Jan 172017
 

 

(Our Norway-based contributor Karina Noctum brings us this new interview with Andreas Vidhall of the Swedish band Stilla.)

Stilla is an interesting band with a distinct sound. Their artwork is pretty somber, cold, organic, and melancholic, and so is the music.

The last album Skuggflock has some Darkthrone-ish influence and I simply love that. Another band that I like for the same reason is Hate Meditation. But in spite of those common vibes, you can’t really say the bands are alike. I prefer to use the word “vibes” since the degree of presence and the way in which a band let their influences flow into their own compositions (whether consciously or unconsciously) varies so much. Personally I find it delightful to listen for those details, it keeps it interesting.

Skuggflock gives you a bit of Ulver-like ambience at times, but it can switch to avant-garde Arcturus style,  slighty goth, and even stoner. It’s complex if you pay attention to the details, but everything is done in a subtle way, not messy or overwhelming. It’s just enough detail and change to enrich the musical experience. You can say Stilla dwells both in the past and the present. They have succeeded in composing an album that gives you the ’90s BM vibes while incorporating diverse influences that render it modern — but not so modern as to call it “post-black”. I think they have kept a balance, and that also makes the music enjoyable. Continue reading »

Jan 172017
 

 

Until 2015, Wombbath’s last album was 1993’s classic Internal Caustic Torments, but two years ago the band made a remarkable reappearance with Downfall Rising. That new album made a big impact on lovers of Swedish death metal worldwide, and was the source of a song we humbly anointed one of 2015’s Most Infectious Extreme Metal Songs.

Wombbath followed the release of Downfall Rising with a triumphant performance at 2016’s Maryland Deathfest (reported here), and two 2016 split releases, one with Revel in Flesh called Dragged Into the Obscure and another with Departed Souls entitled Embracing the Cold…. And now they’re participating in another new split release — and we’re fortunate to bring you the premiere of Wombbath’s side, a song called “Smell of Lice“.

The name of the new split is Upward On A Thousand Lies, and on this new release Wombbath are sharing the vinyl with Germany’s Obscure Infinity. The split was released on January 13th on multi-colored wax by Germany’s Brutal Art Records. Continue reading »

Jan 172017
 

 

If you begin the task of educating yourself about the phenomenon known as “Viking metal” you’ll probably first see references to Bathory and perhaps Enslaved, soon followed by a group of famous Swedes with their longboats and drinking horns on stage, but it won’t be long before you see the name Helheim.

“Viking metal” is indeed a phenomenon rather than a genre of music, which quickly becomes evident when you consider that bands as diverse as those listed above, as well as other groups such as Unleashed, Manowar, and Moonsorrow, have all carried that label at one time or another. To the extent there is a unifying factor, it derives from a lyrical and thematic focus on ancient Norse culture, mythology, and paganism, rather than a consistent sound — and even there, the depth and focus of the themes can be significantly different.

Helheim go beyond the most familiar (and often caricaturish) thematic tropes of most bands branded as Viking metal, with a devotion to Norse heritage that treats it as still relevant to modern life, and still shrouded in mysteries of the Runes that are worth exploring, and perhaps best understood in the spirit they convey rather than through archaeological and linguistic dissection.

As you’re about to discover, Helheim’s music also goes light years beyond the most familiar tropes of “Viking metal”. Continue reading »

Jan 172017
 

 

(TheMadIsraeli reviews the new EP by the Swiss band Brokenhead.)

It’s pretty hard to find thrash metal nowadays that isn’t obsessed with aping Vio-Lence or old Exodus. A lot of it’s boring, so boring that it’s completely inconsequential music. But thrash metal bands have produced some of my favorite metal records of all time, a good chunk of them in fact, and I’m always looking for a modern band to come out of nowhere and sock me in the jaw.

Brokenhead from Geneva, Switzerland, have released a debut EP named A Prompt And Utter Destruction that didn’t just sock me in the jaw, it kicked me in the balls afterward and left me leaning against a wall vomiting, attempting to recover in its aftermath. Continue reading »

Jan 162017
 

 

I feel like wallowing in the warmth of a certain kind of guitar tone today, along with a certain kind of delicious death-metal gut churn and head battering.

