Nov 252015
 

Hostium-The Blood Wine of Satan

 

As I mentioned in my last post yesterday (here), I had more than the usual amount of time on Monday and Tuesday to explore new music and found a lot that I enjoyed. In addition to the six videos collected in that last post, I’ve selected recent songs from six more bands here. And at the risk of overwhelming you with metal, we’ll soon be following this round-up today with a second one assembled by Grant Skelton.

HOSTIUM

Hostium are rooted in Vancouver British Columbia. Their debut album The Bloodwine of Satan is projected for a vinyl release by Germany’s Iron Bonehead Productions in February of the new year, and a CD version will be released around the same time by NecroShrine Records. In recent days Iron Bonehead deployed a track named “Bloodwine Chalice” to Soundcloud. Continue reading »

Nov 242015
 

Luctus 2015-photo by Luneth Vinonen

 

I had more than the usual amount of time to explore new music yesterday. As usual, I found a lot to like, so much that I’ve divided the discoveries into two posts. In this one, I’ve collected mostly recent videos from six bands.

LUCTUS

In September I reviewed Ryšys, the excellent new album by the Lithuanian black metal band Luctus, along with a full stream of the album. Luctus have now released an official live video for their cover of “He’s turning blue”, originally recorded by Carpathian Forest. It’s not the first time Luctus have covered the song — it appeared on their 2011 album Live at Intro (which is available here on Bandcamp). Continue reading »

Nov 232015
 

cover-collage

(Here’s Part 4 of our Norwegian friend Gorger’s entertaining multi-part feature on bands we seem to have overlooked at NCS. Part 1 is here; Part 2 is here; Part 3 is here.  And be sure to check out Gorger’s Metal.)

With Islander back in the saddle, I felt no hurry to complete this fourth part of Beneath the NCS Radar.

This was initially intended as the last episode of the series, but then the producers decided to give Season 2 a chance. I’ve discovered more music that deserves a larger audience. This leaves me with a question, though.

If this were to become a regular feature, the name would sort of bite its own shiny metal ass. If it’s presented on NSC, than it’s no longer off the NCS radar, and thus the very title becomes contradictory. Perhaps this minute dilemma is so
small it is negligible. Moving on… Continue reading »

Nov 222015
 

Nachash-Conjuring the Red Death Eclipse

 

As you can see, I decided to give the “Seen and Heard” title a rest for today, but that’s still what this post really is — another selection of music I’ve come across in recent days that I thought you might enjoy as much as I have. Most of what’s in here is new, some of it only newly discovered by yours truly. As is usually the case, the featured music is stylistically diverse. And because this is a birthday weekend at NCS, I decided to really load up this post with a lot of listening.

NACHASH

We’ll start this collection of music with the debut EP from Norway’s Nachash, a four-track offering entitled Conjuring the Red Death Eclipse. Though it was released in February of this year (through Unborn Productions), I only discovered it recently, and what a discovery it has been.

The four long songs on the EP are rich and multifaceted. The final track “A Necromancer’s Lament”, which is set to play first on Bandcamp, is like a melding of stoner doom and black metal; the riffs are so goddamn delicious that I got pulled headfirst into the rest of the EP as if I’d been sucked into a whirlpool. Continue reading »

Nov 202015
 

Lycus-Chasms

 

I came across a ton of new music yesterday that lit me up, too much to cram into a single post. So I made some hard choices, and selected this grouping from six artists with an eye toward creating a diverse listening experience. The last item, of course, isn’t metal — except it kind of is. You’ll see. If I have time I might be able stitch together some more new songs for later today, and if not, tomorrow (because tomorrow is the glorious sixth anniversary of our site’s birth).

LYCUS

January 15 is the date set by Relapse Records for the release of the new album Chasm by Oakland’s Lycus. As you can see, it features cover art by Paolo Girardi. The band’s last album, 2013’s Tempest, was fantastic, and I’ve been curious to see what Lycus would do next.

The new record consists of four long songs, and one of them, “Solar Chamber”, debuted yesterday. Drummer Trevor DeSchryver described its concept this way: Continue reading »

Nov 192015
 

MammothStormFornjot

 

(Grant Skelton steps forward for round-up duty with this collection of mostly new music from five bands.)

