Nov 172012
 

Went out on the town last night with a bunch of good people to celebrate a friend’s 30th birthday. Had a blast, and got blasted. Today I feel like a demolition crew is excavating my fuckin’ head with dynamite. Honestly, listening to any kind of intense music right now isn’t an appealing idea. If there’s going to be any music in my near-future, it will be something like Hammock, a band Phro introduced me to. I’m guessing he must have been really hungover when he did that.

But even though I can’t bring myself to add any musical dynamite to the blasting that’s already going on in my cranium, I do want to contribute something to the blog today. So here’s how this will work:  I saw three items this morning that I’m guessing are really good, but I can’t bring myself to listen to them. So do me a favor, will you?  Leave a comment and let me know if my guesses are right or wrong.

ANTESTOR

This is a coincidence. Just yesterday we posted the milestone 30th edition of Andy Synn’s SYNN REPORT, the subject of which was the discography of Norway’s Antestor. We also reported that Antestor had recorded a new album entitled Omen — their first one in seven years — and that it’s scheduled for release on November 30, and that it uses a painting by NCS favorite Zdzisław Beksiński for the album cover. And here’s the coincidence: Today the band started streaming a track from the new album called “Unchained”. Continue reading »

Nov 172012
 

(Guest writer Tyler Lowery has bestowed upon us another article, and this one is about instrumental metal.)

 One of the biggest issues I had when I was first getting into extreme metal was the overbearing vocals in the music of many bands who were the front runners. The growling that my untrained ear misinterpreted as garbled cacophony kept me away from bands such as Necrophagist, Behemoth, and Napalm Death. From these bands I have now built a decent-reaching empire of extreme metal bands who I now thoroughly enjoy. However, it took me far too long to become accustomed to them as their vocal presentations distracted me from the excellence of their music as a whole.

As I began the perilous quest toward the seedy underbelly of the metal genres, I made my way through less than appealing bands who were  heavy but not crushingly so. These days were tedious and often without reward. Eventually tiring of the hit-or-miss tomfoolery, I started dipping my toes in the vast waters of Death Metal.

To cope with the harsh vocals that consistently harshed (hardy har har) my buzz, I found bands who employed clean vocals, as a diversion from the constant battery of screeching and growling. Bands like Opeth and Between the Buried and Me helped create the groundwork for an appreciation of the extreme, but even still the music was sometimes overshadowed by the vocals. That being said, the next logical step was to remove vocals altogether, right? Continue reading »

Nov 162012
 

(Guest contributor Kaptain Carbon is getting a head start on year-end listmania with a most amusing review of albums he missed earlier in the year. Despite the fact that I laughed out loud on numerous occasions, I haven’t forgotten that the Kaptain owes me a Russian Nesting Doll. Some things you don’t forget.)

Well, I am now a guest in another person’s house. I should take my shoes off and pretend I eat with my pants on. No Clean Singing put out a call for entries and usually I would be hosting board game night in my basement over at Tape Wyrm but now I am here. What a lovely house you have. I really love your collection of Russian Nesting Dolls. Oh dear, I think this one may be broken. I’ll set it down right here.

2012 is almost done and we will soon all be judged before the great cosmic eye. Before our fate is weighed on the gilded scales at an altar of ivory and blood, we all have to go through our end of the year lists. Yes, before the inevitable reckoning, where December is consumed in an omnipresence hellfire, we have to make our top 10s of 2012. Now, we all know it will probably go to the new Marilyn Manson record, but there is also the matter of the stacks of records which now make a castle on your coffee table. Look at this mess. Look at all of this stuff you said you were going to listen to but never did. You are a horrible human. I found this Abigail Williams record in the vegetable crisper.

I recently went through my library and pulled out all of the 2012 records I meant to review but never got around to doing so because I am a terrible metal-hating human being who secretly loves everything which you hate. I just want to make sure I did not miss anything, so I am going to go through this pile of laundry and rifle through its contents before throwing it back on the ground. Sure, things will still be messy, but there was production involved.

