Aug 012013
 

Collected here is news about three new tours that surfaced yesterday.

MADNESS AT THE CORE OF TIME TOUR

GWAR is the headliner of this tour, and the rest of the line-up consists of Whitechapel, Iron Reagan, and A Band of Orcs. It’s tough to find a unifying theme for the selection of these bands, other than the fact that the line-up is book-ended by inhuman creatures. But I’ve found that some of the best shows are those in which the combination of bands makes you scratch your head. One band might pull you in, and you might then discover another band you like.

In this case, Whitechapel have kicked my ass every time I’ve seen them and I’m also interested in seeing Iron Reagan and A Band of Orcs (HAIL GZOROTH!). I’ve never gotten into GWAR, though I can’t say I’ve ever given them much of a chance. Maybe that will be my new discovery on this tour. Here’s the schedule: Continue reading »

Jul 312013
 

Here’s some recent album-release news that got me excited.

BROKEN HOPE

Early yesterday we reported about a U.S. tour scheduled for October that will be headlined by Deicide. One of the supporting bands is Chicago’s Broken Hope. I mentioned in that post that Broken Hope had recorded their first new album in 14 years and that it would be released by Century Media in October under the name Omen of Disease. And then later the same day we got an official announcement of the release dates: October 1 in NorthAm and September 30 in Europe.

We also got an unveiling of the album art, featured above. That’s one imaginatively nightmarish creature, isn’t it? I think I saw one of those fuckers in the corner of my bathroom one night. Right before I blacked  out. That was a bad night.

The cover was painted by the illustrious Wes Benscoter, who has created artwork for the likes of Slayer, Hypocrisy, Autopsy, Kreator, and many more. In a coming-full-circle kind of episode, he also did the covers for two of Broken Hope’s own albums, though that happened in 1995 (Repulsive Conception) and 1997 (Loathing). Continue reading »

Jul 302013
 

Here are a couple of items that caught my eye last night.

NEW DEICIDE TOUR

Word has escaped that Deicide will be headlining a U.S. tour this October, though to be honest, the supporting bands are the ones that have really peaked my interest: DisgorgeNecronomicon, and Broken Hope.

I’ve been a fan of Montreal’s Necronomicon for years, and their 2013 album Rise of the Elder Ones is quite good. San Diego’s Disgorge has occupied a storied place in the annals of brutal death metal, and they’re now at work on their first album in eight years, with a revised line-up (Angel Ochoa behind the mic and Diego Soria on bass). And speaking of revivals, Chicago’s Broken Hope will be delivering their first album in 14 years when Century Media releases Omen of Disease in the same month that this tour occurs.

In other words, there’s going to be a full slate of new metal from a group of veteran death metal carnivores, wholly without regard to whether Deicide manages to bring it hard at the top of the bill. Continue reading »

Jul 282013
 

Your humble editor has had a busy weekend and this Sunday is going to be busy too, so this will probably be today’s only post. I did find a little time to browse e-mail and wade through the interhole in search of new things yesterday and this morning. As usual, I found many, and have collected a big group of them in this post. As you’ll see (and hear), it’s a diverse mix, including some not-metal. I’ll have to keep the verbiage brief because time is short. I know that will traumatize most of you, and I’m already grieving for your loss.

BURIAL HORDES

I first happened upon this Greek band in January after discovering their split release with Enshadowed, which is excellent (reviewed here). They have a new album on the way, entitled Incendium. I haven’t yet seen a release date, but the band have recently uploaded the opening track — “Unleash Havoc”. It’s a very cool song, raw and ravaging, bestial and atmospheric. Listen:

https://www.facebook.com/BurialHordesOfficial

Continue reading »

Jul 272013
 

Yep, just a bit earlier today the organizers of Maryland Deathfest announced the initial list of bands confirmed to play at MDF XII, which will be held May 22-25, 2014. Here you go:

AT THE GATES (Sweden)
GORGUTS (Canada)
TAAKE (Norway)
SOLSTAFIR (Iceland)
MGŁA (Poland)
EXCRUCIATING TERROR
BONGRIPPER
HEMDALE
DIOCLETIAN (New Zealand)

This may be too much information, but I thought I’d mention that I wet myself when I saw this list. And of course more names will be coming. MDF also announced that At the Gates, Taake, Solstafir, and MGLA will be making exclusive US appearances at MDF. Continue reading »

Jul 262013
 

Here are a few choice items from my recent ramblings around the interhole.

MAN MUST DIE

Some bands die who shouldn’t, some bands who should die seem to live forever, and some bands resurrect themselves against punishing odds. Man Must Die must not die, and in fact it looks like they’ve been resurrected after parting company with their big-label support following 2009′s No Tolerance For Imperfection.

When last we checked in with these Scots in April, they were nearing success on their revised crowd-funding goal at Pledge Music to help them self-finance a new recording. And today brought the cheery news that they’ve found label support once again after a long dry spell. Here’s the announcement from Lifeforce Records:

“We are very proud to announce the signing of Scottish extreme metal maniacs MAN MUST DIE for a world wide release (outside the UK) of their next album in late October via Lifeforce Records. The band is currently at Valvetone studios putting the final touches on the new effort.”

