Nov 172016
 

metallica-hardwired-to-self-destruct

 

(Andy Synn’s haiku review feature usually includes a trio of 3-line reviews, but this one includes a dozen haikus for a single album.)

So I assume by now that many of you, if you have even a passing interest in the band still, will have heard some (if not all) of the new Metallica album, Hardwired… to Self-Destruct?

After all, it’s finally being released tomorrow, and the band have now debuted a different music video (some better than others) for each of the twelve songs which make up the double-disc set, so it should be easy enough to make your own mind up whether or not you’re still willing to get on-board the Metallica train.

Now as much as we tend to focus our energies on covering the smaller bands here at NCS, sometimes it’s fun to comment on the bigger acts too. It really just depends (in my case, at least) as to whether or not we feel like we have anything interesting to add to the conversation.

And having seen a mixture of reactions ranging from the hilarious (“death to false metal!”) to the fawning (“this is the best album of the year, Metallica can do no wrong!”) I felt like I wanted to at least say a little something about the album… and what better way than through the ever-enigmatic medium of the humble haiku?

So, after the jump, twelve haikus and twelve videos, summing up my feelings, good and bad, towards Hardwired… Continue reading »

Nov 162016
 

noise-trail-immersion-art

 

(This is the sixth part of continuing series prepared by Austin Weber putting the spotlight on recent releases, and today he focuses on music from these three bands: Noise Trail Immersion, Gross Ex Machina, and Inexistence of Aeon. To check out Part 1, go here; Part 2 is at this location; Part 3 can be found herethis link leads to Part 4, and Part 5 is here.)

 

Noise Trail ImmersionWomb

As I’ve said for years, it often pays off to keep track of groups who show promise, but aren’t quite at the level of blowing you away yet. Turin, Italy’s Noise Trail Immersion are yet another group who fit in that category of promising bands worth following who eventually end up capitalizing on the undeniable talent they showed early on. Which for them was 2014’s self-titled experience, which grabbed my attention but left me hoping they’d evolve into something more original moving forward. Continue reading »

Nov 162016
 

tumbleweed-dealer-cover

 

Those of our readers who visit our site every day (i.e., the truly wise among you) will immediately recognize the artwork at the top of this post — because it appeared here only yesterday, when I included a new song by Tumbleweed Dealer in a collection of music that I urged people to hear. And as I promised in that post yesterday, we have yet another song by this very talented band to put before your ears. Its name is “Saloon Fight“, and it comes from Tumbleweed Dealer’s new third album Tokes, Hatred & Caffeine, which will be released on November 21.

For those who didn’t stop by here yesterday and who may be newcomers to this Montréal band, they are a formidable duo consisting of guitarist/bassist Seb Painchaud and drummer Jean-Francois Richard. There are weed references aplenty in everything surrounding the band, from their name to many of their song and album titles, but you need not be a toker or a deeply devoted fan of stoner rock and metal to appreciate Tumbleweed Dealer’s approach to music. They, too, have different interests… including imagining how the Old West might have looked if seen through the prism of a horror movie (and a lot of drugs). Continue reading »

Nov 162016
 

buensuceso-analogy

 

As you can see, the title of the song we’re about to premiere is an unusual and intriguing one. Other equally out-of-the-ordinary song titles are to be found within the six-song album from which it comes, an album that itself bears a mysterious name: ANALOGY: The Sun | Divided Line. This is the second release by Buensuceso from the town of Mancha Real in Spanish Andalusia, set for release by Third I Rex and The Braves Records in January of the new year.

The selection of music titles isn’t this band’s only sign of distinctiveness. For example, some of the songs include the contributions of such instruments as saxophone, double-bass, e-bow, and synthesizer, in addition to the usual tools of metal. And conceptually, the new album takes inspiration from Platonic philosophy and “The Allegory of the Cave“: “It observes the existence of an unreal world, focused on the blindness of an oblivious society, which is forced to accept the insipid, conformist and inhuman reality that lies behind human beings.” Continue reading »

Nov 162016
 

karmacipher-necroracle-cover

 

(Austin Weber brings us this premiere of the title track to a new album by Karmacipher from Hong Kong.)

