Jan 142017
 

 

There was a time not so long ago, relative to the entire span of my life, when I wouldn’t have considered any of these four songs to be infectious. Certainly 10 years ago, and maybe even 7, I probably would have considered them almost unlistenable. But my own tastes and appreciation for metal have evolved, and now I would get depressed imagining life without these songs. For me, they are all so compelling that I go back to each of them repeatedly, even with as much time as I spend listening to new music. And that’s kind of the main criterion for this list.

To hear the other songs that were added before these, go here. After you listen to these songs, I don’t think there will be any mystery why I grouped them together.

CANTIQUE LÉPREUX

As you know, I get very excited about new music on almost a daily basis. But this song… this song nearly made my heart explode the first time I heard it, and it brings my heart near to exploding every damned time I hear it. How many songs do that to you? Continue reading »

Jan 132017
 

 

We have arrived at Part 10 of our growing list of last year’s Most Infectious Extreme Metal Songs. After the three songs I’m adding to the list today, we’ll be up to a total of 27, with about two and a half weeks left to go before my self-imposed deadline for finishing this thing. To check out the songs preceding these three, click this link.

I probably have some kind of twisted reason for grouping these three songs together, but if I do, it has eluded my conscious mind, and at the moment I don’t have time to plumb the murky depths of my subconscious to determine what it is.

IN MOURNING

On the 20th of last May, In Mourning released the fourth album of their career with Afterglow. My NCS comrade DGR wrote one of his typically lengthy reviews (here), which included a discussion of how the album fits within the band’s evolving discography. I’m going to excerpt his words about the song from Afterglow that I’m adding to our list — “Below Rise To Above“: Continue reading »

Jan 132017
 

 

Viles Vitae are a new Portuguese black metal band, but one whose members are reputedly experienced and known within the Portuguese extreme metal underground. They’ve recorded a debut EP entitled IV, which is founded upon four elemental principles used in ritual magic and consist of four songs. In advance of the EP’s release next month by Caverna Abismal Records, we bring you the first streaming of one of the EP’s four incantations, a song called “The Vortex of Disharmony“.

To listen to the song is indeed like being pulled into a disconcerting vortex. It’s unrelentingly intense and disturbing, even though the fury of its arcane energies waxes and wanes like the blaze of the moon, and it exerts a tight grip on the listener’s attention from start to finish. Continue reading »

Jan 132017
 

 

(This is TheMadIsraeli’s review of the new 14th studio album by Germany’s Kreator.)

Kreator is a pretty big fucking deal to many people, including me. They are one of the most consistent thrash bands from the genre’s early heyday who have not only produced consistently killer music but have been unafraid to experiment and change things around during their career, always doing so with bold ambition. I’ve been a big fan of the thrash-meets-melodic-death-metal direction the band have been on since Violent Revolution, with Enemy Of God and Phantom Antichrist being absolute modern classic albums that have undeniable power.

In addition, Mille Petrozza is one of my favorite thrash front-men and one of the best riff writers in metal, his voice striking in how pissed-off and forceful it sounds and his riffs bringing remarkable intensity and tasteful technicality. Among the old guard, those talents are almost unrivaled (among modern thrash bands, David DiSanto of Vektor would probably take my vote). And with those confessions of zealous loyalty out of the way, let’s turn to Gods of Violence. Continue reading »

Jan 132017
 

 

(Andy Synn reviews the new album by NY’s Black Anvil.)

Towards the tail-end of 2016 I conducted an as-yet-unpublished interview with Black Anvil bassist/vocalist Paul Delaney about the band’s upcoming new album, As Was (out today on Relapse Records).

During said conversation he ruefully acknowledged that the fact that the band’s members all have roots in the NYC Hardcore scene tends to unnecessarily dominate the conversation a lot of the time, often causing people to read into things, or hear things, that aren’t there, and leading interviewers to say or ask things which make it clear they’ve made certain assumptions about the band, and about their music, that they wouldn’t have otherwise.

So I had to laugh when skimming through some of the coverage of As Was on the internet recently, noting several writers/reviewers still attempting to cast doubt upon the band’s sincerity and/or integrity, with the general gist seeming to be that it’s impossible for tattooed ex-Hardcore guys to truly “get” Black Metal, which is a genre that’s solely the preserve of weedy dudes in face paint, who truly understand “darkness” (no parents?).