MAMMOTH STORM

Mammoth Storm are a three-piece from Saffle, Sweden. They released a demo in 2013. Less than a year later, Mammoth Storm followed that demo with a self-released EP called Rite Of Ascension. Their debut album Fornjot (named for an ancient Norse giant) was released earlier this month on Napalm Records.

Mammoths and Norse giants are fitting imagery for the kind of riffs this band writes. Enormous, loud, and destructive. They recently completed a tour with their labelmates Ahab and High Fighter. If you’re into either of those bands, then Mammoth Storm definitely have something for you. Below are the lyric video to the title track “Fornjot,” as well as a Soundcloud stream of “Augurs Echo.” Find Fornjot on Amazon and iTunes. The album also includes “Ancient Apocalypse,” a bonus track re-recorded from their 2013 demo. Continue reading »

Nov 192015
 

At the Gates-photo by Ester Segarra
photo by Ester Segarra

Today we have a two-part round-up of (mostly) new music for you. I put together this selection of new things I spotted over the last 24 hours. A bit later today we’ll bring you another compilation, assembled by Grant Skelton. Here we go:

AT THE GATES

“The Night Eternal” is one of my favorite tracks on At the Gates’ latest album At War With Reality. Honestly, it’s probably my favorite track on the album. So I was excited that the band released an official video for the song a couple of days ago, and even more excited when I realized that the video consisted of an animation by Romanian graphic artist and musician Costin Chioreanu. And it truly is a wonderful creation. Costin wrote this about the video: Continue reading »

Nov 182015
 

Nexhymn-Reflection of Revelations

 

This isn’t quite a complete premiere, because the song you’re about to hear has been available on Bandcamp for a couple of weeks. But the lyric video for it that you’re about to see is brand new, and the song is so damned explosive that it dropped my jaw the first time I heard it, so we’re stoked to help spread the word about it.

Allow me to elaborate on the jaw-dropping thing. I had no idea what was coming the first time I heard the song. Hadn’t bothered to read anything about Denver’s Nexhymn before pushing “play” on the video. Sometimes that’s the best way to go — it’s like unwrapping a present, except in this case it’s more like the present exploded as soon as I touched it.

I’m tempted to say nothing about the music, so you can get the same incendiary surprise that I got — but I can’t resist. You can always just skip past my words and get the music going straight away (be sure to crank the volume all the way up) Continue reading »

Nov 172015
 

Devourer logo

 

Earlier today we brought you a round-up of songs from Comrade Aleks. The epicenter of all his chosen music was Italy, and so I thought I would expand our geographic horizons with the following collection of recommended new tracks that I sifted from the usual flood of sounds over the last 24 hours. The bands featured below come from Sweden, Poland, Seattle, Denmark, and Pakistan.

DEVOURER

Devourer are a two-man Swedish band founded in 2002 by John “Steinfaust” Falk (who plays all instruments and has also been the drummer for Sorcery) and he was joined in 2007 by lead vocalist Fredrik “Crocell” Håf. After recording two demos (Malignant and Thy Devourer), the band released their first album in January 2013 under the title All Hope Abandon. I discovered the band through their 2013 single, Filth; the title track was released in video form and reviewed here. Yesterday, Devourer released another single — and it’s also excellent. Continue reading »

Nov 172015
 

Abysmal Grief - Strange Rites of Evil

 

(If all works as planned today, we will have two “Seen and Heard” posts, and in this first one our frequent interviewer from Russia, Comrade Aleks, puts the spotlight on new music from four fine doom bands.)

Four Italian bands presenting four different aspects of Italian doom metal: Abysmal Grief brings the darkest and most sinister doom from decrepit and horrible crypts. Black Oath weaves baleful spells with twisted tunes of occult doom metal. Retro doom metal band Epitaph spreads tunes of evil in their own old school manner. And Night Gaunt reveals the anxiety and terror of our daily horrors with an ascetic and minimalistic doom sound. Accept the will of Mother Death and follow these dark rites, defending your soul only with your inner strength and spiritual tenacity.

Abysmal Grief

Who knows the most effective way to bury the dead? Who knows the most effective way to return them back to life? Who knows how to perform guitar sound as heavy as a coffin lid? Who knows how to transmit a creepy atmosphere of a forsaken cemetery with freshly dug graves? And who leads the procession? Of course it is the Genoa-based band Abysmal Grief. Continue reading »