeth!!! Did you leave your balls in bed this morning??? Where’s the fucking filth?!?!?”

And right about then I stumbled across a link posted by a Facebook friend to a song by a Russian band named 4scums. Problem solved!

A little investigation revealed that 4scums have released a 2009 album named Пёс Войны and a 2010 EP entitled We Can Resist. Because the EP is available as a free download on Bandcamp and is streaming there, I gave it a spin.

We Can Resist serves up five songs that are best played as loud as you can stand it. They’re short, savage, and incendiary — and really well done. The music is a raucous high-speed rampage of metallic crust punk. The riffs are infectious as hell, the soloing is white hot, the drummer can fly, and the vocals (in Russian) are a howling spray of brimstone and grit. Continue reading »

Jun 062014
 

As a general rule, when I put together these “Seen and Heard” collections of new music I write about what I like (of course) and I also try to spotlight music from bands who are often overlooked by other metal sites. This particular collection is a departure from the norm. First of all, In Flames, Mastodon, and Opeth are among the biggest names in metal. Over the last week, each of them has premiered a new song from a forthcoming album, and the odds are high that you’ve already heard the music — because every metal site in creation has been spreading the word about them. Second, I have mixed feelings about the music. So what I’m really doing with this collection is trying to satisfy my own curiosity about what our readers think about this new material — which means I want your comments!

IN FLAMES

The new In Flames album Siren Charms will be released on September 15. The first advance track from the album, “Rusted Nail”, is now available to European Spotify users (here), and it has also started appearing illicitly on YouTube. So of course I listened to it. I ought to repeat that this band were one of my gateways into the more extreme genres of heavy music. For that I’ll always have a soft spot in my heart for them. In addition, unlike many hidebound fans who haven’t liked anything In Flames have recorded since Clayman (or even before), I remained enthusiastic all the way through Come Clarity. But even with that said, “Rusted Nail” is failing to make much of a mark. Continue reading »