Nov 122018
 

 

(The following is an interview by Comrade Aleks of drummer Chris Kinjerski of the very early death doom band Accidental Suicide. The interview was conducted before the tragic death last Friday of the band’s vocalist Ed Jackson.)

Founded in Milwaukee, Wisconsin, in 1989, Accidental Suicide were one of first US-based death doom bands. The band’s only full-length album, Deceased (Deaf Records, 1992), was re-released three (or four?) times in the early ’90s. Their doom was deep rooted in death metal, they played it in damn bloody and raw way, and I guess that Cianide could make good company for Accidental Suicide on tour.

The band had material for a Dead Erotic EP, but the guys stopped any activity in around 1994. It was Vic Records who a kind of returned them back to life with the 2017 release of the compilation Dead Erotica, which includes that lost EP and some demos. This was a catalyst for Accidental Suicide, and the guys returned under the death doom banner again in 2014. There were even reports about new material, but the band have kept quiet, so we got in touch with their drummer Chris Kinjerski to learn more about the band. That wasn’t easy. Continue reading »

Nov 112018
 

 

The Ungodly Lamentations is the second album from the Philippine death metal band Comatose, who first came together in 2003 in Cebu City. Their debut album, The Ultimate Revenge, was originally recorded in 2011 and later released in 2015 by Satanath Records and Darzamadicus Records, a year that also saw the release of the band’s Thy Mighty Conquest demo.

This second album is the work of a new line-up in which (among other changes) founder LD “Bellz” Lee has become the vocalist as well as a guitarist, joined by guitarist Milojan Mondejar, bassist Surge Inso (Black Mantra) and drummer Kyndall Cesar (Astarus).

And now that we have those details out of the way, let’s get murdered by “Forever Reign Supreme”. Continue reading »

Nov 102018
 

 

I first encountered “Immaculate Deconception” two-and-a-half years ago when it was released as a single on tape (by the Ukrainian label Depressive Illusions Records), and wrote about it here soon after. Later that year, in a revised recording, it was included on this band’s latest EP, Madness Incarnate, which was released by Symbol of Domination Productions (and is still available through that label on CD, as well as digitally). And now, we all have a chance to revisit this striking song because it has become the basis for a new lyric video that we’re premiering today.

For those who might be discovering Nihilistinen Barbaarisuus through this video for the first time, it is a Philadelphia-based black metal band co-founded by a man of Finnish heritage and dual citizenship (Mika Mage); the band’s name means “nihilistic barbarity”. On Madness Incarnate he composed all the music and performed guitars and synths, enlisting drummer Joffre Videz and bassist Manuel Rodriguez for the recording, and vocal contributions from James Dorton (Black Crown Initiate, Nightfire, Aborted Existence, Antikythera), Joel Robert Thompson (ex-Nihilistinen Barbaarisuus, Omelas), and Gary Hadden (Lesch-Nyhan) — whose voice you’ll hear and whose lyrics you’ll read on “Immaculate Deconception”. Continue reading »

Nov 092018
 

 

There’s no mistaking the moods of utter misanthropy and nightmarish horror that radiate from the music of Order of the Nameless Ones. Their sound envelopes the listener like a toxic miasma, poisons the mind, chokes the throat, and banishes the light from your eyes, creating visions of writhing, malignant forms obscured by shadow and promising only death.

The Lovecraftian sources of the band’s barbaric inspirations are evident; their devotion to the most horrid expressions of blackened death metal is unremitting. Not for the faint of heart, as they say, yet there is something addictive as well as virulent about these assaults on the mind, something weirdly mesmerizing as well as foul.

But judge for yourselves: We have a track from the band’s debut album for your consideration. The title of the album is Utter to Me the Word of Wrath, and it will be released by Iron Bonehead Productions on December 7th. The song is “Praise Your Sinister Form“. Continue reading »

Nov 092018
 

 

Earlier this fall The Way of the Hermit released the seventh album by the veteran Spanish extreme metal band Dantalion (whose career extends back to 2004), fittingly entitled The Seventh Wandering Soul. It presents more than 40 minutes of death/doom (with a bit of blackened charring from the band’s earlier days), and comes recommended for fans of the early classic sounds of My Dying Bride, November’s Doom, Katatonia, Swallow the Sun, Paradise Lost, and Morgion.

