And how
May 142012
May 142012
I have never seen my abs. I will never see my abs. It’s just not in the cards, despite the fact that I’m pretty close to the weight I’m supposed to have for my height. Even when I was at my trimmest, most athletically fit, I couldn’t see them . . . and those days are far back in the rear-view mirror.
Angela Gossow, on the other hand, has abs. Having seen this photo taken at Arch Enemy’s Wages Of Sin Anniversary show in Tokyo on April 14, 2012, I don’t know why she ever wears shirts and tops that drop below her upper ribcage. Man, when you got it, flaunt it.
Look at her fucking arms, too! I know that with Arch Enemy as big as they are, she travels in better style than 99% of all metal bands, but still: Where does she find the time to work out this intensely, and how does she avoid all the alcohol and shit food that comes with touring? Oh, wait. I know. You don’t have to fucking tell me. It’s called self-discipline. A concept I’ve read about, but one that’s totally academic to me.
I’m sorry, but as awe-inspiring as Angela looks in this photo, it fucking depresses me on another level. By coincidence, about 5 minutes after I saw this photo, I heard a song that kind of sums things up. It’s called “Visions Of A Shit Life”, which is kinda what I see when I catch myself naked in a mirror. It’s by a Denver grindcore band called Death of Self (yeah, that’s a fucken appropriate name, too), which features the vocalist/guitarist (Ethan) from Clinging To the Trees Of A Forest Fire. It has the benefit of being a goddamned kickass song, too. Continue reading »
May 142012
I think it’s fair to say that I have eclectic taste in metal. I enjoy a wide range of music (as long as it has little or no clean singing, of course), and I make a conscious effort to cover a broad spectrum of genres/sub-genres in my own contributions to NCS. But that’s not to say I like everything to the same degree, and I certainly don’t claim to be well-educated in everything metal has to offer. Of course, as is true of most fans, there’s a connection between the intensity of my liking for certain styles and the extent to which I feel knowledgeable about them.
Sludge — and particularly doom-heavy sludge — is an example of a genre style that I’ve consumed only rarely, and consequently I don’t claim any expertise in the area, nor any legitimate basis for saying what’s best and what isn’t. I tend to prefer faster, more explosive music, and I’ve yet to fully appreciate the beauty of being dragged at a crawling pace through sucking tar, particularly when the music doesn’t provide the relief of at least a momentary glimpse of light or a lungful of air.
HOWEVER, I’m a riff addict, and I do love a big, heaving, massively distorted guitar-and-bass tone. I also often enjoy really ugly music that feels like an alien larval parasite eating its way through my chest and eventually exploding in a spray of blood and soft tissue. And so today, after that long wind-up, I bring you music from Dukatalon (Israel) and Cowards (France).
DUKATALON
I also enjoy eye-catching album art, and (as you can see above) Orion Landau created a real winner for the debut album by this three-man Israeli band, 2009’s Saved By Fear (which was later re-issued by Relapse Records after they signed Dukatalon). What, you may ask, am I doing writing about an album that’s two and a half years old? And the answer is: Last week Dukatalon released a music video of a live performance of a song from that album called “Vagabond” that really grabbed me. Continue reading »
May 142012
[EXCEPTION TO THE RULE WARNING]
Quite recently, our old pal Islander asked us, “What’s in a name?” I found this pretty amusing, because I had actually planned on addressing this sort of subject in this review, albeit with a more limited scope. Specifically, I was going to address those rare instances where a band’s name is directly evocative of the music that they make. I don’t mean the sort of band names where it’s fairly easy to guess what sort of music they make, like how a band with a pluralized noun is probably a djent band, or a band with a Verb/Gerund The Noun name is probably metalcore/deathcore, or how a band with a name that doesn’t appear to be a real word is probably a black metal band.
No, as you might guess, I’m talking about a name like Diablo Swing Orchestra. I’ve been trying for a while to think of a band whose moniker is more perfectly suited to them, and I really haven’t found one. If for some reason you are unfamiliar with them, Diablo Swing Orchestra mix metal with a smorgasbord of orchestral music styles to create something that is truly unique. They have one of the most interesting back stories I’ve ever read, and while it may or may not be historically accurate, it certainly does a nice job setting the stage for their music. They live up to their name, sounding like the Glenn Miller Orchestra if they were doing a gig as Lucifer’s house band.
