Nov 142012
 

Sakis Tolis, laying down a soothing lullaby. 

Once again, your intrepid editor has sifted through the ever flowing stream of metal news and new music to find those gleaming nuggets that will enrich your daily lives.  Actually, I don’t know if you’ll give a shit about any of this, but I do, and that’s what really matters, isn’t it?  No need to answer, that was a rhetorical question.

ALBUMS ON THE HORIZON: ROTTING CHRIST AND NECROWRETCH

We’ve already reported that Rotting Christ are at work on their 11th studio album, but today I saw a few more tidbits of news: The album will be entitled Do What Thou Wilt, and it will hit the stores on March 1, 2013. We usually don’t write about such happenings unless we have a bit more juice to go along with it, such as album art or a song premiere. But these Greek maestros are the kind of band whose every move interests me. And I’m particularly interested to see if the new album will be a further step down the path of strongly folk/ethnic-influenced metal exhibited on Aealo.

I also saw today that the French band Necrowretch have finished the recording and mastering of their debut album for Century Media. It was recorded in late August at Blackout Multimedia studios in Brussels by Phorgath of Enthroned and its title will be Putrid Death Sorcery. The cover art is being prepared by Milovan Novakovic from Montenegro, who also created the beastly cover for the band’s last EP, Now You’re In Hell (reviewed here). And if you’re wondering why this news matters, check out some Necrowretch music right after the jump. Continue reading »

Aug 052012
 

I guess this is as good a place as any to tell you that I’m fucking depressed over the fact that my fucking day job is fucking with blog life. I have to crank away like an indentured servant over the next five days, including a three-day out-of-town trip, and this will undoubtedly cut down on the volume of posts you see around here.

However, though feeling sorry for myself about this development, I’m cheered by the news that’s the subject of this post, and a big thank-you to Utmu for sharing it with me. The news is partly that tour poster you see up there, but mainly it’s what Rotting Christ stated in the text that accompanied it on their Facebook page:

BLACK DARKNESS OVER EUROPE

A couple of months prior to the release of our new album, to be followed by a worldwide tour, the band warms up by taking part in select shows on BLACK DARKNESS OVER EUROPE tour, sharing stage with CRADLE OF FILTH and GOD SEED. We are ready to hit
the road again spreading the Dark Cult around the realms.

Stay tuned for more details on the upcoming album as well as tour dates and routing.”

Can I get a big FUCK YEAH!? Continue reading »

May 182012
 

Skogsrået, Näcken Och Djävulen [“The Call of the Nature-Demons (in the Name of 1000 Devils)”] is the title of Mikael Häll’s doctoral dissertation on the subject of sexual intercourse with nature spirits and demons in 17th and 18th century Sweden. It will be published later this year by Malört Förlag, a Swedish publishing house that specializes in “texts about the fantastic, the numinous and the aberrant.”  It sounds like an interesting book, especially since it may explain the ancestral roots of why Sweden produces so many killer metal bands.

I would also like to applaud Malört Förlag for coming up with the idea of issuing a soundtrack for every book they release.  And, of course, what better way to read about sexual intercourse with nature spirits and demons in 17th and 18th century Sweden than to do it while listening to Rotting Christ and Negative Plane.  That’s what Malört Förlag decided, and it sounds like a fuckin’ good idea to me.

Malört Förlag is now selling a 7″ vinyl single to accompany the book which includes two exclusive new tracks by those bands. I still haven’t figured out what turntable to buy, but I’ve ordered this single as further inducement to get my damned ass in gear and get a turntable, and also because both bands are awesome.  You can buy the single, too, by following this link.

I wish I could stream these two songs for you, but I haven’t found them online yet.  HOWEVER, while we’re on the subject of things related to Rotting Christ, earlier this week a new song was released by Thou Art Lord, which is a side project of Rotting Christ’s guitarist/vocalist Sakis. More about that after the jump, including a link for a free download of the single. Continue reading »

Jan 072011
 

Ladies and gentlemen, this is the debut of a new column which Islander has kindly allowed me to write and display here at NoCleanSinging.

Each week (ok, whenever I get round to it, they may not be weekly – or they may be more frequent, we’ll see) I’m going to be providing an introduction, a retrospective, or simply a re-consideration of  a band which I feel merits the treatment. Certain bands will be more well known than others, and primarily these bands will be part of THE SYNN REPORT simply because I feel that with all the bullshit media hype in the world, the band in question has been perhaps judged unfairly due to the influence of matters non-musical. Certain bands, however, you may not have heard of before at all, as although I do not consider myself a paragon of underground taste, there is only so much time each of us can devote to finding new music and really exploring it. Hopefully this column will help a little!