I mean, are we honestly still going with the whole “jocks vs nerds” stereotype?

Don’t get me wrong. I understand the urge, the need, to see and hold a style of music as “yours”. Particularly if it’s been such a formative part of your identity for so long. But to write off a band simply because they haven’t followed the same path as you is just ludicrous.

There’s more than one way to skin a cat… or to blast a beat… after all. Continue reading »

Jan 122017
 

 

I know it’s damned late in the day for another post — probably past bed-time for some of our readers across the Atlantic — but I’ll be damned if I let another day go by without resuming the rollout of this Most Infectious Song series. This train must keep on rolling! (If you’d like to see the songs that preceded these three or learn what we mean by “most infectious”, go here.)

I continue to have fun picking combinations of songs for each installment. The three songs in this one are musically quite distinct, although all of them display phenomenal musicianship, but they do have a few things in common. Perhaps the most obvious one is a fascination with SPAAAAAAAAAAAAAAACE….

MITHRAS

I assume I don’t need to provide much of an introduction to the new Mithras album, On Strange Loops. Nevertheless, I assume I’d have to pay some wretched price if I mentioned Mithras without quoting from my friend Andy Synn’s review, so here goes: Continue reading »

Jan 122017
 

 

Two days after promising Part 2 of a round-up, here it is. I’ve been fighting (and losing) a brutal battle with a vicious cold. Between that bloody conflict and other commitments, both related and unrelated to NCS, I got thrown off-track.

Most of the items in this collection were the ones I intended to write about two days ago, but since then I’ve found many other new things to like, including the one that begins this post. I might do another one of these for tomorrow, depending on how the land war in my sinuses goes. Looks like I’ll be living in the recent past for a while.

NIGHTBRINGER

Season of Mist has revealed details about Nightbringer’s new album, as well as an advance track. The album’s name is Terra Damnata and it’s set for release on April 14. As you can see, the cover art by the talented David Herrerias was also revealed, as well as this comment about the album by the band: Continue reading »

Jan 122017
 

 

We’ve learned that any band in which the Norwegian artist Doedsadmiral is involved will be worth checking out. Those bands include Nordjevel, Svartelder, and Doedsvangr, and now there’s one more to add to the list. Under his guise as V.I.T.H.R, he fronts a new group called Enepsigos, in which he is joined by Straff (ex-Sarkom) on guitars and bass and Italian drummer Thorns, who has worked with Blut Aus Nord, Deathrow, Fides Inversa, Frostmoon Eclipse, and Darvaza (among others).

The debut album of Enepsigos is named Plague Ov Plagues, and it’s set for release on January 15 by Drakkar Productions. Last fall we wrote about an advance song from the album named “Manifestum”, and now it’s our pleasure to share with you a video for another song called “Pagan Rites“, created by Hugo Aribart. Continue reading »

Jan 122017
 

 

This past November we premiered a video for an impressive song called “Serpents of the Black Sun” by the Ukrainian band Balfor, and today we follow that with a premiere stream of the entire album which includes that song: Black Serpent Rising. The album will be released on January 15, 2017, by Drakkar Productions.

Balfor’s line-up includes current and former members of such notable groups as KhorsRaventale, and Hate Forest, and this new full-length follows the band’s last album, Barbaric Blood, by a long six years, with the 2013 EP Heralds of the Fall dividing the wait and significant line-up changes occurring over that interval as well. Continue reading »

Jan 122017
 

 

(TheMadIsraeli wrote this review of the new album by Begerith, which was released on January 7.)

Sometimes we really are just born in the wrong place. Life really is just a matter of random chance and circumstance. Sometimes we’re born out of time, out of place, our identity isn’t consistent with what surrounds us, and we were always destined to be that eyesore. Begerith seem to have been so convinced of that wrongness that they literally relocated to the country that hosts the sound they identified with. Russian natives, they fled to the majesty of Poland, so they too could build their own ramparts on an imperial mobile sonic fortress that knows no equal.

Begerith are 100% consummate scholars of the Polish deathly metallic arts despite their Russian roots. If you love the scathing, bleak imperial might of Behemoth, Hate, or Vader you will be right at home here. A.D.A.M. is an impressive record, both in its dedication to what it wishes to be and also because it’s really fucking good. Continue reading »