I’ve been following the band since I first happened upon their stunning debut, The Butcher’s Ballroom, where the mix of elements blew me away, not only because of the different styles, but also how smoothly they were mixed. DSO’s sophomore release, Sing-Along Songs For The Damned And Delirious, was certainly its predecessor’s equal, maintaining the same level of ferocious weirdness without running it into the ground. And now, we get Pandora’s Piñata, the DSO’s eagerly-awaited third album, and once again, these eclectic Swedes do not disappoint, delivering one of the year’s most creative releases thus far. Continue reading »
May 132012
“She Destroys Again” is a song from Sólstafir’s Köld album, which was released in February 2009 by Spikefarm Records. When the band’s official video for the song originally went up on YouTube in 2010, it was taken down, presumably because of the full frontal female nudity. Later, it was re-uploaded and has been age-restricted on YouTube since then.
I suppose in some sort of jousting match with YouTube, it has been uploaded again today without the age restriction. I’m sure that won’t last long.
It’s a cool song and a cool video, which I was reminded about by the new upload. The video is just a montage of still photos compiled by the band’s drummer Guðmundur Óli Pálmason using Final Cut, without any digital post-processing; he says all the visual effects were manually created. It’s interesting to watch.
I’ll embed the non-restricted version after the jump. When it eventually gets blocked, you can go HERE to see the age-restricted cut, if you’re of age. Continue reading »
May 132012
Klonosphere is a French business devoted to organizing and promoting musical performances and releasing music, with distribution provided by Season of Mist. Their name has been associated with a number of bands we’ve featured at NCS over the years. This morning I discovered that they’ve released an 18-track sampler of music from Klonosphere bands for free download. The sampler includes music from five bands we’ve featured at NCS (each of these names are links that will take you to our features about them):
These bands are all so good — and their music is so diverse — that it bodes well for everything else on this sampler. I haven’t listened to the whole thing yet, but I did pick out a few songs at random from bands whose names were new to me. I’ll stream those after the jump and provide a link for the download. Continue reading »
May 132012
In this post I’ve collected music from three bands I came across yesterday that I thought was worth sharing. I tried to think up some kind of Mother’s Day theme for this round-up. All I could come up with was the idea of calling all of you motherfuckers, but that doesn’t really work, does it? Anyway, for all of you whose moms didn’t kick you out of the house, don’t forget to wish them a Happy Mother’s Day. Even those of you who got kicked out might give it a try. They might let you back in.
MAGOA
This band is from France. These days, that means there’s about an 8 out of 10 chance they will be good. Magoa released a debut album last year called Swallow the Earth, which I haven’t heard. More recently, they’ve finished recording a 6-song EP that I presume will be released later this year. Last week, they released a single from the EP for free download, along with an accompanying video. The name of the song is “Animal”.
As their principal influences, Magoa cite Slipknot, Lamb of God, Pantera, and In Flames. Based on this song, I’d add Meshuggah to the list, which I suppose is a way of saying that it includes some djent stylings. I get the Slipknot reference, but based on this song I wouldn’t say the usual stylings of those other bands are much in the mix.
I do like the song — it’s groovy, it’s brash, it’s high-energy, it includes a catchy melody — but the main reason for posting about it is the video, which I couldn’t take my eyes off of. In the category of videos that exclusively depict the band performing the music, it’s one of the best I’ve seen this year. Continue reading »
May 122012
Even though I live in the Pacific Northwest, I’m not a native of the region. The place where I was born and lived until I finished high school is Austin, Texas. My mother and brother still live there, and I go back there to visit a couple times a year. I’ve traveled around a fair amount, and if I could reverse time and have my choice of places to call my hometown, I’d still pick Austin.
In early April, I flew back to Texas to be at the wedding of a young woman I’ve known forever. The ceremony was performed by a good friend of mine (and hers) who got some kind of on-line minister’s license to perform lawful marriages in the State of Texas. The wedding took place outside at a farm in Brenham, Texas (which is about halfway between Houston and Austin). There were a couple hundred people in attendance on a beautiful afternoon. After the wedding, we partied hard. There was plentiful barbeque and beer and an ass-kicking band who seemed capable of playing any kind of music you could want, and playing it well . . . except for metal. But I had a fuckin’ good time anyway.
