Jan 172010
 

In one of our previous Math Metal Monday features, we wrote about Swedish tech-death band Soreption and their June 2008 EP Illuminate the Excessive. Illuminate included only four tracks, creatively entitled 123, and 4.

We didn’t discover these guys until sometime in the middle of 2009, but from the first listen, we realized these guys were turning out some genuinely original music. Only problem was that those 4 tracks flew by way too fast.

Now we have some very welcome breaking news about Soreption: the band will release their debut album, “Deterioration Of Minds”, on March 3 via Ninetone Records. The tracks will be entitled 512. But hey, if the full-length really picks up right where the EP left off, we could hardly be happier.

These dudes have excellent technical chops and songwriting ability. This is fast, intricate, brutal music that you should check out here if you haven’t already. Or go back to our earlier Math Metal Monday post and stream the track we made available then.

And then start counting the days to March 3.

Jan 162010
 

In Part 1 and Part 2 of this post, we focused on the recent exploits of ex-Gorgoroth vocalist Gaahl. Gaahl has publicly supported the burning of churches in his native Norway. Norwegian churches don’t much care for Gaahl’s rhetoric (shocking, isn’t it?). They are now pressuring Norway’s National Stage to drop Gaahl from the cast of a black metal musical scheduled to be performed there in May. They might succeed.

You may remember that this isn’t the first time or the first place where Gaahl has run into trouble for being offensive to institutional religion. In 2005, he and Gorgoroth narrowly escaped criminal prosecution in Poland for staging a concert that featured impaled sheep’s heads, satanic symbols, and a mock crucifixion by naked models doused in blood. Poland has laws that prohibit behavior offensive to people’s religious beliefs.

Gorgoroth are not the only corpse-painted dudes who’ve had run-ins with those Polish laws. Which brings us to Behemoth (more after the jump). Continue reading »

Jan 152010
 

Editor’s note: This isn’t the Part 2 of “Burning Ideas” that we originally planned to run today. But some breaking news directly relevant to what we wrote in Part 1 shoved the original Part 2 off the front page. So the original Part 2 has become Part 3, and we’ll run that tomorrow.

I’ve never been to Norway, but I know a few things about it that are different from the good old US of A. In Norway, for example, you can stage a black metal musical at Den Nationale Scene (translation: The National Stage), one of Norway’s oldest and most renowned theaters, as part of an annual international music and culture festival. And as we wrote yesterday in Part 1 of this post, you can apparently include in your cast a guy like Gaahl, ex-Gorgoroth vocalist and twice imprisoned advocate of church burning.

Oops! Not so fast. Check out this breaking news as reported by Blabbermouth yesterday:

The artistic director of Den Nationale Scene (DNS), the renowned Norwegian theater where Kristian “Gaahl” Espedal (GORGOROTH,GOD SEEDTRELLDOM) is set to make his musical debut this May, is reconsidering his decision to cast the former black metal vocalist for the upcoming “Svartediket” production.

Bjarte Hjelmeland is under pressure from both the clergy and the director of at Festspillene i Bergen (Bergen International Festival), the annual international music and cultural festival where the “first-ever black metal musical” is set to receive its premiere, because Gaahl has once again made it clear that he supports and condones the church burnings associated with the early Norwegian black metal scene. . . .

Hjelmeland says he will travel to Oslo to have “a long talk” with Gaahl about his statements to the media before making a decision on whether to allow the singer to stay involved with the musical. “It is important, both for me personally and on behalf of DNS, to completely distance ourselves from the attitudes Gaahl has expressed in the Bergens Tidende interview,” Hjelmeland says.

“My beliefs are diametrically opposed to his. I pretty much grew up in church and consider myself a Christian. . . . I was not familiar with Kristian‘s past when I hired him to do ‘Svartediket’. And I could not possibly have known that he would come out and publicly support these serious crimes.”

Tell you what: I’d pay decent money to be a fly on the wall when Mr. Hjelmeland has that long talk with Gaahl. (more after the jump . . .) Continue reading »

Jan 142010
 

I had another late night. But today I’m gonna resist the urge to bail out on my journalistic responsibilities by posting more Elize Ryd-style cheesecake. Instead, we’re returning to our more usual serious-minded, thought-provoking metal journalism. We’re going to talk about burning churches, burning Bibles, and burning ideas.

And because we provided some eye-candy for the dudes yesterday, we’re gonna show how even-handed we are and start off today with some eye candy for the ladies. Feast your orbs on this delicacy:

Okay, so it’s licorice-flavored eye candy.

This handsome Norwegian is named Gaahl. That’s not the name his momma and daddy gave him. They liked the name Kristian, as in Kristian Eivind Espedal. But when Kristian started playing black metal circa 1993, he must have decided it would be better to have a name that sounded like throat-clearing. And voila! Gaahl!

As you black metalists out there well know, Gaahl is one of the more notorious figures in a fairly notorious genre. During his ten-year stretch with Norwegian black metal band Gorgoroth, he was imprisoned for assault in Norway in 2002, and then imprisoned for a second nine-month stint in 2006 for allegedly assaulting and torturing a man for six hours while collecting his blood into a cup and threatening to make him drink it. (read more after the jump . . .) Continue reading »

Jan 132010
 

We know you depend on us to sift through the mountains of daily metal news so you don’t have to, to separate the wheat from the chaff, and then bring to your attention only the truly vital information without which your lives would be drab, insignificant, and not worth living. A heavy fucking responsibility, but we’ve got broad shoulders and we’re up to it.