Yes, you’ve arrived at the 12th part of our growing list of 2016’s Most Infectious Extreme Metal Songs. Should you be inclined to explore the tracks that preceded these three beasts, click this link.

ASPHYX

Astoundingly in this day and age, when more venerable metal bands with prominent names are phoning it in than showing they still have fire in their bellies, Asphyx released one of 2016’s mod satisfying death metal records. Continue reading »

Jan 162017
 

 

In the wake of song premieres at DECIBEL and Revolver, the Italian metal band SYK released their second album I-Optikon via Phil Anselmo’s Housecore Records on December 2. What we have for you today is the premiere of an eye-catching video for one of the head-twisting bouts of savagery from the album, a track called “Fong“.

The band have explained the song with these words: Continue reading »

Jan 162017
 

 

(This is Part 1 of a 3-part series written by Austin Weber about noteworthy January releases and a few from the end of last year.)

While the quantity and quality for label-released metal in January seems a bit sparse as far as my tastes go, the underground never disappoints and 2017 is already off to a fantastic pace due to plenty of lesser-known acts dropping killer new material. Just recently I came across a number of new releases (and a few largely unknown ones from 2016) that you just might want to check out — presented here in three parts.

CARBON COLOSSALThe Disassembly of Earth

Recently a friend shared Carbon Colossal with me, and I’m really glad he did. Longtime NCS fans may recognize the distinctive artwork as familiar, since it’s done by a perennial favorite here, Luca Carey. Using his bright and extremely psychedelic art for such a dark release works quite well in a fucked-up kind of way. The Disassembly of Earth is some sort of technical doom from hell, gone a death-metal-infused path, with fleeting blasts of black metal peppered in between all that. Continue reading »

Jan 162017
 

 

I’m not sure anyone can really prepare themselves to take a vicious beating, but that’s our advice to you before listening to “Begrudging Soul“, which is the song we’re premiering from the new album by Sunlight’s Bane from Michigan.

The album’s name is The Blackest Volume: Like All The Earth Was Buried (aka TBVLATEWB), and it will be released by Innerstrength Records on February 17. NCS writer TheMadIsraeli reviewed the album last month, summing it up as “an unrelenting powerhouse of feral ferocity and carnage and also an interesting exercise in sub-genre hybridization”: Continue reading »

Jan 162017
 

 

(Our Norwegian contributor Gorger, who usually embarrasses and rewards us by identifying releases that flew under our radar, brings us a year-end list divided into three parts, with this being the third (Part 1 is here, Part 2 is here). To find more of his reviews, type “Gorger” in our search bar and visit Gorger’s Metal.)

Ladies and hobos, sorry about the delay. We’re finally approaching the albums that really stand out by creating their own sphere and universe. Or that I for some reason have spent a lot of time with and fallen head over heels with. To be honest, I don’t have an absolute favorite album from the year, but these are all awesome. I could perhaps have ranked them, but but by the time I’d be done and ready to publish, spring would be upon us. Thus; sequence, thy name is randomness. Albeit, admittedly, release (or rather review) date may to a certain degree have had a finger in the pie.

I’m throwing in proper streams this time. Click the bc logo (where available) to access Bandcamp. Continue reading »

Jan 162017
 

 

(Andy Synn prepared this review of the debut album by the Irish band Partholón.)

Correct me if I’m wrong, but this whole “Post-Metal” malarkey seems to be one of the easiest of Metal sub-genres to do – get yourself a bunch of delay pedals, mix a few churning riffs in with a plethora of gloomy, hanging chord progressions, and bob’s your creepily over-attentive uncle – but also one of the hardest of Metal sub-genres to do right.

Just ticking the right boxes in the right order isn’t enough. You have to have some sense of identity, some sort of character, to be able to stand out from the crowd.

Yes, everyone can do it. But not everyone can do it well.

Which is where Partholón come in. Continue reading »