Mar 022010
 

A couple of your NCS Co-Authors saw the movie Crazy Heart this weekend, to find out what the hubbub was all about, and we thought it was amazingly good. The story and the acting are compelling, and the music is stunning. So although it’s got nothing (much) to do with metal, we need to write about it.

In a widely (and rightly) praised performance, Jeff Bridges plays a legendary country music performer named Bad Blake who has slid far down the back side of his career. He tours the Southwest out of the back of a rusting SUV, playing bowling alleys and bars with pickup bands, suffusing himself on a daily basis with clouds of cigarette smoke and a flood of whiskey, and satisfying his meager need for companionship with the occasional, pointless one-night stand.

Broke, alcoholic, overweight, nearing 60, with four failed marriages behind him and a grown son with whom he’s had no contact in 20 years, Bad Blake has nearly succeeded in flushing his career and his life down the toilet. He’s not very likable and seems stuck on a dead-end road to oblivion that he has mapped for himself.

On the other hand, though resentments and frustrations surface, Blake doesn’t wallow in self-pity, nor do we see much of the narcissism that seems to survive in many celebrities when all legitimate reason for self-regard has long since left the house. For Blake, this is simply his life, as it has become. It is what it is, and he simply wants to get on with it.

Beyond those meager saving graces of his personality, we see something else admirable: Even when stumbling in an alcoholic haze, he can still bring it on stage — with allowances for the occasional mid-set rush into an alleyway to puke his guts out in the nearest garbage can.  (more after the jump, including some music to stream . . .) Continue reading »

Mar 012010
 

Austin, Texas, has always had a vibrant music scene, but so many years have passed since I grew up there that I’ve lost any personal knowledge of how underground metal has evolved, Central Texas-style. All I can do now is judge from a distance, but based on the output of bands like Averse Sefira, Iron Age, Mammoth Grinder, and The Sword, I assume the scene is alive and well.  Now I can add to the growing pile of evidence the debut full-length from Sarcolytic.

Recently released by Unique Leader Records (also home to Arkaik, the sick California tech-death band whose new album we reviewed yesterday), Thee Arcane Progeny channels a shotgun marriage (and I mean the bride and groom have both got em) of black metal and brutal death metal, with the liturgy prescribed by translated Sumerian texts that tell of humanity’s genesis at the hands of godlike extraterrestrials from a tenth planet. Ancient extraterrestrials aside (for the moment), the music Sarcolytic unleashes is elemental and unadorned in its grim fury. (read more after the jump, and listen to a cut from the album . . .) Continue reading »

Feb 282010
 

What have we here? It’s another Par Olofsson album cover! And just a few days after we showcased some other album covers by this prolific Swedish artist (here).

Wonder what’s inside? Hey, whaddaya know!  It’s a CD!  Wonder what it sounds like? (putting CD in music player . . . and listening)

Fuck yeah! (pumping fist in air) This is some sick shit!

(Strike that. This is supposed to be a high-brow extreme metal site, rendering sophisticated musical analysis in literate journalistic prose. Start over.)

The band is called Arkaik. They’re from beautiful Riverside County, California. They’ve shared the stage with the likes of Suffocation, Necrophagist, Dying Fetus, and Decrepit Birth. Their just-released debut album on Unique Leader Records is called Reflections Within Dissonance. And what’s the music like? Fuck yeah! This is some sick shit!

Damn. We gotta do better than that. Let’s use some adjectives besides “sick.” How about: insanely fast, technical, pummeling, rhythmically dynamic. How about some metaphors? Like standing right next to a jet turbine already spooled up to a full roar while an assault squad is blasting at your head with M4s on full auto — in a hurricane. (read more after the jump . . .) Continue reading »

Feb 272010
 

“bamf”

That’s the one-word review our NCS Co-Author IntoTheDarkness conveyed about Suffokate‘s just-released new album, No Mercy No Forgiveness. Actually, I guess that’s really three words. Anyway, to justify our existence, I thought I probably needed to flesh out that review just a bit. So here goes:

Bad ass motherfucker.

Not enough fleshing out? Yeah, you’re probably right. So lemme try again.

It’s deathcore.

And now that I’ve said that, I’m guessing about 75% of our readers are reaching for their mouses to move on with their web surfing. But hold your horses! Our bro IntoTheDarkness has listened to just about every deathcore release known to the civilized and uncivilized world, and he dismisses much of it as formulaic, no-talent crapola. But he said No Mercy was bamf. So there must be something here. So I’m listening to it. What do I hear?

