Aug 122016
 

Reviews in Haikus

 

(Andy Synn returns again to his irregular series of album reviews in haiku. Three reviews of three lines each come after the jump. With music, of course.)

It seems like almost everyone and their mothers are off to Migration Fest or Bloodstock this weekend, but I’ve taken it upon myself to ensure that our faithful readership aren’t left wanting. How good am I?

Anyway, we’ve got three new albums this time around, covering Canada, Australia, and the good old US of A (respectively)! Continue reading »

Aug 112016
 

Impure Consecration-Succumb to Impurity Fire

 

In a few hours I’ll be flying along I-5 south, down to Olympia for Migration Fest. Okay, who am I kidding. It’s I-5 southbound from Seattle during daylight, which means I’ll be crawling like a slug. Anyway, before beginning that slimy crawl I thought I would package together some lamentably brief reviews for four recent EPs that have brought me much pleasure in recent weeks. They all deserve more elaborate and articulate praise, but fortunately they will all speak well for themselves through the complete music streams now available on Bandcamp.

IMPURE CONSECRATION

To begin this quartet of treats, we have a California band named Impure Consecration. They’ve been in the news recently because of a new 7″ EP named Succumb To Impurity Fire released (here) by Blood Harvest Records at the end of July. However, in January of this year they also released a previous EP entitled Consumed By the Venomous Curse, and that’s the one that first drew me to the band. Continue reading »

Aug 112016
 

Necronautical-The Endurance At Night

 

(DGR wrote this review of the new album by the UK’s Necronautical.)

Let’s lay all our cards on the table up-front here. I was very excited when England’s Necronautical announced a follow-up disc to their album Black Sea Misanthropy. I genuinely enjoyed the nautical-themed group’s debut full-length, and for a while was worried that they wouldn’t do another after they went radio-silent for a brief spell.

I was actually introduced to the band via a review of that album on this very site by our own Andy Synn. Though I am loathe to admit this in public, as the man’s ego hardly needs any more inflating, and knowing that he was right about a recommendation might just provide more reason for it. His homeland may not be sure what part of the planet it wants to be located on at this moment, but I don’t need it to literally float off the map via Andy Synn‘s head-shaped balloon.

Black Sea Misanthropy was a symphonic black metal disc and, as the name implied (as well as the band’s own name), it focused heavily on ships, the ocean, and the brutality involved in many of those sea-going adventures. It was at times thrashy, full-blown death metal, raging and teeth-bared symphonic death, and frustratingly catchy (look, years out and I still get chunks of “Ghosts Of Men” stuck in my head), so I had high hopes for the band to have a follow-up. The Endurance At Night is that follow-up. Released in the middle of July, it continues the band’s nautical explorations but manages to do so in a much more mature package, one that shares a lot of similarities with its predecessor but also comes off much more fierce. The two years between discs have given Necronautical enough time to come up with one hell of a record. Continue reading »

Aug 112016
 

In the Woods-Pure

 

(Andy Synn reviews the first album in 17 years by Norway’s In the Woods….)

Unless you’ve been living under a rock for the last several years you’ll probably have noticed the surprising upswing in the number of legendary Metal bands making an unexpected return to the scene. From At The Gates to Extol, from Carcass to Gorguts, and beyond, there seems to have been a sudden surge in how many of the “big” names (relatively speaking) have decided to mount their long-awaited comeback… often to greater, and much-deserved, commercial and critical acclaim than they originally received the first time around.

With a 17-year gap separating the release of their last full-length (1999’s Strange in Stereo) from their imminent return, In The Woods… don’t quite hold the record for longest time between albums (of their peers mentioned above, that honour goes to At The Gates with their 19-year intermission between Slaughter of the Soul and 2014’s At War With Reality), but I have no hesitation in stating that Pure more than deserves to be mentioned in the same reverent tones reserved for Surgical Steel, Colored Sands, et al. Continue reading »

Aug 102016
 

Forest of Fog-Awake

This is a much briefer round-up than usual, not because I haven’t found more new songs and videos to recommend but because I’m again short on time. For a change, the constriction of my blogging activity isn’t being caused by my fucking day job but by more pleasurable activities.

This week I’ve been playing host in Seattle to a visitor from Denmark, the esteemed MaxR of Metal Bandcamp, and tomorrow he and I and other Seattle friends (plus another esteemed visitor from the East Coast) will be journeying to Olympia for Migration Fest. The blog won’t completely shut down in the meantime, but it will become less active.

FOREST OF FOG

I decided I had time to write about two songs for this round-up before Max and I embark on this day’s touristy activities. I picked these two because they are both highly infectious and highly enjoyable. The first one I discovered only yesterday, the second one I’ve been sitting on since last month. Continue reading »

Aug 102016
 

Colosso-Obnoxious

 

On September 9 the Portuguese death metal band Colosso will release their second album under the title Obnoxious, which refers not to the sound of the music but to the lyrical focus of the songs — “the extreme void of society, a black hole created by egos, profit and chaos.” Today we have for you the debut of a lyric video for the album’s second track, “The Unrepentant“.