To help introduce the album to new listeners Dantalion and The Way of the Hermit have crafted a lyric video for the new album’s penultimate track, “The End of Everything“, and we’re very happy to share it with you today. Continue reading »

Nov 092018
 

 

In the realms of extreme metal there is no assurance that the grave lays a lasting claim, no protection against the day when long-dormant musical ravagers will hungrily claw their way through unhallowed soil back to the surface, to gnash their teeth and spoliate the air waves once again. Not all such revivals of the ghoulish un-dead turn out to be welcome occurrences, but Necrospell are proving that their resurrection is one to be applauded.

Necrospell took their first fetid breathes in the early years of the ’90s and became one of the earliest extreme metal bands in southern Italy. By 1994 they had recorded a cult demo tape named As Darkness Falls, but by 1996 they had dissolved. Now, more than two decades later, they have returned with a line-up that includes the two original guitarists and new members.

Their new album, Awakening of Tyrants, will be released on November 23rd by GrimmDistribution (Ukraine) with Murdher Records (Italy), and to aid in their reanimation we have a mind-bending new song for you today, appropriately named “Restless Hate“. Continue reading »

Nov 082018
 

 

With a 2015 debut album (Burden) and a 2017 split with Marche Funèbre in their review mirror, the Belgian band A Thousand Sufferings are on the brink of returning with a second album, Bleakness, which will be released on November 22nd by Symbol of Domination. It won’t be a happy occurrence, as you might guess from the album’s title and the band’s name, even if you were unfamiliar with their previous creations. But pain and gloom become manifest in different ways through music, just as they do in our lives.

The concoctions of blackened sludge and doom brewed by A Thousand Sufferings is a particularly intense portrayal of disillusionment and death, almost merciless in the scraped-raw immediacy of its maimed and wounding sounds. As displayed through the song we’re premiering today, they channel feelings of betrayal and disgust, torture and fury, with emotionally compelling power — without foregoing the appeal of head-moving rhythms and melodies that will stay with you. Continue reading »

Nov 082018
 

 

Vancouver’s Omnipotence seem to have struck like a lightning flash out of the clear blue sky, with their first release being a debut album named Praecipitium that will be presented by no less a label than the mighty Iron Bonehead Productions on December 7th. But it doesn’t take long to realize why the label so readily embraced the band in this, their first endeavor. One listen to the song we’re premiering today will be explanation enough.

Paths To Oblivion” vividly reveals the group’s sinister and sorcerous powers, and their ability to write songs that harness the ferocity and heavyweight punch of black and death metal while also delivering melodies that prove to be insidiously memorable. Continue reading »

Nov 082018
 

 

This is a long-delayed episode of our usual Sunday column, one that I originally intended to finish writing and post two-and-a-half weeks ago. I won’t bore you with a re-hash of the reasons for the delay. Suffice to say that because it’s late, we’re now dealing with a couple of releases that have been been out for a little while rather than hot off the presses, and a couple more that are on the eve of release. No matter, they’re all still worth your time.

ETERNAL KHAN

Eternal Khan came to life in Providence, Rhode Island, about eight years ago. By 2012 they had released a two-song demo and then followed that in 2013 with an EP entitled A Primitive History, which appeared on several year-end lists posted on our site, including this one from our friend SurgicalBrute (another one of our contributors, KevinP, wrote about it for Metal Bandcamp here). Continue reading »

Nov 072018
 

 

According to our traffic statistics, roughly half of our visitors regularly come here from countries outside the U.S. I suspect that many of those people still paid a bit of attention to the elections conducted here yesterday, but probably not to the same extent, or with the same degree of emotional turmoil, as most of us in the States. Though I thought about staying away from the TV and the internet in an effort to reduce my anxiety, I failed. So, it was a late night of watching returns and a morning consumed by reading about what happened and what to make of it.

Nevertheless, I did manage to squeeze a bit of new metal into my ears last night and this morning, and chose the following advance tracks from four new records to share with you at this point — with more to come tomorrow.

ADAESTUO

Though I only managed to write about one track from Adaestuo’s 2016 debut EP, Tacent Semitae, I thought it was fantastic. I’ve been quite interested to hear what this multinational trio (instrumentalists VJS and P.E.Packain, and vocalist Hekte Zarenwould) would do next, and now we’re about to find out. Continue reading »