Apr 112021
 

 

As I roamed through new music yesterday, searching for what to include in this collection, the following quintet of advance tracks and the EP I’ve put at the end all fell into place naturally. When you hear them, I think you’ll understand why.

As the title of the post suggests, I do plan to include a second installment today — which will be an effort to highlight a selection of complete albums I’ve been meaning to say something about for weeks.

FYRNASK (Germany)

My opening choice is a video that presents a stunning marriage of sights and sounds. The music alone is an intense, almost overwhelming spectacle, one that’s nightmarish and hallucinatory, a seeming manifestation of possession. At first it’s as if Frynask have led us into a chilling realm of anguished wraiths, and from there we become immersed in ravaging turmoil. Continue reading »

Apr 102021
 

 

I made the choices for this large round-up after a long listening session on Wednesday, with the idea of writing it up and posting it the next day. But we had so many other things to post that day and Friday that I deferred. Of course, in the meantime a lot of other worthy new songs and videos surfaced, but I decided to just stick with these selections rather than go back to the drawing board, which would have taxed my already over-taxed brain.

I couldn’t really figure out a good way to organize these songs, though I think I picked most of them because they have a through-line of being unsettling and mind-bending, albeit in different ways. I did include a bit of a curveball at the end.

INFERNO (Czechia)

As I wrote here only a week ago, I was blown away by the first advance track from Inferno’s new album, Paradeigma (Phosphenes of Aphotic Eternity), which will be released by Debemur Morti Productions on May 7th. Given the prodigious power of this band’s previous output (which now encompasses a quarter-century of releases), I can’t say I was surprised, but I was still bowled over. And now it has happened again. Continue reading »

Apr 092021
 

 

The multi-national project Hammer of Dawn first took shape as an online studio project between guitarist Zed Kelley and drummer Beau Tilley, but quickly grew into a fully fleshed-out band that includes vocalist/lyricist Mac Smith (Krosis, Alterbeast) and bassist Stefano Franceschini (Aborted, Hideous Divinity). Drawing upon themes developed through the Gears of War universe, and bringing in the participation of some very well-known guests, the band have created a debut six-track EP of technically impressive blackened death metal entitled Ketor that’s now set for release on May 28th.

Hammer of Dawn have already released a video for one eye-opening single from the EP named “Fleshless” (which premiered at DECIBEL), and today we’re delighted to premiere the official lyric video for a second single. This one is called “Wretches!” — and it features guest vocals by Aborted’s Sven de Caluwé. Continue reading »

Apr 092021
 

 

(We present Nathan Ferreira‘s review of a new album by Canadian melo/prog/death thrashers Cathartic Demise, which is being released today.)

It takes a special thrash album to capture my ears. Quite frankly, it’s the genre of metal I tend to lean towards the least, as much as I do appreciate a few select albums and the overall importance of thrash’s contributions to the greater pantheon. If I had to boil it down to one reason, it would be because of how restrictive the genre is – the formula for the riffs and songwriting set in stone, trapped to the confines of its rock base, despite pushing it to the absolute limit.

The thrash groups I do find myself coming back to are the ones that are heavy and punishing enough to verge on my comfort zone of death metal (early Sepultura, Demolition Hammer, Sadus) or fringe bands that incorporate weird outside influences (Voivod, Skeletonwitch and Atheist). And now, it seems that right up the road from me in Kitchener, Ontario, Canada, a new band of up-and-coming youngsters can be added to that short list. Continue reading »

Apr 092021
 

 

Following on from a brief first demo independently released in 2019, the German band Crypts (which features former members of Mourning Caress, Warhead, Savagery, and Black Space Riders) released their debut album Coven of the Dead last month through the charmingly named German label This Charming Man Records.

That album quickly proved that Crypts have developed a mastery of an old style of death metal spawned at the end of the ’80s and the early ’90s — a style epitomized by such bands as Autopsy, Bolt Thrower, Morgoth, and early Entombed (among others). It’s a stripped-down, viscerally compelling, and yet atmospherically evocative style, and though Crypts haven’t reinvented the wheel, they’ve kept it moving with crushing power and sharpened it to a lethal edge.

For those who haven’t yet discovered the gruesome, bone-smashing power of that album, we have for you today a great enticement for it — the premiere of an official video for the song’s horrifying title track. Continue reading »

Apr 092021
 

 

In December 2018 the Romanian black metal band Genune released their debut album, Cern Sol. Lyrically, the songs were preoccupied with time — “focusing on the inevitability of death and its distressing effects on us, the encompassing, unstoppable sense of decay that seems to affect everything, but also on the impression of moments experienced in the past, which linger in the mind years later, the remembrance of warmth and on a need to be alone, away, reflecting”. In the music, Genune did not limit themselves to the usual black metal tropes, instead drawing in elements of post-metal and neo-folk to weave their multi-colored, multi-textured tapestry of sorrow, anguish, remembrance, and regret. I attempted to sum up here the spellbinding experience this way:

“The album trip as a whole is like falling into a dream, and while there are bright and even hopeful vistas that pass before the mind’s eye in listening, it’s largely a dark dream in which the shades of lost souls and lost happiness are never far away, and in which anxiety and pain vie in battle with defiant resilience, and are more often than not victorious.”

