Oct 062011
 

(In this post, NCS writer TheMadIsraeli has compiled short introductions to four bands: Uneven Structures, Deus Invictus, Azrath-11, and By Night.)

It’s random music time again. Hope you all have been well. I got reviews coming down the pipe of some nice, rather unknown, shit. I’ll even be giving you a taste of some of it in this post.

Uneven Structure is an ambidjent band hailing from both France and Sweden, including ex-Vildjharta vocalist Matthieu Romarin (if you’ve heard the song “Shiver”, you know who this is). They’ve been working on their very ambitious debut Februus for some time now. It’s a two-disc long concept album with three 20-minute epics to close it out. I’ve been excited just from the snippets, but now they’ve finally unleashed the first taste of their debut.

The album’s opener “Awaken” employs massive revolving-door grooves, dreamy clean, almost-oriental-tinged ambient textures, and an epic outro that builds up to an explosion, only to be cut off before the explosion happens. It’s a nice, and fucking unfair, way to tease you for the album. Hopefully you’ll dig this like I do. The last two minutes or so of this song are simply awe-inducing to me.  Februus will be released on October 31 by Basick Records. Expect to see a review of this album in a couple of weeks once I get my promo around the 14th. (the song is right after the jump) Continue reading »

Oct 062011
 

In olden times, before I largely gave up trying to explain the appeal of extreme metal to my non-metalhead friends, I’d refer to the high energy, the explosiveness, the barely submerged aura of danger lurking beneath the surface, the sense of abandon and release that comes from listening. Usually, what I had in mind were various forms of turbo-charged death metal, both melodic and near-atonal, the kind that unleashes a blizzard of down-tuned guitar chords, machine-gun drum assaults, and inhuman roars in place of what conventionally passes for singing.

I’ve been thinking about those sentiments as I’ve listened to the new album from Poland’s Deivos, even though I rarely bother to explain myself to the uninitiated any more. What Deivos delivers is the kind of death metal that should appeal hugely to fans of bands like Decapitated and Origin — and I’m certainly one of those. The music — all of it — is a jet stream of head-whipping fury. You’d have to listen long and hard to the individual songs on the album to distinguish them in your mind after you finish listening, because they follow a very similar pattern. But the pattern is so damned appealing that, at least for me, this is a minor quibble.

And the pattern consists of this: Brutally fast, razor-sharp, blood-spattering riffage, blasting with the heat of an acetylene torch, segmented into massive slamming beats that deliver a physical jolt. Tempos that unpredictably stagger a step forward or a step back or just plain stomp on your neck, just to prevent you from getting too comfortable. Drums that follow a near-inhuman pace, a percussive holocaust designed to provoke a non-stop adrenaline rush.  (more after the jump . . .) Continue reading »

Oct 052011
 

July 7, 2009. That’s how long it’s been since Brooklyn-based Dysrhythmia released their last album, Psychic Maps. However, the latest news is that they’ve finished recording a 4-song “pre-production” demo on their way toward completion of a new album for release sometime in 2012. Today, they made one of those songs available for free download on their Bandcamp page.

If Dysrhythmia is a new name for you, they’re a three-man instrumental project that currently consists of Kevin Hufnagel (Gorguts) on guitar, Colin Marston (Krallice, Behold . . . the Arctopus, Gorguts) on bass, and Jeff Eber on drums. These are not average musicians. Both in their conception of music and in their performance, they’re very much top-shelf. What they do is unpredictable, even avant-garde, and I’ve always found their music really intriguing.

The new song is very much in the Dysrhythmia vein. It’s a slow build, growing in complexity and speed, like a brain that becomes increasingly engaged and focused until all the synapses are firing with neural bursts — until the music collapses into a pool of quivering sludge near the end. It’s brainy music, but with a bit of brawn to it as well — like a big dog solving quadratic equations that periodically remembers it’s a dog and begins to bark and growl before returning to his work.