Down-tuned, palm muted, hardcore guitar rhythms. Check. Jackhammer drumming, heavy on the blast beats and double bass.  Check. Roof-collapsing breakdowns that you can feel in your lower GI. Check. A combo of deep-throated death metal growling and vicious, demonic shrieking (often double-tracked in unison). Check. Lyrics? Yes, they have them. Enough said about that (who listens to deathcore for lyrical content?) But wait, there’s more — isn’t there? (don’t give up — continue reading after the jump . . .) Continue reading »

Feb 262010
 

This is just a mish-mash of funny shit we saw over the last 24 hours. I had planned to be talking about some new music today, but the demands of my day job kinda screwed over those plans, so there’ll be a slight delay until tomorrow. So yeah, today’s post is more or less filler. Forgive us.

MACHINE HEAD FIRES SAN DIEGO

First up, this kinda bizarre piece of news about Oakland metal band Machine Head (pictured above):

MACHINE HEAD frontman Robb Flynn has revealed that his band has “fired” the city of San Diego, and will never play there again. He tells Rock Radio DJ David “The Captain” Grant, “A lot of crowds are awesome. But if we’re playing San Diego, we’re not going to go on the radio and say, ‘San Diego crows are awesome’ — because they’re not. They’re beat. That’s MACHINE HEAD slang for ‘We don’t like them.’ They don’t come to a show and rage and go crazy. They come to a show and say, ‘Okay… this is cool. Oh, I like this song.’ We’re not into that. I don’t know why they come to a rock show with that kind of attitude. So we don’t go to San Diego anymore. They’re fired.”

This is the first time we can remember a band deciding to fire a whole city. Sure, bands have been known to write off a particular venue where they had a shitty experience, or refusing to participate in a particular tour because of bad experiences with a particular promoter.  But giving the finger to an entire city’s worth of fans? Maybe this is a manifestation of that NoCal – SoCal rivalry that’s been around since California became a state. Or maybe there’s more to this story than meets the eye.

But we’re guessing that now, the feeling’s mutual. Maybe some enterprising photographer will figure out a way to arrange a shot of all metal fans in San Diego gathered in a stadium and flipping the bird at Machine Head. (more after the jump, including some embarrassment about Ozzy and some wet-your-pants funny shit about Tiger Woods . . .) Continue reading »

Feb 252010
 

On the last day of last year we published a post called UK Death Metal in Review, in which we wrote about five UK extreme metal bands whose music we really enjoyed during 2009. This week we discovered good news and bad news about two of those bands — Theoktony and Viatrophy.

It’s a vivid reminder of how fleeting the ups and downs of extreme metal bands can be in this narrow little niche of music we live by, and how lucky we are that so many bands insanely care enough about the music to hang in there when the pressures to give up can become so overwhelming.

THE GOOD NEWS

We thought Theoktony’s 2008 full-length, “I“, was a real head-turning slab of technical, no-holds-barred, heavily blackened death metal, played with a lot of heart. Vicious death vocals, a very heavy low end with absolutely insane non-stop blast-beat drumming, and grinding riffs — all performed with real technical flair, a healthy dose of groove, and a mournful sense of melody.

When we originally wrote about Theoktony, we were saddened to report that the band had recently split apart. At that time, guitarist Liam Millward wrote that he was continuing to record music, providing all the instrumentals and vocals himself, and was hunting for musicians to fill out the band — and we wished him luck, because what he and his comrades did with Theoktony was awesome. (read on, after the jump . . .) Continue reading »

Feb 242010
 

Not long ago we frothed at the mouth over the latest release (Blackjazz) by Norwegian avant metallers Shining. As we noted, the music isn’t for everyone, but if you’re looking for something wildly inventive and wickedly insane, Blackjazz is worth your time. Today we discovered that Shining has released a video of the song “The Madness and the Damage Done.” It’s built from live footage of the band’s concerts in Trondheim and Stavanger last month, and it’s hot shit. If you’re epileptic, don’t watch this.


SHINING (NOR): The Madness and the Damage Done

SHINING – Norwegian Blackjazz | MySpace Music Videos

Feb 242010
 

Miseration‘s new album, The Mirroring Shadow, is not at all what we were expecting — but it’s a most welcome surprise.

Our expectations were based on the band’s first album, 2007’s Your Demons – Their Angels. That album was a particularly melodic rendering of melodic death metal, marked by the same mixture of clean singing and harsh growling that vocalist Christian Älvestam brought to his former band, Scar Symmetry. In fact, the similarities to Scar Symmetry were far more dominant than the differences.

