Sep 072017
 

 

I’ve written before, and I don’t think many people would argue the point, that many excellent metal bands located outside North America and Western Europe would probably be household names (at least within the filthy households of metal) if they lived in the West. It’s not so much a matter of regional prejudice (though undoubtedly there’s some of that at work) as it is a challenge to gaining exposure. You can add India’s Gutslit to that list of deserving but under-appreciated bands. Though their success in arranging two European tours (with a third one in progress now) has undoubtedly helped their cause, I suspect their new album Amputheatre is going to elevate their profile significantly, notwithstanding the challenges posed by being located outside the West.

Amputheatre is the band’s second album, which follows their debut full-length Skewered In the Sewer by four years. It’s scheduled for release on October 15 by Transcending Obscurity India, and it’s going to catch a lot of eyes based on the cover art alone, which was painted by the phenomenal Berlin artist Eliran Kantor, who has a long list of credits on his resume, including album art for the likes of Incantation, Hate Eternal, Fleshgod Apocalypse, Testament, and Archspire. And the music’s going to catch a lot of ears, too. It certainly caught ours — and then proceeded to wreck them. We’re very happy to host a premiere of a song from the new album called “Necktie Party“. Continue reading »

Sep 062017
 

 

I think I need to repeat something I wrote when I first came across the title track to the new full-length by Horrified: “If Adam Burke’s artwork for the new album by the UK’s Horrified doesn’t compel you to listen to the music, there may be no hope for you (or perhaps you just need to visit your optometrist for a prescription update)”. That remains just as true today. But there is now abundant evidence besides the artwork that this album is something very special.

Entitled Allure of the Fallen, it’s set for release on September 29th via Shadow Kingdom Records, and now we have one more song to present as proof of the album’s power, in addition to streams of two others that have previously premiered. The new song is named “The Perceiver“.

For those new to Horrified, this is their third album, following Of Despair last year and 2014’s Descent Into Putridity, and the strength of the band’s continued musical evolution and their increased sophistication, self-asssurance, and distinctiveness of vision is fully revealed in this new one. In the simplest of genre terms, you could call Horrified a melodic death metal band, but their new music is far from simple. “The Perceiver“, for example, is impressively multi-faceted, rhythmically dynamic, intricately plotted, and emotionally evocative. It vividly summons sensations of torment, terror, and paralyzing grief. Continue reading »

Sep 062017
 

 

Offered in praise of the Harvester of Worlds, the great Swallower of Suns, the new EP by the Polish band Devil’s Emissary is a stunning amalgam of black and death metal that shocks and seduces in equal measures. It’s due for release on September 9 by Third Eye Temple, but we present a full stream of the EP today. Its name is Demiurge Asceticism.

This new three-song work follows the groups’s second album by two years, and reflects an evolution in sound, one in which staggering doses of heaviness have been blended with spine-shivering eruptions of black fury. The result is a changing pageant of armageddon-like chaos, pestilential doom, and blood-freezing grandeur, a tale of destruction and resurgence. Continue reading »

Sep 052017
 

 

The Maryland black metal band Thonian Horde’s self-titled first album arrived last year as an independent release, and they’ve wasted no time readying a follow-on — but this time it’s coming our way via Baltimore-based Grimoire Records, with the recording and production work handled by Grimoire’s main man Noel Mueller. The new album is named Inconnu, and in advance of its September 22 release we’re bringing you the premiere of a track from it called “Five Rivers of Hades“.

For those who are just now discovering Thonian Horde, it’s a band whose members honed their chops in other groups before joining forces in this new horde, but the music of their other projects wouldn’t lead you to expect the trails they’ve chosen to blaze here. Continue reading »

Sep 052017
 

 

The aroma of candle wax, sulphur, and pooling blood hangs about the song we’re about to premiere, which spawns ominous visions of necromantic sorcery and the horrifying apparitions made manifest by devilish incantations. The song is “Nekrokosmick Pentagram” and it comes from the debut album of the Brazilian band Necromante. Entitled The Magickal Presence of Occult Forces, the album will be released by Iron Bonehead Productions on October 6.

Necromante have already made their mark in the underground through the release of a pair of demos, an EP, and a live album, but the 41 minutes of music on this new work eclipses what they have achieved before. Continue reading »

Sep 042017
 

 

(Austin Weber presents our premiere of the debut album by the two-person project Cora Canning.)