Go past the jump to hear the new song and get the link for the download if you like what you hear. Continue reading »

Oct 052011
 

Oh baby, did yesterday bring some titillating musical teasers. Actually, only two of the four teasers featured in this post are actual music. The other two are simply forecasts of music that will become available shortly.

By the way, I’m writing this in a hurry because I’m about to leave for the airport. The old fucking day job is sending me to the East Coast for a couple of days. I’ll tell you, the life of a coke mule isn’t as glamorous as it’s cracked up to be. The prospect of parking my tender, balloon-filled butt in a cramped airplane seat for 5+ hours isn’t appealing. But it comes with the territory, y’know? Anyway, when I ignore all your comments until tonight, it won’t mean I don’t love you.

THY CATAFALQUE

This talented Hungarian band has already teased us about their new album on Season of Mist, Rengeteg, which won’t actually see the full light of day until November 11 and fucking January 10, 2012 in North America. Yes, last month we got some snippets of music (featured at NCS here) — not even a full song, but certainly enough to stir our loins in anticipation. Now we have a full song, the first to debut from the new album. It’s called “Fekete mezők”, which means “black fields”. And guess what? Season of Mist has made it available for free download HERE. Listen up (right after the jump): Continue reading »

Oct 052011
 

(NCS writer BadWolf gives us a triple shot — a combined review of three new albums by Glorior Belli, The Atlas Moth, and Rwake.)

So, I believe everyone has a pet subgenre. For some it is Kvlt black metal, for some American metalcore, or retro doom. My pet is prog sludge. Neurosis, Isis, Jesu, Mastodon, Kruger, Burst, Kylesa, Iron Thrones, the list goes on. Basically, if it sounds anything like Breach [GO LISTEN TO BREACH!],  I probably love it. Anyway, it’s just felt like a long time since a great, forward-thinking sludge record came to my attention.

And then three amazing records that fit that description drop on the same day.

What the hell, right? Anyway, I’m too busy listening to music to review all three of these amazing albums, so I’m just going to tell you that all 3 of these records are on my short list for album of the year. I have no complaints about any of them other than they end. Truly we are blessed. (more after the jump, including music . . .) Continue reading »

Oct 052011
 

Behemoth’s video for the song “Lucifer” from the Evangelion album debuted yesterday, in both censored and uncensored versions, and it’s a beautifully made, visually striking piece of work. The song itself is dramatic, potent, massive, and the imagery of the video suits the music.

As far as I can tell, the lyrics to “Lucifer” are the lines from a poem by Tadeusz Micinski. The poem is in Polish, but I found a literary (ie, not entirely literal) translation — which tells me that the imagery in the video has very little to do with the lyrics. And the imagery itself, though highly symbolic, is open to interpretation.

It seems to depict a hospitalized girl in the last minutes of a fatal illness or injury, with a priest in the room calling for divine intercession and a red-eyed black unicorn (perhaps symbolizing death) making his steady approach. And from there, I lose the thread of the visuals. They’re arresting to see, but what they are intended to mean I’m unsure, though I’m still thinking about it. I suppose the fact that I’m still thinking about it is a sign that it’s waaaay above average, as metal videos go.

After the jump is the uncensored version of the video (female nudity, of course) plus the translation of the lyrics to “Lucifer”. If you’ve got ideas about what the video means, or at least how you choose to interpret it, please leave us a Comment. Continue reading »

Oct 042011
 

If you haven’t yet heard about Vallenfyre, then you must be new to NCS, because we’ve been frothing at the mouth about them ever since August, when we heard samples of a couple of songs and few people knew the identities of the band members (see our first post here and our update here). Now, the mystery has been solved, and the debut Vallenfyre album, A Fragile King, is due for release by Century Media on November 1.