That wasn’t a bad thing (cuz we liked the old Scar Symmetry just fine), but it seemed to us that Älvestam’s partnership in Miseration with guitarist/drummer Jani Stefanovic had become less a catalyst for change than a vehicle for continuing on with the songwriting style and musical sound of the band Älvestam had just left.

But on The Mirroring Shadow, Miseration has become a different breed of cat altogether. And we mean something like a prehistoric sabretooth — big, fast, powerful, vicious, and with teeth the size of carving knives. (more after the jump, including songs to hear and a digression about album artwork. . .) Continue reading »

Feb 232010
 

We’re now almost two months into 2010, and it’s already time for our second update to the list of forthcoming new albums we posted on January 1.  (See the original list here and the first update here.) Below is a list of still more projected new releases that we didn’t know about on January 1 or at the time of our last update about a month ago — and there’s a lot of them.

Once again, we’ve cobbled together news blurbs about bands whose past work we’ve liked, or who look interesting for other reasons. Needless to say (but we’ll say it anyway), these are bands that mostly fit the profile of music we cover on this site.

So, in alphabetical order, here’s our list of cut-and-pasted blurbs from various sources over the last month about forthcoming new releases:

1349: “Prosthetic Records will release the brand new album from Norwegian black metal legends 1349 in North America via an agreement with Indie Recordings. The new CD, which promises ‘a return to the band’s more traditional, raw-yet-technical black metal sound,’ is due on April 13. In support of the yet-to-be-titled record, 1349 will embark on a North American tour in April and May as the support act for CANNIBAL CORPSE (alongside SKELETONWITCH and LECHEROUS NOCTURNE).”

ABACABB: “ABACABB are currently out on the road headlining the Hot Dice On Black Ice Tour featuring Upon A Burning Body!. The tour just hit Texas and will be in California this weekend. Following the tour ABACABB will enter the studio with producer Will Putney at Machine Shop in New Jersey and will have a new album to be released sometime this summer.”

AEON: “Swedish death metallers AEON have set Path Of Fire as the title of their third album, due later in the year via Metal Blade Records. The CD was recorded in September 2009 at Empire Studio in Östersund, Sweden and was mixed the following month at Mana Recording Studios in St, Petersburg, Florida by Erik Rutan (HATE ETERNAL, MORBID ANGEL, CANNIBAL CORPSE). The mastering was handled by Alan Douches at West West Side Music (CONVERGE, HATEBREED, THE DILLINGER ESCAPE PLAN) in New Windsor, New York.”

AMORPHIS: “AMORPHIS will release its first-ever live DVD, Forging The Land Of Thousand Lakes, in early June via Nuclear Blast, in time for the band’s 20th anniversary. The filming took place on November 20, 2009 at Club Teatria in Oulu, Finland, where AMORPHIS was supported by STRATOVARIUS and BEFORE THE DAWN. In addition to the full-length live show, the anniversary DVD will include plenty of bonus material documenting the band’s impressive career.”   (much more after the jump . . . ) Continue reading »

Feb 222010
 

Spastic headbangers rejoice! Meshuggah‘s live performance DVD/CD Alive is out and available for purchase.

We’re guessing the odds that (a) you care enough about extreme metal to visit sites like ours, but (b) have never listened to Meshuggah, are (c) pretty fucking small. If by some tiny chance you haven’t given Meshuggah a serious listen, then this would be a very good time to do it. If, as is likely, you already know the music, you’re going to have a meshuggasm watching and listening to Alive.

[From the NCS Dictionary: meshuggasm: intense or paroxysmal excitement; especially: an explosive discharge of neuromuscular tensions at the height of arousal produced by listening to Meshuggah.]

The Alive DVD includes live performance footage from Meshuggah concerts during 2009 in Montreal, Toronto, and New York City, and from a 2008 festival performance in Tokyo. The decision to compile and alternate performance cuts from different venues rather than show one concert from start to finish keeps the video visually interesting, and presumably allowed the band and the director to pick the best live performances of each song.

The video includes 12 songs performed live, 5 from the latest full-length ObZen (“Pravus”, “Bleed”, “Electric Red”, “Lethargica”, and “Combustion”), 4 from Nothing (“Perpetual Black Second”, “Stengah”, “Rational Gaze”, and “Straws Pulled At Random”), 2 from Chaosphere (“New Millenium Cyanide Christ” and “The Mouth Licking What You’ve Bled”), and 1 from Contradictions Collapse (“Humiliative”). (more after the jump, including a track from the CD . . .) Continue reading »