Each column will deal with a single musical entity, considering their works and progression in turn. Certain columns will be dedicated perhaps simply to eras in a band’s career and progression, considering and evaluating changes in style and direction with the benefit of hindsight and (hopefully) critical objectivity. Although that probably won’t last very long!

Anyway, for my first column I would like to introduce you to the Greek band ASTARTE (more after the jump, including sample songs from the band’s discography . . .) Continue reading »

Jan 072011
 

As of yesterday, we had rolled out, in no particular order, 20 of the metal songs released in 2010 that we thought were the most infectious (and if you’re just joining us, read this to find out what we’re talking about). Here’s the list so far:

Byfrost: “Desire”
Evocation: “Sweet Obsession”
Keep of Kalessin: “Dragon iconography”
Living Sacrifice: “Rules of Engagement”
Kataklysm: “Suicide River”
Kalmah: “Bullets Are Blind”
Finntroll: “Solsagan”
Eluveitie: “Thousandfold”
Coliseum: “Blind In One Eye”
Kvelertak: “Blodtørst”
Demonic Resurrection: “The Unrelenting Surge of Vengeance”
Sargeist: “Empire of Suffering”
Heaven Shall Burn: “Combat”
Kenos: “Revolver Revival”
Soilwork: “Epitome”
As I Lay Dying: “Anodyne Sea”
Cloudkicker: “We’re goin’ in. We’re going down”
King Conquer: “Wasted Potential”
Canopy: “Menhir”
Incarnia: “Yersinia Pestis”

We’re now starting on the home stretch, with 10 songs left to go. Yes, we finally gave up trying to chop the list down below 30; just too painful. Today’s new entries on the list are from Rotting Christ and Arise. They’re quite different from each other, but they’re both guaranteed to get your head banging.  (hear the songs after the jump . . .) Continue reading »

Sep 182010
 

I’m a bit behind in my reading of Blabbermouth, and therefore missed some orgasmically good news that appeared late yesterday. But thanks to some info last night from my collaborator IntoTheDarkness and then a pathetically sad post today by DemiGodRaven at The Number of the Blog, I now know that Rotting Christ is coming to NorthAm in a headlining tour next spring. And may I say just how fucking happy I am?  I believe I will.  I am just soooooo fucking happy!

This almost makes up for the deep depression I experienced when learning that THE DECIBEL DEFIANCE TOUR, featuring Suffocation, The Faceless, Through the Eyes of the Dead, Decrepit Birth, and Fleshgod Apocalypse would be playing Tulsa but not Seattle — the sort of mortification that DemiGodRaven expressed upon learning that Rotting Christ would be playing Seattle but not Sacramento.

Brother, I feel your pain. Well, not really.  It’s more accurate to say that I would feel your pain except that I’ve managed to get over THE DECIBEL DEFIANCE TOUR’s snubbing of Seattle and I’m now in a painless state of bliss just thinking about the chance to see Rotting Christ in about six short months when they stop here.

There are some other bands on that tour — Melechesh, Hate, Abigail Williams, and Lecherous Nocturne — and that’s a pretty strong set of supporting acts. I’m especially interested in listening to Melechesh play their unique brand of Mesopotamian metal in the flesh. But — and no disrespect is intended to any of those other bands — I would gag my way through a supporting lineup of Katy Perry, Justin Bieber, and Nelly as long as Rotting Christ was waiting at the end.

I am soooo fucking happy. (The tour dates and places are after the jump.) Continue reading »

Aug 312010
 

UK’s Telegraph reports this morning about an article written by the Rev. Rachel Mann, an Anglican priest at St. Nicholas church in Burnage, England, in a publication called Church Times. It’s about metal, and it’s probably not what you would expect from a priest. Granted, our impression is that the Anglican church is somewhat more tolerant and somewhat less judgmental than many institutional forms of religion, but still, Rev Rachel’s article is a refreshing change of pace.

It’s also humorous, in a guileless, probably unintentional way. It’s also a tad condescending. And it doesn’t go far enough.

Nevertheless, we thought it was worth re-printing the Telegraph piece, along with our own running commentary, and of course some musical accompaniment. We also invite you to comment, because we have a feeling this will inspire some thoughts — so don’t keep ’em to yourselves.