Since our last post, there have been lots of developments coming out of the Vallenfyre camp. Most recently, as in today, a new song from the album premiered on the DECIBEL web site. The song is called “Desecration”, and in a much-appreciated display of generosity, DECIBEL has made the song stream embeddable, allowing us to play it for you right after the jump — but it will only be streaming for two days. I’m rushing at the moment, so I won’t try to craft a description — I’ll just say you need to hear it. (DECIBEL did provide a nice description of the music, and I’m including that after the jump, too.)

Also, (1) Vallenfyre now has a Facebook page (here); (2) you can hear snippets of all the songs on Amazon UK here; (3) you can pre-order the CD and a shirt here; and (4) the eye-catching album art is out (though you probably guessed that one already, didn’t you?).

After the jump, the song. Also, Vallenfyre rules. Continue reading »

Oct 042011
 

This just in from our Noise correspondent, Phro: SCION A/V has made available for free download a collection of five new tracks from Singapore grind masters Wormrot. The compilation is called Noise. It went up for download on Sept 20, but I missed that news (thank you Phro for the alert). Here’s the track list:

1.  Loathsome Delusions
2.  False Assumptions
3.  Outburst of Annoyance
4.  Breed to Breed
5.  Perpetual Extinction

After the jump, I’ve got a stream of all five songs, plus the download link. But almost as amazing as that, I’ve got Phro’s custom-crafted, NCS-appropriate, pictorial encouragement, urging all of you to listen to Wormrot. Continue reading »

Oct 042011
 

(Continuing with today’s theme, i.e., surrendering NCS to guest contributors, the inimitable Trollfiend let me talk him into reviewing the new EP from an Italian folk-metal band called Krampus.)

Okay, when I was asked to do a review of the new Krampus EP Kronos’ Heritage, I was pretty damn excited, because a) Krampus is folk metal, and I make no secret of my love, b) the Krampus is one of the coolest folk legends pretty much ever, and c) I’d never heard of them before, so yay new shit!

But I approached this album with trepidation. What if they sucked? What if, despite their cool-ass name/logo/concept and the fact that they are folk metal, they compiled into an awesome black hole of suckitude from which not even Norwegians could escape? If you know anything about folk metal, you will know that this is not an unreasonable fear.

After some half-assed research (which is the only kind of research I know how to do here at the Trollcave), I discovered that Krampus is an 8-piece band from Italy that plays Celtic-inspired folk metal. Okay, so far so good (with a small serving of lolwut). Also, they fully embrace the legend of the Krampus as a theme, which gets them extra points from me. But the real test was coming… what does Krampus sound like? More to my concern, are their vocals some kind of clean, hippie-esque trololol that is going to set my teeth on edge and make me lump them into a big stinky pile with bands like Kamelot and Skyclad? Continue reading »

Oct 042011
 

Got a tip this morning from our favorite Finnish Night Elf, Fireangel. She advised that a Finnish band called Profane Omen had just released a new music video for a song called “Wastehead”. With a song title like that, I figured it was a tailor-made theme song for moi. So I watched the video. It opens with a hella good scream. Made me think about the fact that lots of metal songs start with screams, or roars — just a good ol’ vocal eruption, like the singer is trying to turn his body inside out. I can’t immediately think of any other genre of music where that happens. So fuckin cool.

After the vocal Vesuivus, Profane Omen proceeds to just rock the fuck out. As Fireangel correctly pointed out, the music is both melodic and intense, with a mix of harsh screaming and clean vocals. It’s a blistering slice of thrash ‘n’ roll with a catchy chorus, and it’s from Finland, which means even if you don’t love it, you will respect it. Also, it’s from Finland.

“Wastehead” appears on the band’s third full-length album, Destroy!, which was released by Spinefarm Records in Finland last week and will be issued in the rest of Europe and in North America . . . someday. Catch the “Wastehead” video (and one more older video) after the jump. As I watched the chick in this vid, I was thinking she looked like she’d just read one of Phro’s reviews. Continue reading »