Some of our readers may be familiar with the mind behind today’s stream of Cora CanningUnveiled Webbing, as it was spawned by the mad scientist from a project called Nostril Caverns that I’ve been covering here at NCS since last year.

Nostril Caverns is Toronto-based multi-instrumentalist and vocalist Chris Balch’s one-man band, which has been active since 1999. The project’s music has covered a wide variety of styles and mergers between genres depending on the release, but often revolves around grindcore, technical grindcore, death metal, black metal, prog metal, and also improvised/experimental music. Earlier this year at NCS, I covered his latest 99-song technical deathgrind (with black metal influences) release, Spatial Lacerations, and I continue coming back to it.

In between sessions of work on his current absurdly ambitious plan for an upcoming release in which each song will be composed of 100 unique sections (instrumental demos of which are available for two of them here and here), he partnered with his friend and fellow multi-instrumentalist Dave Turnbull to create Cora Canning’s Unveiled Webbing, which we’re streaming early below. Continue reading »

Sep 012017
 

 

If you’re an experienced listener of extreme heavy metal, when you see the word “asphyxiation”, you might think of bleak, soul-sucking, oppressive sounds, like the sonic equivalent of a garrote tightening on your neck or an anvil on the chest. But the song you’re about to hear, which bears the name “Asphyxiation’s Lullaby“, is asphyxiating only in the sense that it’s so astoundingly exuberant and kaleidoscopic that it takes your breath away to hear it.

The song comes from The Ichor Carcinoma, the debut album of Buried Realm, which is the solo project of Colorado musician/vocalist Josh Dummer. On this album he proves himself to be some kind of instrumental wizard, and a vocal chameleon as well. But he has also surrounded himself with an array of guests that shines like a metal constellation in the night sky. Continue reading »

Aug 312017
 

 

I saw a status by a Facebook friend today commenting that 2017 has been a shit year for people but a magnificent year for new records. It’s hard to argue with either of those propositions. And the latter truth has made the former one at least a little more tolerable, because good music has the capacity (at least temporarily) to carry us away from the woes of the world, or at least to offer a form of catharsis for those woes.

The year, of course, is not nearly over yet, and no doubt it will continue to rain down more shit on people and will also continue to see the release of more excellent music — including the debut album by the one-man Australian band Alder Glade. The album’s name is Spine of the World, and today we’re sharing its title track with you in advance of the album’s release tomorrow. Continue reading »

Aug 292017
 

 

“The Cares of a Family Man” is a short story written between 1914 and 1917 by Franz Kafka about a creature called Odradek. According to The Font of All Human Knowledge, “The creature has drawn the attention of many philosophers and literary critics, who have all attempted to interpret its meaning”.

At first glance the creature appears to be “only a broken-down remnant”, “old, broken-off bits of thread, knotted and tangled together” but with odd wooden crossbars that allow it to “stand upright as if on two legs”. Yet although “the whole thing looks senseless enough”, it is “in its own way perfectly finished”. When it laughs, “it is only the kind of laughter that has no lungs behind it”, with a sound “rather like the rustling of fallen leaves”. To the narrator, “the idea that he is likely to survive me I find almost painful”.

It is from that perplexing story, and that word Odradek of uncertain origin, that the Ukrainian band Odradek Room chose their own name, a vehicle for creating progressive metal with a foundation of doom. Hypnotic Dirge released their debut album Bardo. Relative Reality in 2013, and on October 10 they will release the band’s second album, A Man of Silt, in conjunction with BadMoodMan Music (a side label of Solitude Productions). What we have for you today is the premiere of a song from the new album named “Mirror Labyrinth“. Continue reading »

Aug 292017
 

 

The Merriam-Webster Dictionary tells us that no one is completely sure where the word flummox comes from, though its first known use was in Charles Dickens’ debut novel, The Pickwick Papers, published in 1837. It means “to confuse”, and among its synonyms are “baffle”, “perplex”, “bewilder”, “bemuse”, and “mystify”. And when you understand all that, it’s not confusing at all why this Tennessee band chose Flummox as their name — because flummoxing listeners seems to be their primary mission.

We’ve devoted attention to Flummox in past years, with Austin Weber calling their debut album Phlummoxygen “a modern classic” and then premiering a song from their second album Selcouth.

The band’s most recent release is a four-song demo that emerged in June under the name Garage Prog, and the second song on that demo, “Tom Walker Blues“, has become the basis for the band’s first music video (directed by Matt Rose), which we are about to present for the first time to a completely unprepared public audience. Continue reading »