Oct 202011
 

I’m sitting in an airport, waiting on a plane, with a few minutes to kill. Just a few minutes, though. Just long enough to kill you with a song while I kill time.

The band is Visceral Disgorge, from Baltimore, Maryland. They released a debut album over the summer called Ingesting Putridity. Can you guess what the music will sound like, based on these clues: the name of the band; the name of the album; and the album cover? Here’s one more clue: The name of the song is “Necrocoprophagia”.

Let’s break that song title down: “Necro” is a Greek prefix meaning “death”. Copro is a prefix derived from the Greek word kopros, meaning “dung”. “Phagia” is a suffix, also derived from the Greek, which refers to the eating of a specified substance. “Coprophagia” means the eating of dung. Therefore, “necrocoprophagia” must mean eating the shit of the dead.

Do you have enough clues? If you guessed that this band plays brutal death metal, you would be correct. If you guessed that the music is the shit, you would also be correct, because it is. This band pulverizes, but they do it with flare and groove. Very, very nice.

This song, by the way, will be featured in the October edition of SickDrummer magazine and CD compilation. Go past the jump and let it kill you. My plane is boarding. Continue reading »

Oct 192011
 

(As we announced HERE, NCS is co-sponsoring a UK tour beginning on October 24, headlined by Becoming the Archetype and including UK metal band Bloodguard, which is fronted by NCS writer Andy Synn. In this post, Andy provides more info about the other bands who will be appearing on the tour and also at a post-tour show that Bloodguard is doing.)

Hello everyone. As part of promoting our little tour coming up I thought I’d do a good deed and get some press out there for each of the bands who are joining us on the dates. Sort of a mass-exposure deal where hopefully there’ll be something for (almost) everyone!

As part of our week long festivities Becoming The Archetype and Bloodguard will be hitting:

Birmingham, The Actress & Bishop – Monday 24th October

Manchester, The Roadhouse – Tuesday 25th October

Nottingham, The Maze – Wednesday 26th October

London, The Purple Turtle – Thursday 27th October

And then, moving on from the dates with Becoming The Archetype, we have a show with Abgott:

Leicester, Lock 42 – Friday 28th October

So what bands are joining us? Well here they are… Continue reading »

Oct 182011
 

This is the fourth of today’s four individual song posts. It begins with a story.

Once upon a time, there was a New Jersey band called Ripping Corpse. From 1987 to 1992, they recorded four demos and one full-length album called Dreaming With the Dead, and then , , , kablooie!. If you haven’t heard of the band, you may have heard of its members. One of them Eric Rutan, went on to join something called Morbid Angel. He’s done a few other things, too, like engaged in some Hate Eternal.

The rest of Ripping Corpse later joined together in a band called Dim Mak. Between ’99 and 2006, Dim Mak produced three albums. Now, five years after the last one, a new one is one its way. The original Dim Mak line-up hasn’t survived intact, but two of the key components are still there — both of them alumni of Ripping Corpse: guitarist Shaune Kelley (who was also with Hate Eternal) and bass player Scot Nornick. They haven’t exactly suffered a downgrade in the drumming department, since the current drummer is John Longstreth of Origin and Gorguts. The new vocalist is a dude named Joe Capizzi, who was once with a band I don’t know called The Dying Light.

The new Dim Mak album is titled The Emergence of Reptilian Altars. It will be released on November 29 by Willowtip Records, which is accepting pre-orders here. A new song from the album has been out for the last month, but I just found out about it thanks to new NCS reader/commenter Kevin — who is basically killin’ it with the tips, having recommended the new Ne Obliviscaris song we featured in one of yesterday’s posts. (more after the jump . . .) Continue reading »

Oct 182011
 

Here we are at the third of four song-posts for this Tuesday. Let’s start with an an age-old question: How much new ground must a band break before they’re deserving of praise? Do they have to break new ground at all, or is it enough that their music is solid, competent, and does justice to the genre in which they work?

I’ve been accused of being easy to please. That perception could be based in part on the fact that we generally don’t publish negative reviews at this site. That’s not to say that we don’t hear music that leaves us feeling meh or even disgusted; we just filter that out and ignore it in the pages of NCS, preferring to focus instead on metal we can honestly recommend. Still, compared to lots of metalheads I know and critics I read, I guess it’s true that I’m a soft touch.