Now Genune are returning with a second album, this one entitled Inert & Unerring. The core trio of guitarists Dragos Chiriches and Cosmin Farcau and vocalist/bassist Istvan Vladareanu are still in place, but have proceeded without their drummer on the first album, Daniel Neagoe. Their musical approach is not radically different from Cern Sol, but it is certainly no less powerful and captivating. It is, indeed, another triumph, and thus we’re honored to present today a song from the new album named “Eastern European Discontent“, accompanied by a beautifully made video that helps bring to life the harrowing and heartbreaking  subjects that inspired the song. Continue reading »

Apr 082021
 

(Andy Synn closes out the week a little early by throwing on the new record from India’s Moral Collapse)

Let’s be honest about something – music writers, especially Metal music writers, are often an inherently insular, introverted, slightly egotistical, group. We’d have to be, after all, to think that anyone wants to read our rambling opinions in the first place!

On the positive side, these little cliques, cults, and covens that we form are often extremely supportive places, characterised by a certain level of mutual respect and empathy fuelled by our shared experiences.

On the other hand, they do occasionally engender a certain amount of “group think”, where one writer (or group of writers) publishes an opinion or analysis which, for whatever reason (often simply because people don’t want to be seen attacking or undermining their cohorts) sets the tone for everyone else going forwards.

It doesn’t mean they’re necessarily wrong, but it does often result in certain ideas and assumptions being codified as “fact” and makes it difficult for alternative viewpoints to get a word in edgewise.

Case in point, some of the hype that’s been built up around the recently-released debut album from Indian duo Moral Collapse might have you believing that this is the most mind-bending, head-spinning record since… name a band/album/date… but the truth is it’s not quite as complex or crazy as its been made out to be.

It is, however, very, very good.

Continue reading »

Apr 082021
 

 

More than 15 years after their first formation and almost five years after the release of their debut album Infinite Circles, the German death metal band Betrayal are returning with a second full-length, set for release on April 16th via Rising Nemesis Records. Not surprisingly, over such a span of years the band’s line-up has changed from time to time, and their music has evolved as well, leading to a formulation of death metal that has become strikingly multi-faceted.

For example, the advance press recommends their new album Disorder Remains for fans of Misery Index, Revocation, Death, Behemoth, and Decapitation, and also refers to the band’s incorporation of thrash, technical, and progressive elements, as well as old-school death metal traditions. But those references don’t exhaust the extent to which Betrayal have allowed their creativity free rein, as you’ll discover through the dark, intense track we’re premiering today, the name of which is “Greed and Oblivion“. Continue reading »

Apr 082021
 

 

Every year brings debut releases from up-and-coming bands that put a jolt of electricity into hungry fans and fortify the conviction that heavy music is alive and well. That’s already happening in 2021, bolstering those of us who believe that, for whatever reason, metal is in the midst of another Renaissance.

Having said that, we all get just as big a jolt from the return of bands who’ve given us thrills and chills in previous years, and that’s definitely true of the UK group Ninkharsag.

Andy Synn reviewed their 2015 album Blood of Celestial Kings for us, acclaiming it as a proud standard-bearer in the lineage of such bands as Dissection and Absu: “They’re not afraid of a big, bold, brutally effective hook when they come across one, as the nine songs which make up their debut album are positively bursting at the seams with brash, full-throttle riffs and coldly intoxicating melodies… as well as a hefty helping of pure blackened spite and vitriol”. Continue reading »

Apr 082021
 

 

(Nathan Ferreira brings us this review of the new album by the black metal band Rampancy from London, Ontario, Canada — out now via Mutual Aid Records.)

It’s not often I get the chance to write about music from my neck of the woods, much less black metal – London, Ontario’s got a passionate but small metal scene for a city with a population of almost 400,000, and generally the inhabitants are more partial to thrash, groove and melodic death metal, as is evidenced by most of the bands that come out of here. Some examples of the more widely known ones: Kittie, Baptized in Blood and Thine Eyes Bleed. It’s not known as a well of growth for the more extreme tendrils of the music I crave constantly.

Amidst this nebulous and fragmented landscape, there’s been one constant consistently cranking out noisy, despondent extreme music for almost a decade now: Preston Lobzun, a.k.a. Oculus Tod, the sole curator and musician behind all of the instruments you hear on Rampancy’s third full-length album, Coming Insurrection.

Oculus has a handful of different projects he contributes to, most notably Saudade and Odol, and has piled up dozens of releases to his name, in addition to recording and mixing credits for countless other bands – but Rampancy is his only solo venture, and you could make the case it’s what he saves his most groundbreaking ideas for. Continue reading »