The children must be fed… and then dismembered…
The adults must be fed, too… and transformed… Continue reading »
May 072018
May 032018
Lago
You know the drill: From the frothing torrents of new music that continuously rush through the stinking catacombs of the metal underground I sift out a handful of nuggets that appeal to me, and present them in these posts in the hope that they will appeal to you as well.
Today I’m beginning with a couple of bands in whom I have perhaps a more personal interest than most because the front-men are such good dudes… though I’ll quickly add that I was a big fan of their music before I got to know them.
LAGO
I go back a ways with the music of the Arizona death metal band Lago, back to the discovery of their very impressive Tyranny demo in January 2013. They released an even more impressive debut album of the same name in 2014, from which we had the pleasure of premiering the first advance track. They followed that at the end of 2016 with a tremendously good split release with Poland’s Calm Hatchery, from which we also premiered a secret bonus track by Lago.
Since then Lago have completed work on a new album named Sea of Duress and signed with Unique Leader Records for its release, which will happen on June 8. And yesterday Metal Sucks premiered a video for one of the new album tracks, “Soiled Is the Crown“, which was directed by Matti Way (From the North Films). Continue reading »
May 012018
We have a couple of premieres coming later today (what a shock), but I found myself with a little extra time on my hands before we get to those, so I thought I’d package up a few new things that I heard yesterday. The first two come from established bands who are always dependably good. The second two come from new names that should become better known once the songs below get spread around.
ROTTING CHRIST
First up is a pro-shot live video of Rotting Christ performing the title track from their 2013 album Κατά τον δαίμονα εαυτού. It was filmed on June 30, 2017, during the band’s headlining anniversary concert in Athens. From the looks of this (and of course the sounds), I really wish I’d been able to astrally project myself into that venue. And I think that’s all the introduction this video needs. Enjoy: Continue reading »
Apr 292018
This being a Sunday, you might have been expecting a SHADES OF BLACK post — and there will be one later today — but I wanted to recommend some other new discoveries first. The music in this collection is more genre-scattered than the format of SOB would allow, but I have included an excellent new black metal track at the end, sort of as a segue from this post to the next one.
By the way, I decided not to include the new tracks that appeared last week from At the Gates, Marduk, Skeletonwitch, and The Agony Scene, despite the urgings of some of my NCS comrades, mainly because I wanted to go more under-the-radar (and also because I had mixed feelings about a couple of those tracks). But if you missed them, the hyperlinks will take you right there.
CONSTRUCT OF LETHE
I would have listened to the new Construct of Lethe song eventually, even without seeing the headline for Toilet Ov Hell’s premiere, because I have very good memories of their 2016 EP, The Grand Machination, for which we ourselves premiered two songs. But I got to the new song faster after seeing this headline, though I did allow enough time to enjoy the entire ToV article first: “CONSTRUCT OF LETHE BRING RIFFS SO THICC THEY’LL CLOT YER DICK“. Continue reading »
Apr 252018
photo credit: Lars Johnson
For this mid-week round-up I was again up to my eye-brows in worthy new music to choose from. I decided to do something a little different from usual, combining the formats of these SEEN AND HEARD collections and the occasional OVERFLOWING STREAMS columns. In other words, I’ll begin with some new songs and videos that I’ve introduced with my own descriptive verbiage (beginning with a couple of “exceptions to the rule”), and then followed that with a few more music streams that will somehow have to represent themselves through sound alone, difficult as that may be to imagine. (I also intend to present a rare week-day edition of SHADES OF BLACK later today or tomorrow in order to foist some more recent music on you.)
By the way, did you see that on July 6 Nuclear Blast will be releasing the first new Immortal album (Northern Chaos Gods) since All Shall Fall? It’s just Demonaz and Horgh, of course, but with Peter Tägtgren as session bassist. Even without Abbath in the line-up, I’m kind of excited.
AMORPHIS
I was also kind of excited about the prospect of a new Amorphis album when I first learned of it. That band has been the source of many joyous moments for yours truly in the past, and they put on a hell of an exciting show the only time I’ve seen them live (at Maryland Deathfest). Of course they and I have evolved to the point where their music isn’t as “extreme” as most of what I listen to these days, but when they’re on their game, even in these later days they still produce a thrill. Continue reading »
Apr 222018
Out of nowhere, this album appears like a comet blazing in the heavens.