Somewhere around midnight, that band started playing a song I hadn’t heard since the Neolithic Era. There was a time when that song meant the world to me. When I first left Texas as a young idiot, I was homesick a lot, and that song reminded me of home . . . not the nasty, right-wing bastion that Texas has become in the minds of most people nowadays, but the tolerant, left-wing, dope-smoking, laid-back, open-hearted, music-loving place where I grew up.
The song was written by Gary P. Nunn. It was made famous (at least in Texas) through a live 1973 recording of the song by Jerry Jeff Walker and The Lost Gonzo Band, which appeared on an album called ¡Viva Terlingua! That whole album is chock full of win, or maybe it’s just chock full of nostalgia for a displaced Texan like myself. Gary P. Nunn was part of The Lost Gonzo Band when the album was recorded, and he, rather than Jerry Jeff, did the vocals on the song that’s the subject of this post. But I have a slight preference for Gary P.’s own recording of the song, so that’s the version I’m going to play for you right after the post.
The lyrics are awesome, so I’m including those, too — though my British friends may not find them so awesome. They’re about a Texas musician finding himself in London and missing Texas.
This is not metal — not even close — but the song has been on my mind since April (the chorus is still one of the catchiest things I’ve ever heard), I woke up thinking about it this morning, and so fuck it, I’m devoting this post to it. Continue reading »
May 112012
True story: I tried to roller skate once. It didn’t end well. I kind of careened all over the place, totally out of control, veering in one direction and then another. Eventually I came to rest — on my ass, with a severely sprained ankle. It was a hell of an adrenaline rush, followed by a fuckton of pain.
The point of this post is to throw some music your way to help you skid into the weekend ahead, to get some adrenaline pumping, and to bring the pain.
YELLOWGOAT
We know Joel Grind can thrash. He’s the driving force behind Portland’s one-man wrecking machine, Toxic Holocaust, a “band” that quite effectively churns out a holocaust of punk/thrash mayhem. Now we can hear a slightly different side of Mr. Grind.
He has a one-man side project called Yellowgoat and has finished recording a 9-track album under that name. Yesterday he put up on the Tube of You an 8-minute preview of the album, with excerpts from the songs. Based on those previews, I’d describe the music as a nasty, fuzzed-out fusion of black thrash, d-beat, and punk — a throwback to the early days of black metal. It makes sense that he picked a name that pretty obviously came from the cover of Bathory’s first album.
The music is vicious, raw, and thoroughly energizing. So get this skate show on the road by rockin’ out to the Yellowgoat album preview right after the jump, and after that you’ll see some of Joel’s comments about this project. Continue reading »
May 112012
There may be other metal bands somewhere in the world whose musical journey has been as long, as varied, and as successful as that of Norway’s Enslaved, but there surely can’t be many.
They began life under the name Phobia, playing Autopsy-style doomy death metal, but they made their mark as a pioneering black metal band. They adopted their current name from the Immortal demo cut “Enslaved to Rot”. They shared a split with Emperor in 1993. And then they made a big impact with their 1994 debut album Frost. Their 1997 album Eld appears in the No. 8 position on the well-regarded list of black metal’s Top 100 albums at the Norsksvartmetall site.
But musically, Enslaved have been in almost constant motion, evolving in progressive directions. They have now finished recording their as-yet unnamed newest album, which is projected for release by the band’s new label Nuclear Blast in October. Today, the Lydverket web site (affiliated with the Norwegian Broadcasting Corporation, NRK) published an interview of the band by Totto Mjelde, which was conducted in the studio as the band were putting the finishing touches on the recording before sending it to Fascination Street Studios in Sweden for mixing.
We’ve written about NRK’s coverage of Norwegian metal in the past, and Totto was nice enough to tip us to this piece — which is in English and is definitely worth reading, not least because it includes a report about the music on Enslaved’s new album, an audio excerpt from one of the songs, and some nice photos from the studio.
After the jump, I’ve included a couple of highlights from the interview and Totto’s description of this first taste of music from Enslaved’s new album. Continue reading »