Christians could learn a lot about life from heavy metal, says cleric

By Martin Beckford, Religious Affairs Correspondent
Published: 7:00AM BST 31 Aug 2010

The Rev Rachel Mann claims that the much-maligned form of music demonstrates the “liberative theology of darkness”, allowing its tattooed and pierced fans to be more “relaxed and fun” by acknowledging the worst in human nature. She says that by contrast, churchgoers can appear too sincere and take themselves too seriously.

This is a defense of metal from an unusual quarter — not that we feel metal needs to be defended, by anyone, especially priests. Sure, sometimes it’s frustrating to hear people who don’t know the first thing about metal condemn it, but usually that frustrated feeling passes quickly, because, basically, we don’t give a fuck what non-metalheads think about our music. On the other hand, we’re not sure we agree with Rev Rachel’s defense.  (more of the Rev’s thoughts, and ours, after the jump . . .) Continue reading »

Jul 042010
 

Fair warning: This will be one extended session of spittle-flecked frothing at the mouth, because we haven’t been this blown away since stumbling into a full-fledged Seattle windstorm last winter. So get the safety glasses on and strap on sanitary masks if you got ’em.

The subject of our enthusiasm is Nothnegal. They’re a band from The Republic of the Maldives that now includes two non-Maldivian heavyweights — drummer Kevin Talley from Dååth and keyboardist Marco Sneck from those Finnish swamplords Kalmah. They’ve got a four-song EP to their credit called Antidote of Realism and they’ve just signed with Season of Mist for the release of their debut album early next year.

Oh yeah, they’re also playing with Arch Enemy this month and touring Europe in the fall with the likes of Rotting Christ, Samael, and Finntroll.

And we’d wager that most of you have never heard of them. Until earlier this week, we hadn’t either. But this band shows all the seismic signs of an impending Vesuvius-sized eruption onto the scene — and based on the band’s output to date, it would be well-deserved.

If you like technically immaculate, headbangingly compulsive, Scandinavian-style melodic death metal played at autobahn speed, stay with us after the jump. Among other things, we’ll stream all four tracks from that EP and we’ll show you how to download a cut from Nothnegal’s forthcoming debut album. Continue reading »

Mar 302010
 

In the spring of 2009, undisclosed disagreements led to the departure of two of the three members of Romanian black metal band Negură Bunget. But although founding member Hupogrammos and Sol Faur were on their way out the door, they finished working with co-founder Negru on a re-recording of the band’s 2000 album, Măiastru Sfetnic. The new work, called Măiestrit, was recently released, and as we wrote yesterday, it’s a remarkably impressive work.

With Hupogrammos and Sol Faur gone, Negru set about recruiting a new line-up, including a guitarist and vocalist called Corb and a guitarist called Spin. In all, the new Negură Bunget is a six-piece band constructed to give even more attention to traditional folk instruments. And the new line-up has just released its debut album, Vîrstele Pămîntului (now available on iTunes).

We listened to Măiestrit first, and then wondered how Vîrstele Pămîntului would compare, both in musical style and in quality.

The answer to the first question is that the latter album has moved even further away from black-metal stylings and deeper into the territory of progressive folk metal. But in terms of quality, the re-constituted Negură Bunget has taken no steps backward. The new album is a passionate and entrancing combination of extreme metal and traditional folk melodies and instruments, and we like it a lot.  (more after the jump . . .) Continue reading »

Mar 032010
 

Aealo, the 10th full-length offering from Greek extreme metal band Rotting Christ, is by far the most interesting listening experience we’ve encountered to date in 2010. It’s a coherent compilation of lush, passionate, densely layered songs that establishes a new milepost in Rotting Christ’s fascinating musical evolution. When the year ends, something tells us this album will still be in the forefront of our memory.

Thematically, Aealo is organized around concepts of battle, destruction, death, and mourning. And in exploring those subjects, songwriter (and vocalist/guitarist) Sakis Tolis has tapped into ancient Hellenic culture and events. More than any other Rotting Christ production, Aealo incorporates the sounds, rich musical traditions, and mythic history of the band’s homeland.

It accomplishes this feat in part by the use of guest artists, including a female choir from Ipiros called Pilades, Greek-American performance artist Diamanda Galas, and musicians from Greek pagan folk band Daemonia Nymphe. But while incorporating the sounds and ancient musical traditions of their homeland, Rotting Christ have not forsaken the powerful, signature style of their previous discography. Aealo is an intensely emotional and wholly remarkable blend of traditions, and we venture to say the result is like nothing else you will hear this year.  (read more after the jump, and listen to a track from Aealo . . .) Continue reading »