It is time to revisit the forgotten, at least by me, and the never-heard of 2012. Sure, No Clean Singing is giving me a wonderful opportunity to share some of my work with you, but let’s be honest, I woke up late and I am doing my homework while running to class. Thank you No Clean Singing for this opportunity and fuck you, you motherfucking stupid cocksucking alarm WHERE ARE MY KEYS? Continue reading »

Nov 152012
 

In this post are four new things I saw and heard today.  I saw and heard other things today, such as the sight of the Sun (which is worth reporting, given that it’s November in Seattle) and the explosive sound of my own voice when I put weight on my fucked-up ankle the wrong way. That was about as close as I’ve ever come to thinking I could do vocals for a black metal band.

Well, as painful as it is for me to say this, “enough about me”. Here are new videos from Beyond Creation (Canada), Welicoruss (Russia), and Beastwars (New Zealand). The Welicoruss and Beastwars songs are also brand new and will appear on forthcoming albums. But first . . . the debut of a remastered song from . . .

DEATH

As you may know, Relapse Records has been re-issuing remastered editions of albums by Death. The latest is the band’s 1990 record, Spiritual Healing. This is a two-disc release, with the first one featuring a complete remaster of the original album and the second one including 16 previously unreleased rehearsal recordings, outtakes, and studio instrumentals. If you spring for the limited edition digipack, you’ll also get a third CD of a never-before-released live set recorded in 1990. And if you download the album from iTunes, you’ll get 5 previously unreleased pre-Human rehearsal tracks that aren’t included on either of the CD versions.

Well, enough with the free advertising. The reason I’m writing about Death today is that today Guitar World premiered one of the remastered tracks from Spiritual Healing: “Altering the Future”. You can hear that after the jump, along with the remastered version of “Living Monstrosity”, which appeared earlier. Continue reading »

Nov 152012
 

There are few things sweeter than a great riff, the kind that grabs you by the spine and shakes you hard, your head bobbing like the top of a rag doll. Yet, perplexingly, I’m not a big fan of most thrash, a genre where the riff is king. The “classic” thrash vocal style has something to do with that. But that’s not to say that I’m averse to all thrash. I’ve found from experience that I like it just fine when it’s caked with filth, when it’s raw, punked-out, and covered in crust.

An aura of the infernal helps, too, which is probably why I’ve become a fan of black thrash, though that’s a subject for another day. What I’ve got for this day is new music and a new video from three bands whose servings of thrash are so so jammed with filth they will stop up your toilets for a week — and the riffs may leave you convulsing, too: Hellbastard (UK), Toxic Holocaust (U.S.), and Eldritch Flamethrower (U.S.)

HELLBASTARD

Hellbastard came into being somewhere in late ’84 or early ’85. Some say they were the band who created the “crust” wave of the 1980s. Some say they coined the genre name “crust” with their 1986 demo release Ripper Crust. But by 1992 the band had fallen apart. They re-formed in 2008, and now they have a new five-song EP on the way, which will be released on vinyl by Patac Records on November 15. I’ve only just begun listening to it, and it’s damned good — so good that I wanted to say a few words about it right away. Continue reading »

Nov 142012
 

Sakis Tolis, laying down a soothing lullaby. 

Once again, your intrepid editor has sifted through the ever flowing stream of metal news and new music to find those gleaming nuggets that will enrich your daily lives.  Actually, I don’t know if you’ll give a shit about any of this, but I do, and that’s what really matters, isn’t it?  No need to answer, that was a rhetorical question.

ALBUMS ON THE HORIZON: ROTTING CHRIST AND NECROWRETCH

We’ve already reported that Rotting Christ are at work on their 11th studio album, but today I saw a few more tidbits of news: The album will be entitled Do What Thou Wilt, and it will hit the stores on March 1, 2013. We usually don’t write about such happenings unless we have a bit more juice to go along with it, such as album art or a song premiere. But these Greek maestros are the kind of band whose every move interests me. And I’m particularly interested to see if the new album will be a further step down the path of strongly folk/ethnic-influenced metal exhibited on Aealo.

I also saw today that the French band Necrowretch have finished the recording and mastering of their debut album for Century Media. It was recorded in late August at Blackout Multimedia studios in Brussels by Phorgath of Enthroned and its title will be Putrid Death Sorcery. The cover art is being prepared by Milovan Novakovic from Montenegro, who also created the beastly cover for the band’s last EP, Now You’re In Hell (reviewed here). And if you’re wondering why this news matters, check out some Necrowretch music right after the jump. Continue reading »

Nov 142012
 

(We’ve written quite a lot already about the international trio known as Infant Annihilator, but a new album trailer gives us an excuse to do it again, via this post by TheMadIsraeli.)