That’s why we’re telling you, hot off the presses, that Amaranthe singer Elize Ryd (pictured above) has been selected to fill the female guest singer spot on KAMELOT‘s upcoming European tour in April/May.

What’s that you say? You think this “news” is bullshit? You say you’ve never heard of Amaranthe and that with a lead singer like this, they couldn’t possibly be metal?

You say you think KAMELOT sounds like an Andrew Lloyd Webber creation? Or maybe like what would happen if Siegfried and Roy decided to start a metal band?

Basically, you’re thinking I made up this “vital breaking news” horseshit as just an excuse to put a hot piece of eye candy up on our site in a desperate attempt to lure more readers?

Well, so fucking what if I did? Just cut me a little slack. Just this once. I had a late night.

(Thank you Blabbermouth for this vital piece of news.)

Jan 132010
 

It’s 2010, and last night two of your NCS Co-Authors made it to our first metal show of the new year as the “Bound By the Road Tour” barreled its way through Seattle. We emerged unscathed (barely) with a few decent photos, which we hope to put up a bit later today, and this report.  [Editor’s note: we’ve now got photos from NCS Author Alexis up in this post for all the bands but DevilDriver.]

In a nutshell, experiencing a night with the likes of Thy Will Be Done, Goatwhore, Suffocation, and DevilDriver was the sonic equivalent of being suspended by your ankles over a blast furnace. It was an intense, blistering, full-bore onslaught by four bands who are superb live musicians and know how to whip a crowd into a frenzy.

And for the cherry on top, we got to see three of the most charismatic frontmen in the business on one bill: Dez Fafara, Frank Mullen, and Ben Falgoust (and J. Costa is no slouch either). What a truly ass-kicking way to start a new year of live metal in the Emerald City! Now, for a few details about each band’s performance (after the jump). Continue reading »

Jan 122010
 

Yesterday I had some fun at James Hetfield’s expense. I put up some still photos here from the movie trailer for Clash of the Titans with captions showing the kinds of metal bands that came to mind as I saw them. For one of them, the unflattering thought that popped into my head was “James Hetfield in about 5 more years.” I’m not sure why, but that’s really the first thing that came to mind.

It’s not that I’ve never liked Metallica. They just don’t do much for me any more, and haven’t for a while. But many of their older songs are undeniably awesome.

My favorite Metallica song isn’t one that would come to mind for most people. It’s an Irish folk song that’s been around for about 400 years called “Whiskey in the Jar.” It tells the story of a highwayman who robs a military or government official and is then betrayed by his wife (or lover — not clear which). Metallica’s version of the song retains the traditional lyrics and the basic melody, but puts Metallica’s heavy, hard-driving force behind it — and Hetfield’s vocals are outstanding.

The song is so catchy and has been around for so long that lots of people have recorded it. A couple years ago I tracked down different versions of the song as kind of a musical experiment, to trace the evolution of music over time, and more specifically to see how different musical genres have made this old song their own. It was a very cool experience.

I haven’t thought about this in a long time, not until I started feeling mildly guilty about poking fun at James Hetfield yesterday. And then I thought, maybe you would also find something interesting in the musical evolution of “Whiskey in the Jar,” at least partly because it’s such a fucking great song and partly because some fucking great bands have recorded it.

So, after the jump, you can see the lyrics; they vary a bit, and I’m giving you the version Metallica used. And then, moving forward in time, you can stream performances of “Whiskey in the Jar” by this group of legendary bands: Irish folk band The Dubliners (circa 1967), Irish rockers Thin Lizzy (1973), Irish punk band The Pogues (playing with the Dubliners) (1990), and finally Metallica (1998). Hope you’ll give it a try. (Time for a death metal band to record this song!) Continue reading »

Jan 122010
 

Yesterday Living Sacrifice made available for streaming the fourth song from their forthcoming new album The Infinite Order. The song is called “They Were One.” It’s packed with groove-oriented riffs, and the band’s thrash influences are really in evidence. This is one hellaciously infectious tune and (if possible) makes us even more stoked for the full album when it drops on January 26.

The band begins a 19-state tour on January 15, co-headlining with War of Ages. You can listen to “They Were One” and find dates and places for the tour by going here.

Jan 112010
 

I bet the title of this post got your attention, didn’t it? And I bet that if someone does a Google search for “haggis and bong” in the next day or two, we’ll be one of the first returns. Of course, I can’t imagine why anyone would do that — unless you live in South Africa or you stumbled on this news at Blabbermouth:

South African Metal Festival Aims To Set Record For ‘Most People Headbanging Simultaneously’ – Jan. 10, 2010: 21 of South Africa’s top metal bands will perform at the MotherFUDD festival, set to take place March 12-14, 2010 at Malonjeni Guest Resort, South Africa. The event will also host what it claims to be “the first-ever official Guinness World Record for most people headbanging simultaneously” on March 13.

Following the above intro was a list of those 21 bands scheduled to play at the “MotherFUDD” festival, including — you guessed it — Haggis and Bong. (more after the jump . . .) Continue reading »