Consistent with that truth, I like lots of music that doesn’t break new ground. But when a band is plowing existing furrows, I do want them to do it well — to dig that fucken groove deep, with sharp edges. Which brings me (at last) to Icon In Me. They’re a band “based” in Moscow, but they’re really a multinational collective of metal veterans (more on that later). They released an album on Goomba Music in July called Head Break Solution. I didn’t catch it when it came out, but I did catch their second official video from the album yesterday, for a song called “Lost For Nothing”.

The song isn’t ground-breaking, but man I do like it. It’s a vintage Soilwork-style cross between metalcore and melodeath that effectively spews vitriolic rage while plowing some very sweet grooves. Continue reading »

Oct 182011
 

Here’s the second song of four for this morning, and this one’s a video that surfaced yesterday. The band is Cannabis Corpse, and the song is the brilliantly named “Gateway To Inhalation”. It’s from their 2011 album, the brilliantly named Beneath Grow Lights Thou Shalt Rise. You gotta love a band who’s into gardening. Here’s the story about this video, as reported on Metal Injection:

“Last Saturday, October 8th, 2011, Cannabis Corpse’s van broke down and they missed their slot on the “Ritual Tour” that night with Black Dahlia Murder and All Shall Perish in Lancaster, PA. Through the band’s Facebook page, they were able to put out the word that the band wouldn’t make it and asked if anyone could help out with a DIY late night gig in the area.

“Rich ‘Bebo’ Abraham of Richolow Films, a Lancaster based metal music video company [link] got in touch [with] the band and coordinated a show for Cannabis Corpse right down the street from the BDM show to start at midnight. The guys made it to the venue in time to watch BDM and after the show marched with 100 local thrashers to a small venue up the street. A complete rager commenced. Richolow Films caught it all!”

Now THAT is fuckin metal. So is the video. If you know Cannabis Corpse, you know this ain’t gonna be stoner rock, despite the band’s name. It’s a blast of death-thrash, heavy on the partying. From the video, looks like it was a high old time in the house. Have fun after the jump. Continue reading »

Oct 182011
 

To start today’s festivities here at NO CLEAN SINGING, I have four songs for you, two of which take the form of new music videos. Instead of cramming them together into one long post like I did yesterday, I’m splitting them up — one song per post — and I’m dribbling them out. But I’m only letting 30 minutes pass between dribbles.

Why am I doing this? I’m not completely sure. Maybe it’s because I think each of these songs deserves its very own post. Or maybe I’m worried that your attention spans are like mine, and that your minds will wander before you get through 3 songs in a single post. Or maybe I’m just fucked up.

Where was I? Oh yeah, the first of three songs. This is the one that isn’t a video, but it’s by motherfuckin’ Venom. Thirty years have passed since their debut album, Welcome To Hell. They have a new album (Fallen Angels) set for release on November 28 via Spinefarm and Universal Records. Until yesterday, I was not looking forward to it. Yes, they are legends. Yes, they are given a large share of credit for spawning black metal. But really now, 30 years is a long fucking time, and honestly, they’ve done nothing in ages that provides much reason to think their new output will be worth the time it takes to listen.

But yesterday they released the first single from the new album, and I’m now interested. (Following a few more burblings from me, the song is after the jump . . .) Continue reading »

Oct 172011
 


Here’s the second part of a post I started earlier today featuring a divergent assortment of new music and videos I heard and saw over the weekend. In Part 2, I’ve got a new song (and video) from Eryn Non Dae. (France), a recent live video from Iskald (Norway), and a new song from Dischordia (U.S.-Oklahoma).

ERYN NON DAE.

In 2010, we published no fewer than four posts about this band from Toulouse, France. Those posts included a review of the band’s 2009 album Hydra Lernaïa, an interview with the band, and two updates that included videos of live performances. The last post, from June 2010, includes links to all the others. And then we’ve posted about them twice this year (here) and (here). Do you think we’re overdoing it? Obviously, I don’t think so. I think they’re worth all the attention, and then some. They’re one of the growing number of bands from France who have put that country on the worldwide map of great current metal.