By way of biographical history, Colosso burst upon the scene with a 2012 debut album called Abrasive Peace at a time when Colosso was the solo project of Max Tomé (with drums performed on the album by the esteemed Dirk Verbeuren). By the time of Colosso’s second release, the Thallium EP, Tomé had recruited a full band, and they followed Thallium with a 7″ double-single named Foregone Semblances in 2014.

And still the band’s sound continues to evolve, as reflected on the new album, with more progressive and experimental elements in the music. But as you’ll hear in the video we’re premiering, ferocity is very much a leading ingredient as well. Continue reading »

Aug 102016
 

Armagedda-3

 

(All the way from sunny Norway, our blog brother Gorger is back, this time with a special mid-week edition of our usual Sunday column focusing on metal from the past.  To find more of Gorger’s writings, type “Gorger” in our search bar or visit Gorger’s Metal.)

In Norway, pilsner, a light golden beer with a mild and refreshing taste, an eponymous brand originated in the Czech area of Plzeň, or Pilsen if you will, has by far been the beer of choice for most people for decades.

As a white wine of beers (not that it’s weissbier (wheat beer), it’s rather a pale lager), not too unlike Heineken, Budweiser, Miller Genuine Draft, or perhaps Miller Lite, I’d suppose. It’s an unrivaled thirst quencher, but for those moments when you want to enjoy some rich flavored beer, some of us have always turned to the red wine of beers, bayer (a dark lager), ale, porter, and such.

Beer is metal, but it’s not music, so by now, you’re undoubtedly wandering just what the hell this has got to to with metal. As darker, tastier types of beer have grown in popularity over the past few years, and micro breweries have popped up everywhere, we’ve seen a rash of bearded hipsters enjoying it. And whilst it’s a positive thing, it also accumulates that angered feeling of “why the hell didn’t you drink it ten years ago, like some of us did, if it’s so tasty, you fucking pussy”.

Similarly, we all have some obscure underground gems that we almost keep to ourselves, and only sport whence appropriate. If these became majorly famed, hell even trendy, that would undeniably ruin some of their magic, right? Still, I feel like I’ve had these bands to myself for ages, and time is ripe for sharing the murky grandeur with you all. Besides, this music ain’t becoming totally mainstream any time soon anyway. Brace yourself for a true pitch black attack! Continue reading »

Aug 092016
 

Feral Light-A Sound of Moving Shields

 

Feral Light come our way from Minneapolis, with a three-man line-up consisting of vocalist Jeff Scheuermann (Incarnate Deity, ex-Finger of Scorn), guitarist/bassist Andy Schoengrund (previously a member of such bands as Wolvhammer, Empires, and Manetheren), and drummer Andrew Reesen (ex-Censer). With a 2015 self-titled demo under their belts, on August 19 their debut EP A Sound of Moving Shields will be released on tape (and digitally) by Sentient Ruin Laboratories. Last month I raved about the EP’s first advance track, “Baptized In Shellfire”, and now we have the pleasure of bringing you another new song from the EP, “Hell By Compass“.

With lyrical themes that focus on the self-destructive horrors of human warfare, Feral Light draw upon the traditions of black metal, crust, and hardcore to create music that’s dark, intense, and as raw and grim as a mortal wound. But while the band are very effective at pulling the listener by the throat through a harsh and ravaging gauntlet of hopeless turmoil, the music is multifaceted — it rocks damned hard, and its bleak melodies are capable of leaving a mark in your mind as well. Continue reading »

Aug 092016
 

Singularity cover art

 

(Austin Weber introduces our premiere of a new song by Arizona’s Singularity.)

One of my favorite things about what we do here at NCS is our devotion to showing you new and lesser known acts, and then continuing to cover their careers over the years. While there are many bands I’ve been excited to continue covering over the years, Arizona-based black-metal-infused tech-death band Singularity are one of my absolute favorites.

We first started covering them here in 2013 when I stumbled onto some early tracks by the band, and then later helped them premiere “Throne Of Thorns” off their forthcoming 2014 full-length (and then latered review the full album). Now they’re back at it again with the upcoming Friday, September 2nd, release of a brand new EP entitled Void Walker. And we’ve got the first premiere from it with today’s launch of a stunning new song that doubles as a spacey lyric video journey for “The Refusal”. Continue reading »

Aug 092016
 

Solstice 1

 

(Our Russian interviewing fiend Comrade Aleks is back, this time presenting a conversation with Paul Kearns, vocalist of the British band Solstice.)

Solstice is a kind of unique phenomenon of the British doom scene. Being raised in 1990, the band built their reputation with two excellent professional albums, Lamentations (1994) and New Dark Ages (1998), and also with the extreme slowness with which Solstice write new songs. You’ll easily understand the situation if you remember that the band’s only original member today is the guitarist Richard M. Walker, who’s an incorrigible perfectionist. However, since 1998 the band have released a pair of splits and a bunch of compilations, though there were also demos and one EP recorded in 2013 (Death’s Crown Is Victory) with Paul Kearns on vocals.

As the band slowly strides toward their next full-length album, or maybe just to their next song, we got in contact with Paul and had a pretty cool and informative conversation, though it took some time, as does everything connected with Solstice. Continue reading »