Jul 102020
 

 

(Here’s Vonlughlio’s review of the long-awaited new by Disavowed, which will be released on July 31 through Brutal Mind, with artwork by Jorg de Vos.)

This time around I have the opportunity to write about Disavowed from the Netherlands and their upcoming album Revocation of the Fallen, to be released via Brutal Mind.  This is something that fans of this project have been waiting on for 13 years.

At the inception of this band back in 1994 they were known as Nocturnal Silence until they changed to their current name in 2000 and released the Point of Few demo. They released their debut album Perceptive Deception  the following year, and it’s considered a classic among BDM fans, one that is still consistently played across the planet. Continue reading »

Jun 302020
 

 

(Here’s Vonlughlio’s review of a debut brutal death metal album from Indonesia that “stands out from the masses.”)

This time around I have the chance to talk about the band Chancroid from Indonesia, whom I’ve been a fan of since 2015 when they released their promo that year.  There are a lot of BDM projects from Indonesia — they live and breathe the genre. Sure, there are a lot of same-sounding bands out there in this genre, but this is one of the cases that for me stands out from the masses.

After their 2015 promo the band released a demo in 2018 that continued their musical path with a raw production that is most welcome for the song structures they created. There’s not a lot of activity from the this project compared to others, but keep in mind that this is an underground group and things usually work a lot slower.  I did not know when they would release an EP or full-length. Continue reading »

Jun 222020
 

 

(We present Vonlughlio’s review of the new sixth album by German stalwarts Defeated Sanity, which is set for release by Willowtip Records on July 24th and features cover art by Jon Zig.)

Today’s review concerns a band who have been dear to me as a fan for more than 10 years.  Their music has given me great joy, through good and bad times.  They are one of the best Brutal Death Metal acts out there, with classic releases that will be forever remembered.

I am talking about Germany’s Defeated Sanity, originally formed by Lille Gruber (drums) and his late father Wolfgang Teske (R.I.P.).  After their inception, the project released a series of demos and splits from 1996 through 2003, and their debut album Prelude to the Tragedy (2004) became one of my favorite debuts ever by any band in the genre. Continue reading »

Jun 162020
 

 

(We present Vonlughlio’s review of the new sophomore album by the UK’s Foetal Juice, which features cover art by Roberto Toderico. It was released by Gore House Productions on June 12th.)

I believe I have mentioned before that feeling you get when you discover (or were recommended) a band whose music leaves you amazed, and wondering to yourself why you weren’t able to hear about them before.

That’s what happened in the case of Foetal Juice, based in the United Kingdom, who just released their sophomore effort Gluttony through Gore House Productions. I found out about the project when the label was promoting one of the singles for this release, which left a favorable impression on yours truly. Continue reading »

Jun 122020
 

 

(This is Vonlughlio’s review of the recently released second album by the Indonesian brutal death metal band RAW.)

Today I am taking the opportunity to review the sophomore effort of RAW (Indonesia) entitled Languish, which was released via Brutal Mind this past March 31st.  The project mastermind is none other than Aditya, who is well-known in the Indonesian Brutal Death Meal scene for his other bands Gerogot and Brain Damage (both amazing).

RAW’s inception was back in 2015 and it released 2-song demo that year, and a single later in 2017. We had the opportunity to review the band’s debut album The Persecute Heinous here at NCS; it was one of my favorite 2018 BDM releases. Continue reading »

Jun 092020
 

 

(Here, Vonlughlio reviews and recommends the new album by Pittsburgh’s Post Mortal Possession, which was released on May 30 of this year.)

This time around I have the opportunity to talk about the band Post Mortal Possession, who first gained my attention back in 2018 with their debut album Perpetual Descent released by Lord of the Sick Recordings.  Before that I had no idea of this project and their previous EP’s released in 2014 and 2016, but the debut album was a great balance between tech and BDM elements, and the varied vocals patterns stood out for me a well.

Since I was not familiar with their EP’s, I decided to listen to them. They had a different vocalist for those releases, and I must say that the music was nothing groundbreaking, but nonetheless good stuff which  showcased the musicians’ amazing potential (the vocals were kind of a hit-or-miss with me, depending of the songs). Continue reading »

Jun 042020
 

 

(Vonlughlio prepared the following review of the new album by the German band GUT, which was released by Splatter Zombie Records on May 15th.)

I have to say that I love comeback stories, just as many others around the globe do, and when the comeback is unexpected it’s even better. Of course, the most important aspect of story is still always the music.

The subject of today’s comeback tale is the German death/gore/grind band GUT, who have been around since the early ’90s. For me their 1995 album Odour of Torture is a pure delight for fans in the genre, and so underrated in my opinion.  After that came some splits and EPs the same year — and then came silence. Continue reading »

May 272020
 

 

(Vonlughlio has brought us another recommendation, which he describes in this post — a 2020 demo by a relatively new band from Belarus.)

Being able to write here on NCS about the bands in one of my favorite genres (Brutal Death Metal) is something that I have been grateful for, to help spread the word with the hope that readers will find something they might like.

I am always on the lookout for releases coming up from new and unknown bands that will grab my attention. So on that note, I have to write about a band called Grimentity who released their three-song promo To Perfection this past February — two original tracks and a Lock Up cover.

The project is a trio hailing from Minsk, Belarus, that was born in 2018, combining death and grindcore elements.   Soon after their birth they released their first demo The Power of Broken, with two songs that gave a great representation of their music.  The band is Roman Drobishevski (drums), Pavel Lapkovski (guitar, vocals), and Nikita Metelskiy (vocals, bass). Continue reading »

May 202020
 

 

(This is Vonlughlio’s review of the new album by Detroit-based Syphilic, which was released on May 15th.)

Today’s subject is a project that in my honest opinion is one of the sickest bands, in terms of of shock value, due to the cover art for their albums throughout the years (we’ll talk more about this in a bit). That band is Syphilic and it was formed back in 2005 in Detroit, Michigan by Brian Forgue, and to this day has released nine albums. We are going to talk about Syphilic’s latest effort Empty Nest, which from the cover to the titles and the lyrics tells a story that is not for the faint of heart. Continue reading »

May 142020
 

 

(Our friend Vonlughlio returns with this review and recommendation of the new album by the death metal band Unmerciful from Topeka, Kansas. The album is out now via Willowtip Records.)

This time around I have the great opportunity to write about Unmerciful’s third album Wrath Encompassed, released via Willowtip Records on April 28th.  This band from Topeka are well known in the BDM scene due to their 2006 debut album Unmercifully Beaten, which is considered a timeless classic in the genre.

As with many projects, Unmerciful suffered a long time through the hazards of time and life with no new music and lineup changes, until their 2016 sophomore effort Ravenous Impulse saw the light of day.  When it was released I must be honest and say that I had mixed feelings about it. Musically it was good, and yet somewhat different from their debut. In particular, the vocals did not go well with me, not that they were bad, but just did not click with me.  The drums were handled by Origin’s John Longstreth (keep in mind that Origin was also formed in Topeka), through a relationship with some of the members from Unmerciful who used to play in the band in the early years. Continue reading »