As of late, it seems the growing influence of groups such as Gorguts and Ulcerate is bringing about a new wave of death metal fixated on twisted ugliness and immersive sorrow. This year alone, many groups have proven how much room there is to explore beyond (or without) solely copying their influences. Today’s premiere from the Hong Kong-based group Karmacipher is yet another fine new addition to this terrifying modern take on death metal.

From what I can tell, the band’s upcoming full-length, Necroracle, will be their first release. But given the quality of the music on today’s single of the title track, these guys aren’t amateurs by any means. Punishing drumming and super-heavy  and nasty riffing immediately kick off the song, though it continues to shift into a more off-kilter rhythmic place as the track progresses. Ultimately, it leaves the listener feeling like a helpless subject within a massive, world-destroying, meat-grinder apparatus. Continue reading »

Nov 162016
 

disintegration-ep-cover

 

As I think most observers of the global metal scene are well aware, the population of Indonesia includes a large and intensely devoted horde of metalheads, as well as a horde of metal bands whose main hallmark seems to be savagery. Breaking out of the pack and becoming visible beyond the borders of this vast conglomeration of islands is no doubt an enormous challenge, but today we introduce you to a new Indonesian band who have at least caught our blood-shot eyes. The band is a two-man group named Disintegration, and they are already showing great promise.

The members of Disintegration are guitarist/vocalist Budi and drummer Dani. They’re from Kediri, in East Java, and they’ve recorded a debut demo that consist of two tracks — “Kehancuran” and “Tahta Berhala“. What we have for you is not only a premiere stream of the first track, but also the opportunity to download the song for free directly from our Soundcloud player. Continue reading »

Nov 162016
 

antaeus-condemnation

 

(Andy Synn reviews the eagerly anticipated new album by the French black metal band Antaeus.)

With so much being written recently about the molten new release (is it an EP? is it an album?) by a certain bunch of radical French firebrands, it would be easy, all too easy, to overlook what some of their countrymen are doing.

Which would be a mistake of practically biblical proportions, because this week sees the long-awaited release of Condemnation, the fourth album from Satanic savages Antaeus. Continue reading »

Nov 152016
 

wedrujacy-wiatr-art

 

As I mentioned earlier this morning, we’re rapidly approaching the brink of our year-end LISTMANIA orgy. In fact, on Friday I’ll be soliciting reader suggestions for our annual Most Infectious Song list, and about a week after that I’ll be asking our readers to give us their lists of the year’s best releases — so please start thinking about both of those subjects. Of course, we’ll once again be re-posting year-end lists from select print zines and “big platform” music sites as they appear, as well as publishing “best of” lists by our staff and invited guests, both band members and fans.

In the meantime, we’ll also continue trying to recommend new releases, and there are still some big ones due for arrival before January 1. There have also been some notable ones released quite recently that I fear we’ll never get around to reviewing, and so I’m forced to resort to posts like this one in which I’ll just share the music and sacrifice the words of praise (though in many cases we’ve already written about individual songs). However, we do welcome your own thoughts about these releases in the Comments. Here we go — I hope you’ll give each of these albums at least a sample test.

WĘDRUJĄCY WIATR

Album: O turniach, jeziorach i nocnych szlakach
Released: October 31
Approximate Genre: Atmospheric Black Metal
Country: Poland Continue reading »

Nov 152016
 

zmey-gorynich-malafya

To borrow from Monty Python, “And Now For Something Completely Different“.

The album we’re about to premiere is perhaps the most unclassifiable record I’ve heard this year. It’s a wild, boisterous, constantly shifting collage of sounds and styles that, when described in mere words, sounds like it shouldn’t work at all — but trust me, this is as much fun as dancing with a drunk Russian bear (and only somewhat less likely to put you in the trauma ward).

And now for my attempt to sum up what you’re about to hear on Malafya, the debut album by Moscow’s Zmey Gorynich: Continue reading »

Nov 152016
 

balfor-black-serpent-rising

 

In this post we present the premiere of a lyric video for a song called “Crimson Stronghold” by the Ukrainian band Balfor, whose ranks include current or former members of Khors, Raventale, and Hate Forest. It comes from their first new album in six years, Black Serpent Rising, which is projected for release by Drakkar Productions on January 15, 2017.

“Crimson Stronghold” is immense in its sound, produced in a way that causes it to shiver the spine and crack the skull. And it’s powerful in other ways as well, apart from the sheer, almost-physical impact of the riffs and rhythms. Continue reading »