Jan 052015
 

 

I collected enough new pieces of music and news items over the last 24 hours to justify a two-part Monday round-up. This is Part 1. I guess everything in here violates the rule of our site, as reflected in its name.

BABYMETAL

Our Tokyo-based friend and former NCS contributor Phro spotted something new from the Japanese J-pop/metal sensation Babymetal. It’s a three-minute trailer that appeared this morning for a new song named “Road of Resistance” that features some surprise guests. Phro wrote about it for his regular gig at Rocket News 24, and I’m just going to quote a few of his words below (you should read his whole write-up at this location). Like Phro, I happen to be one of those people who have enjoyed what Babymetal are doing to spread the gospel of metal to the uninitiated.

Stop what you’re doing and get ready to lose your… ummm… stuff. Kawaii-meets-coffins idol group BABYMETAL just released a trailer for a new song featuring guitars by Herman Li and Sam Totem, the semi-legendary guitarists from DragonForce. The song is called “Road of Resistance” and our only complaint is that the trailer is too short…despite being over three minutes long.

Put your kitsune up and get ready to headbang…

Continue reading »

Jan 032015
 

 

Here’s a collection of new songs I came upon over the last 24 hours. It’s not happy music, but it make me happy.

LOIMANN

Loimann are from Torino in the Piemonte region of Italy. They released a debut album in 2010 named Towards Higher Consciousness, and their second full-length — Drowning Merged Tantras — will soon be released on CD by Behold the Ruins Records. I was drawn to it by the cover art (above), created by one of my favorite metal artists, Costin Chioreanu.

I’ve been making my way through the album as a whole (with thanks to Loimann for the opportunity), and I’m really enthralled by what they’ve accomplished. I’m unable to write as many album reviews as I would like, so I at least want to encourage you to listen to the two songs from the album that are now publicly available — “Haeresis” and “Tantras… Drowned”. Continue reading »

Jan 012015
 

 

Well, Happy Fucking New Year to all you motherfuckers out there (to bring good luck, I think it’s important to call all our readers “motherfuckers” on the first day of 2015). I hope everyone is beginning the new year in one piece and not too much the worse for wear from whatever you did last night to commemorate the calendar change.

I’m in unusually good shape myself, which is to say that I had a fairly peaceful and alcohol-free evening with my spouse, who resisted my entreaties to get shit-faced. This morning, I want to thank her for once again being the level-headed part of this partnership.

I spent part of this morning web-surfing for new music and found quite a lot worth recommending. Here’s part of what I found, presented in alphabetical order, since I am able to remember the order of the alphabet because I was good last night.

P.S. For those who came here looking for the next installment in our 2014 “Most Infectious Song” series, I’m taking a break for today — so I can figure out which two songs to post next! Continue reading »

Dec 302014
 

 

I’ve fallen a bit behind in my efforts to collect news items and new songs I think are worthy of attention. There was some holiday recently that proved to be a distraction, plus I’ve been spending time on year-end lists of one kind or another. So this collection includes items of interest I spotted over the last 4 or 5 days, presented in alphabetical order, along with a recommendation from NCS contributor Grant Skelton at the end.

DEIPHAGO

I checked — 18 months have passed since the last time I wrote about Deiphago, reviewing the vinyl edition of a 2012 split release they did with Ritual Combat. But as far as I can tell, that split was the last recording these Filipino marauders released, and we’re now more than two years on from their last full-length, the devastating Satan Alpha Omega. Therefore, I’m really pleased to report that Deiphago have recently finished recording a new album with producer Colin Marston that should see release early next year on the Hells Headbangers label.

The name of the album is Into the Eye of Satan, and the cover art by Axel Hermann (above) is a real eye-catcher.

I have no music to share with you yet, only high hopes for a highly anticipated assault of blackened death metal. Continue reading »

Dec 272014
 

 

It’s been a little while since I posted some real Swedish fucking death metal on the site, long enough that I was starting to get the shakes, the night sweats, the dry mouth, and the volcanic gut rumbles. So I decided to do something about it. I’m tending to my needs, and bringing you some slaughter for your Saturday at the same time. But as you’ll find out, this is also a very bittersweet post for me to write.

TORTURE DIVISION

I first discovered Torture Division in March 2011, when they released a cover of Mastodon’s “Iron Tusk” from the Leviathan album, accompanied by an introduction that included these words:

“This is how we would have made this song, had we written it in the first place. But we didn’t, we just thought it would be nice to MASTODON to make a proper tune out of it. Kidding, kidding… MASTODON‘s cool. They are no TORTURE DIVISION, but hey — can’t win them all.”

I became an immediate fan, and have remained one in the years that followed (you can still hear that “Iron Tusk” cover in the first Mordbrand feature I prepared). I wrote about most of their other releases over the last three years (collected here) and liked every goddamn one of them. And now, sad to say, I’m writing about their final effort. Continue reading »

Dec 262014
 

 

We’ve been writing about the Elemental Nightmares music project since July 2013, when it was barely more than a bright idea. We followed its progress closely and posted about each of the first four splits when they were released (and even premiered two of the songs from one of the splits). And then, in a big rush, Elemental Nightmares released the last two splits over the space of the last two days, with Parts VI and VII coming on Christmas Eve and Christmas Day, respectively. (This accelerated finish was actually part of the release schedule as it was announced back in August, but still caught me by surprise.)