In addition, the band announced that Grindscene Records will be releasing the new album in the UK and Ireland.

Nice work lads! I’ll be ready to get brutalized in October. Continue reading »

Jul 252013
 

Just a few new things in between reviews to help kick-start this Thursday.

HOWLING

Let’s see, where shall we start? How about some death metal? Yes, death metal is always a good place to start, especially death metal inspired by John Carpenter’s 1981 classic, The Thing. And that’s what Howling gave us last night when they released “Shape-Shifting Enemy” on Bandcamp.

Howling, for those who need to catch up, is the horror-themed project of vocalist Vanessa Nocera (Skeletal Spectre, Scaremaker, Wooden Stake), guitarist/bassist Tony Proffer (Beyond Hell), and drummer Elektrokutioner (Encoffination, Father Befouled, many others). This new single comes from the band’s next album, Tear the Screams from Your Throat, which is due out in October 2013. I have high hopes for that album, because the band’s debut, A Beast Conceived, was so fuckin’ good (I explained why I think so at this location).

“Shape-Shifting Enemy” provides even more reason to anticipate the new album with relish. If you’re expecting old-school gore/death, you’ll be surprised. The mainly slow-paced song contrasts Proffer’s melodic guitar leads (and a writhing solo) with Nocera’s carnivorous growls, book-ended by unexpected guitar instrumentals. And for variety’s sake, you’ll encounter a couple of thrashing romps along the way. Continue reading »

Jul 222013
 

This past weekend I saw two pieces of news concerning the otherworldly black death entity known as Ævangelist, about whom we have written frequently. First, it appears the band have finished recording a new album, Omen Ex Simulacra, which will be released later this year by Debemur Morti. Be afraid. Be very afraid.

Second, I saw that in the coming months an Australian label named Aurora Australis Records will be releasing an Ævangelist split with a Philadelphia black metal band named Esoterica . The artwork for it, created by Ralph Stewart, is displayed at the top of this post. Esoterica will be contributing three songs, including one on which MkM of Antaeus and Aosoth will be making a guest appearance. Ævangelist’s track is called “Omniquity”, and they posted it on YouTube yesterday.

It may only be one track, but that one track is the length of at least an EP: 22 minutes, 21 seconds. It’s a dense, harrowing, atmospheric piece, often violent and always unsettling. Yet for all its destructive power it exerts a strange hypnotic hold on the senses. Continue reading »

Jul 212013
 

I wrestled with myself about whether to continue writing about Varg Vikernes’ arrest in France on suspicion of plotting a terrorist attack and its aftermath. About the only news we generally cover (and we don’t do anything like a comprehensive job of it) involves music, and this episode certainly doesn’t qualify. I also feel uncomfortable adding to the publicity about someone who I don’t want to publicize except to the extent he makes music as Burzum that’s worth hearing (and even then, I have some recurring qualms).

But I crossed a figurative bridge with the first post about Varg’s arrest and the second one about his release, and I’ve decided I might as well finish the story — or at least finish it as far as this site is concerned, especially because so many people read those first two posts.

As expected, Varg has now written — at length — about his arrest, interrogation, and release by French authorities. What may surprise some is that it is not a rant, nor does he seize on the events as an excuse to play the persecuted victim (at least not much) or to re-publish his anti-Semitic and racist ideologies. To the contrary, he is respectful and complimentary of the French police, particularly by contrast with his views about his treatment in Norway (which he refers to as “Soviet Norway”). Ironically, his treatment appears only to have solidified his love of France as an adopted home. Continue reading »

Jul 192013
 

The last few days brought many new discoveries that I thought were worth sharing. However, I haven’t had the chance until now because I’ve been dealing with the fallout caused by some asshole who smashed in a window on my car on a downtown Seattle street and stole a bag that contained my laptop and other valuables. Fuck that guy, and fuck me for being dumb enough to leave the bag in the car. Enough with the whining, onward with the metal . . .

SEPULTURA

This morning brought further news about the next album by Brazilian heavyweights Sepultura. Its title was inspired by Fritz Lang’s classic 1927 film MetropolisThe Mediator Between the Head and Hands Must Be the Heart. It was recorded by Ross Robinson, who also produced the band’s equally classic Roots album, and in an effort to cement the connection to past glories guitarist Andreas Kisser had this to say:

“The album is brutal, fast and straight to the point, I feel this is the best SEPULTURA ever, no bullshit. To work with Ross Robinson again was a privilege, one of the best producers out there. He has a strong connection with nature, the human heart, with life in general. We did an album that is alive, no fake studio tricks, we were jamming together in the room exploding in an energy so strong you could grab it.”

Of course, we wouldn’t expect him to say, “the new album is going to be a mediocre rehash and one of the lamest things ever to be released under the Sepultura name”, even if it were true. Yet the fact that he’s stuck his neck out there with this kind of a statement provides some reason to be hopeful. The album is due in October. Continue reading »