The cause for today’s attention is a new song (yippee!) from a new album (ki-yay-motherfucker!) that’s in the works and planned for release next year. The song is called “Scarlet Rising”, and the band was caught on film performing it at the Impetus festival in Montbéliard, France this past April. (more after the jump . . .) Continue reading »

Oct 172011
 

The almighty Krisiun have a new album on the way. Called The Great Executioner, it will be released by Century Media in Europe on October 31 and in the U.S. on November 1.

Previously, Krisiun released a song from the album called “The Will To Potency”, which you can find for immediate brain-slaying purposes here.

This morning, the band released the second single from the album, entitled “Rise and Confront”.

You can hear it via the Soundcloud player below.

I really don’t need to say anything more, do I?

[soundcloud url=”http://api.soundcloud.com/tracks/25726153″]

Oct 172011
 

Over the weekend I came across a divergent array of largely new music that I feel compelled to share here at the beginning of the week. It’s really all over the place, up and down, swerving right and left. Tracking through these songs and videos put me in mind of a rollercoaster ride, hence the title of this post. There’s so much here that I’m dividing this into two parts. The next one will follow in a couple of hours. I’ll keep the verbiage brief and let the music do the talking for itself. In Part 1, the music comes from Ne Obliviscaris (Australia), God Is An Astronaut (Ireland), and Apostate (The Czech Republic).

NE OBLIVISCARIS

We originally featured this unsigned Melbourne, Australia band back in March 2010, focusing on a 2007 EP called The Aurora Veil. At long last, they’ve completed their debut album, Portal of I, which will be released in the near future (I haven’t yet found a specific date or how it will be distributed). It will consist of 7 tracks, with a total run-time of more than 1 hour 11 minutes. So yes, the songs are long ones. The band released one of them to their Facebook page on Friday night. It’s called “And Plague Flowers the Kaleidoscope”. I heard it via a link from NCS reader Kevin this morning — and it has floored me.

I know that I’m given to impulsive bursts of enthusiasm and that this undoubtedly devalues the weight that some people give my opinions. So, those people will want to take this with a grain of salt. Actually, take it with a pound of salt and choke ’til you pass out, because I’m serious: this is a wonderful song. It begins with a sweeping, violin-led melodic instrumental section and then moves on through a changing splash of musical colors and tones, part black metal, part melodic death metal, part prog metal — all good. It’s right after the jump. Continue reading »

Oct 162011
 

In late September, we reported that on October 1, a label called Grailight Productions would be releasing a new limited edition “single” from the amazing Russian ethnic-metal band Kartikeya titled Durga Puja, which would include the amazing artwork of Mstibog once again. Up above is the cover, depicting the ten-handed war goddess Durga. When we made that report, we had one track available for streaming — a sick Kartikeya cover of “Triangular Tattvic Fire” by Melechesh.

In my usual back-assward fashion, I let October 1 come and go, and then more days came and went, and I totally missed the fact that the single is not only out, but also that additional tracks from it have surfaced on the interhole. Thanks to TheMadIsraeli, I’m now better informed. So, what I can now stream for you are two additional songs: The title track from Durga Puja, which is a new original song from the band that was mixed/mastered by producer Logan Mader (Soulfly, Gojira, Divine Heresy, W.A.S.P., DevilDriver, etc.), and a cover of “Arise”, which may be my favorite Sepultura song ever (and is certainly one of TheMadIsraeli’s favorites). If you’d enjoy having all the hair singed off your head, then stay with us past the jump and give these scorched babies a listen.

The new single also includes re-recorded and re-arranged versions of songs from Kartikeya’s first album The Battle Begins, plus a live version of a song called “The Path”. As for how to get a copy of the EP, I’ve searched that Grailight Productions site to which I linked above, and as best I can figure out, you would need to e-mail the label to request a copy — which I’ve now done. The address shown on the site is: demether@yandex.ru

This single is a limited release, so I’m not even sure physical copies are still available, and I haven’t found the single in digital distribution yet. If I get more info, I’ll update this post. Now, do jump past the jump and check this shit out. You’ll be glad you did. Continue reading »