For those who haven’t yet heard of this project, it began as a vinyl subscription series and changed a bit as time passed. In its final (and now complete form), it has released seven 10″ vinyl splits featuring songs from 28 up-and-coming bands, most of which we had previously written about at this site. Each release has featured one segment of a single large piece of art, and you can now see the complete work at the top of this post (click the image to view a larger version). It’s fantastic.

I subscribed to this series as soon as I could and have relished the arrival of each installment. Later, Elemental Nightmares began offering each split for sale on a standalone basis, and the music is also available for download on Bandcamp. I’m not sure whether vinyl copies of each split are still available, but if they are, they can be acquired via the Elemental Nightmares online store, here: Continue reading »

Dec 242014
 

 

Rumor has it there’s some holiday tomorrow, with lots of talk about happy and jolly. I’m not feeling it myself. I’m more in the mood for head wreckage. I found these new songs over the last 24 hours that do the job nicely — music that’s full of power and passion, and no joy.

DEVOURING STAR

Last month we had the pleasure of premiering (here) a new song by a Finnish horde named Devouring Star from their forthcoming debut album Through Lung and Heart, on the Daemon Worship label. Since then two more songs from the album have been revealed, the latest one just this morning. Austin Weber described the song we premiered as “an apocalyptic ode to true worshipers of the dark arts, teeming with sourness and bitter pain and delivering a bludgeoning and a sense of horror comparable to few.” The new song is no less decimating.

“The Dreaming Tombs” is an unmitigated onslaught of percussive hammer blows, howling riffs, and wretched vocal extremity. The music swirls like a cyclonic vortex, broken in places by a massive doom-drenched stomps. It’s bleak, black, brutally ferocious music that very effectively creates an atmosphere of calamity and collapse. Continue reading »

Dec 222014
 

 

I spent most of my listening time this past weekend delving into shades of black (and also trying to narrow down the candidates for our Most Infectious Song list). But I also did a bit of additional searching for new things to recommend, and here’s what I found — along with a contribution from Grant Skelton who has a recommendation of his own at the end.

XIBALBA

I discovered that last Friday Xibalba debuted a song named “Invierno” from their forthcoming LP, Tierra Y Libertad. The album is coming out on January 27 via Southern Lord and sports fantastic cover art by Dan Seagrave.

Based on past experience, I was expecting something crushing and savage, and I wasn’t disappointed. “Invierno” is one big sonic meat tenderizer. Everything about it is immensely heavy and dark, driven by a combination of needling and piledriving riffs, and with a couple of skull-smashing breakdowns. It’s an exclusive stream, so go here to listen: Continue reading »

Dec 212014
 

 

I suppose this post could be considered Part 2 of a collection I began yesterday (here). It’s a big selection of music I discovered over the last couple of days that in widely varying degrees incorporate elements of black and death metal into the sound. And I do mean “widely varying” — no two of these bands sound alike, but I hope you’ll agree they all sound good.

LVTHN

LVTHN is a Belgian black metal band with three short releases to its credit, all of them appearing in 2014. The first one, Adversarialism, I reviewed here. The next two of those releases came this month — a four-song EP entitled The Grand Uncreation (which includes a cover of a Katharsis song) and a split with Lluvia entitled Illuminantes Tenebrae. Both are worthy of separate reviews, but I’m so pressed for time that I’m afraid I’ll never write them. I decided this short comment is better than nothing.

In a nutshell, these five new LVTHN songs are potent examples of bestial black art — torrential hailstorms of knife-edged riffs undergirded by the distant rumble of percussion and pierced by flesh-rending vocals, with waves of dark, dramatic melody moving through the music like the migration of leviathans. It’s gripping, galvanizing, ravaging music, with just enough well-placed breaks in the onslaught to prevent total sensory overload.  And the Katharsis cover is obliterating. Continue reading »

Dec 202014
 

 

Here is a collection of recommended items from the blacker end of the metal spectrum that I spotted and heard yesterday; I have some others that I’ll feature tomorrow. I wrote most of this last night, just before the alcohol-soaked holiday party hosted by the place where I work. The parts that don’t make any sense were written this morning as I began the long road to recovery.

LEVIATHAN

Yesterday brought additional details from Profound Lore about the next album by Leviathan: As previously disclosed, the album’s title is Scar Sighted; it will be released March 3 digitally and on CD; it was produced, engineered, and mixed by Billy Anderson; and it includes nine tracks. There was also this info about the album’s packaging, with a reference to the artwork I’ve included at the top of this post:

“Scar Sighted” will be packaged as a boxed CD edition (the only version of the CD this will be available as) which will come with eleven two-sided inserts featuring exclusive paintings by Jef Whitehead himself (one of them being the one pictured, LEVIATHAN logo watermarked specifically for online purposes, there is no actual front cover for “Scar Sighted”). The vinyl edition, to be released a month or so after the CD/digital version will also be specially packaged and will be released via the artists’ own Devout Records imprint (in which we will directly update you on its progress in due time).

This is an album I’m eager to hear, in part because I have a feeling it will include some surprises (see this interview of Wrest for reasons why I think that). This is the track list: Continue reading »