Infant Annihilator is the fucking shit.  As hyperbolic and complimentary yet non-descriptive as that may be of me to say, I really don’t give two shits because this band know how to bring the br00tz in maximum force.  You can’t front on these dudes, you can’t tell me these guys don’t write some of the most technically accomplished yet well composed yet all over the place of the br00tality-spectrum tunes you’ve ever heard. UK-based  Eddie Pickard and Aaron Kitcher are truly accomplished practitioners of their craft and know exactly what extreme metal fans crave: utter fucking devastation.

Infant Annihilator label themselves a technical deathcore act, although this isn’t entirely accurate.  Take every form of extreme metal, whether it be death metal, deathcore, grindcore, black metal, or slam and mash it all together until you have some kind of fucked-up stillborn deformity of filth, and there you have Infant Annihilator.

We’ve already covered this band repeatedly since the unveiling of their genius video for “Decapitation Fornication”, but I’m really into them and really feeling what they’re bringing to the table.  Eddie (guitar), Aaron (drums), and beast-mode vocalizer Dan Watson (from Indiana) are set to unleash their sonic tome of chaos, The Palpable Leprosy Of Pollution.  Continue reading »

Nov 132012
 

This post brings some good news and some sad news. On the positive front, we have a new song from Ovid’s Withering. On the sad front, we’ve just learned that Arthur Von Nagel is leaving Cormorant.

OVID’S WITHERING

We’ve been following this Florida band ever since they released their debut EP, The Cloud Gatherer, last spring (reviewed at NCS here). Ovid’s Withering are now working on their first album and they’ve recently released one of its tracks for streaming and “pay what you want” download on Bandcamp (here).

The song is named “The Reckoning. The Summoning. The Purge”. As described by the band: “This is part of a 5 song concept that will be on our full-length album. The story follows Pan, who is engrossed with the idea of cleansing the world. This is Part II, where he kidnaps Anesidora from her lover, Prometheus.” This part of the story line is reflected in the lyrics and described in detail on Bandcamp.

TheMadIsraeli, who first made me aware of the new song, gives us this introduction to the new music: Continue reading »

Nov 132012
 

Here’s a collection of items that came my way over the last 24 hours that I thought were worth sharing — in addition to all of the awesome posts that already graced the site yesterday.  (I can use the words “awesome” and “graced” without tarnishing my well-known reputation for humility because I’m not directly responsible for any of ysterday’s posts, even though this post will also be awesome.)

TOURISM: MESHUGGAH AND ENSLAVED

I saw via Heavy Blog Is Heavy the rumor that Meshuggah will be touring the U.S. along with Animals As Leaders and Intronaut early next year. The rumor is based on a flyer for a date in Minneapolis that you can see above.Yes please.

That same photo up there also provides evidence of another tour that I read about previously. This one is official: Norway’s Enslaved will be returning to the U.S. and Canada in early 2013 for a headlining, 20-show “Winter Rite” tour joined by U.S. doom metallers Pallbearer and occult rockers Ancient VVisdom (and both of those bands are killers).

The tour begins January 30 in Philadelphia and ends February 22 in New York City. The full schedule can be seen after the jump. And in case you missed our earlier post yesterday, Osmose Productions has just uploaded three older Enslaved albums for streaming and download on Bandcamp for the first time. Continue reading »

Nov 122012
 

Here are short features about two bands whose music is definitely worth getting to know. The first of these “featurettes” comes our way via regular NCS writer TheMadIsraeli, who sent in the following introduction:

“I was surfing Facebook and saw that Infant Annihilator had posted a song by the band above.  If you can’t read the logo, the band’s name is Thy Devourer.  Thy Devourer hail from Alabama of all places, total fucking Hicksville to some; yet they deliver some of the most punishing technical deathcore you’ll ever hear all year.  They take a pretty visceral approach that hits me like a combo of Whitechapel, Carnifex, and Fallujah.  Definitely cool shit.

Interesting also, at least on this EP, is their preference for more grindcore length songs.  I believe only one of the four songs on here is even up to three minutes.

Bandcamp player streaming below, AND it’s free.  Enjoy the carnage.” Continue reading »