I nearly didn’t bother to listen. On the surface it seemed like a daunting undertaking — one track more than 24 minutes long and a second one almost 35, and a title just as linguistically daunting: Wisdom Through Agony Into Illumination and Lunacy Vol. II. And it seems that this Finnish band’s name is simply a selective acronym for the same collection of words: W.A.I.L. (I might add that the band’s description of the album’s conceptual foundation (a quite articulate one) runs to 461 words.)
However, after receiving recommendations for the album from a couple of esteemed sources (Miloš and eiterorm, the latter of whom I must credit for the “selective acronym” phrase), I girded my loins and began listening — and emerged stunned. “Visionary” seems like too pretentious a term for this, but the magnitude of the ambition and the scale of the achievement are exceptional, and at times astonishing. Continue reading »
Apr 202018
Happy 4/20. For those of you already feeling a little hazy (correction: even hazier than usual), we have one premiere a bit later today that will suit you very well. But I decided to start the day with a selection of new songs that will scrape the haze right off of you with razors. Sorry about that.
TAPHOS
If you’re a lover of hammering and hideous death metal that thrives on upheaval, Come Ethereal Somberness should be on your radar screen. That’s the debut album by the Danish band Taphos that’s set for release on June 8 by Blood Harvest Records and Helter Skelter Productions. I’ve been too harried to listen to all of it yet, but the two songs you can stream on Bandcamp are very, very promising. I featured one of them (“Impending Peril“) at our site months ago, but now there’s a second one: “Thrive In Upheaval“. Continue reading »
Apr 192018
I’ve been meaning to do this for about a week, and finally found time. I came across all of the following music in the course of surveying new releases for a SEEN AND HEARD round-up here at our putrid site, and thought it would make sense to package them together for extra catastrophe.
The music ranges from catastrophic funeral doom to catastrophic death metal with a heavy doom component, to something doom-centric but less easily describable at the end. I arranged the music in a way that would provide a bit of back-and-forth flow, so your blood doesn’t completely congeal and your heart doesn’t completely slow to a stopping point.
While I was writing this I thought about Andy Synn telling me that he’d come across a metal forum in which NCS was criticized by one or more idiots people for concentrating on “mainstream” metal. Yeah, right. Mainstream this right up your bungholes:
ZEIT
I’ve written frequently about this German band, who’s usual stock-in-trade is an amalgam of sludge and black metal (and some other ingredients). But for their latest EP, null., they decided to give the funeral-doom treatment to two of their previously released songs, and I’ll be damned, it turns out they’re just as strong in this other genre as they are in their main line. Continue reading »
Apr 172018
And with this I bring to a close today’s four-part round-up of new and newly discovered music. Unlike the pairings in the first three installments of this column, there’s not much that ties these two together, other than my own liking for them.
ABSTRACTER
I liked the hell out of this Oakland band’s last album, 2015’s Wound Empire, so much so that their new one, Cinereous Incarnate, has been high on my eagerly-anticipated list. I had been holding off writing anything about it until there was a full song that I could share (which is supposed to become available sometime next week), but what the hell. I might as well make sure this is on your radar, because it has the earmarks of something stupendous — and at least I have a video album trailer created by Chariot of Black Moth if you haven’t caught it yet. Continue reading »
Apr 172018
I’m continuing today’s four-part round-up of new and newly underground sounds with two more selections — two bands widely separated in geographic terms but both very adept at putting a megawatt charge straight into your spine.
OXYGEN DESTROYER
I first encountered the music of Seattle’s Oxygen Destroyer early last fall, when their single “Vanquished by the Unrelenting Devastation of the Celestial Behemoth” sucked the air out of my lungs with the speed, ferocity, and obliterating power of its assault. As I reported then, they were at work on a debut album, and now it’s out, having been released on April 5th. Its title is Bestial Manifestations of Malevolence and Death, and it’s one hell of a rocket ride. Continue reading »