Oct 302015
 

Autopsy-Skull Grinder

 

I returned home late last night from my whirlwind 48-trip to the other side of the continent for my fucking day job. While on the seemingly endless wi-fi-enabled plane ride home, I spent some time seeing what I missed since Tuesday. Not surprisingly, I found a lot of new music worth throwing at you, and this morning brought even more. Though my ass is still dragging from that trip, I thought I’d collect some of what I liked today and leave the rest ’til sometime this weekend.

AUTOPSY

This first song is one that appeared this morning. The name is “Waiting For the Screams”, and it comes from the new album Skull Grinder by the almighty Autopsy (who I had the pleasure of seeing at California Deathfest not long ago). I’m still slobbering over Wes Benscoter’s cover art for this thing, which is one of the best in a long run of gruesome Autopsy covers. Continue reading »

Oct 282015
 

Fatum-Life Dungeons

 

A musician acquaintance of mine who recently started following our putrid site was pleasantly surprised at how many bands he had found here that he’d never heard of before, and he asked me how we find the music we write about. I can only speak for myself (because everyone here makes their own choices and writes what they want to write about).

In my case I do discover a lot of the music via press releases from labels, bands, and PR reps, but I would guess that more than half of what I choose to feature and review comes through tips from our readers and from messages or posts by Facebook friends. And that’s what I’m doing here — picking new music I’ve enjoyed from among recommendations I received yesterday via Facebook friends one from a reader e-mail.

Though you know I like to provide my own descriptions and reactions to what I hear, I can’t do that this time. I’ve got to leave town early this morning for my fucking day job, and until I get back home late tomorrow night I won’t have much blog time. But trust me — everything you’re about to hear is really good.

FATUM

Fatum are from Moscow, Russia. Their new album is called Life Dungeons. It’s hell-on-wheels thrashing crust that will get your blood pumping. (Many thanks to Craig for posting about them on FB.) Continue reading »

Oct 262015
 

Kall-Fall

 

Although we featured quite a lot of music, both new and old, this weekend, we’re far from exhausting our new discoveries. And so we begin the new week with a large collection of recently discovered songs. Most of these are ones that caught my eyes (and ears), and Austin Weber contributes one as well. Coincidentally, every band has a one-word name, which I find pleasing for reasons that make no sense at all.

KALL

I’ve been following Sweden’s Kall since mid-2013, initially because I learned that their line-up included members of the late lamented Lifelover, and later because I discovered how good their music is. I was a big fan of last year’s self-titled debut album (reviewed at length here), and I learned this weekend that the band are now working on their second full-length, projected for release before the end of this year via Catatonic State. There’s also a new song from the album available on Bandcamp — and it’s really good. Continue reading »

Oct 242015
 

Tongues

 

This would normally be titled as a “Seen and Heard” post, but I was in an alliterative mood this morning. This is a selection of new songs (and a pair of older ones) that I discovered over the last 24 hours and want to commend to your ears. As usual, I’ve tried to include a variety of sounds, but they’re all deliciously devastating in their own ways.

TONGUES

Tongues are a duo from Aarhus, Denmark. Their debut EP Thelésis Ignis was released last year by I, Voidhanger Records, and they’re now at work on their first full-length album, which I, Voidhanger hopes to release in 2016. In the meantime, Tongues have posted a new song named “Golden Crown of Death” to their Bandcamp page as a “name your price” download. It will appear on a vinyl compilation entitled Roam The Streets II: Fuck You – We’re From Aarhus, to be released in December by VoxHall. Continue reading »

Oct 232015
 

Kings Destroy-ST

 

(Comrade Aleks stepped forward for round-up duty today, bringing us videos and interview excerpts from four excellent bands.)

Yes, I already covered the mighty Kings Destroy and Pohjoinen in interviews with the bands’ members (here and here) at NCS, but these two bands are still in my player, so I want to say just a few more words about them, because amongst other things they have new official videos. As for Misty Morning and Plöw – it’s two very good bands with catchy tunes, proper riffs, paranoid atmosphere… and cool videos! Yes, it’s about videos and it’s about doom with balls.

KINGS DESTROY

Kings Destroy arose in Bronx, New York, on 2010. Being urban and graffiti fans, these five men decided to name their band after a local graffiti crew. Some of the band’s members gained experience in hardcore bands Breakdown and Killing Time, and both bands are still active despite the fact that Kings Destroy have three strong full-length albums for this period and a lot of shows and big tours. Continue reading »

Oct 222015
 

nagasaki-explosion

 

(This is Part III of a three-part article prepared by our Russian friend Comrade Aleks. Part I is here, Part II is here.)

This third part of an article that has mainly told the story of World War II’s Eastern Front was supposed to appear earlier, but for some reasons I couldn’t rush. Its structure isn’t so straight, but the main subjects of this part aren’t battles, but the dirtier side of War, War Crimes.

It’s impossible to believe that such things were done by human kind in the period from 1941 ’til 1945, yet these crimes in different forms continue to the present days. You’ll not find here my point of view – only facts from the internet which you can easily check, and mostly extreme and brutal musical points of view on the events of World War II.

Here we have tracks from KYPCK, 1349, Slayer, and Jucifer (again), and you’ll also find exclusive comments by such bands as Winterborn (with fierce and sudden audio help from Impaled Nazarene), The Committee, Cirith Gorgor, and Endstille — along with their music.

I have no quote of Erich Maria Remarque for this time. Just never forget. Continue reading »

Oct 212015
 

Yellow Eyes-Sick With Bloom

 

Last Saturday I began what was supposed to be a two-part post of new music in a blackened vein. Forgetting that part-time, half-witted metal bloggers should never forecast what they’re going to do, I said that I would post Part 2 on Sunday, or Monday at the latest. And… it’s Wednesday.

Of course, the arrow of time didn’t stop in mid-flight to wait for me, and so more new songs and EPs have appeared since I compiled the stuff I originally  planned to include in Part 2. Therefore, I’ve made some additions, and postponed writing about some other things. Ain’t no way I’m saying when the next installment will come….

YELLOW EYES

When I first found out in early September that Gilead Media would be releasing a new album by New York black metal band Yellow Eyes, I blared the news as fast as I could. Now that I’ve heard the album, I feel completely justified in my initial enthusiasm. Continue reading »

Oct 212015
 

hotel photo

 

I had to make a whirlwind trip to Dallas, Texas, for my fucking day job, leaving Sunday morning and returning to Seattle late yesterday. I didn’t have much time to myself, which means I fell behind in listening to new metal. On the plus side, I was put up in a swanky hotel, the corridors of which were lined with large framed photos from ’60s and ’70s fashion magazines. Every time I walked past the one above, I did a double-take. And that wasn’t the only one that stopped me in my tracks. So there’s that.

Anyway, last night and this morning I enjoyed the following new music streams and videos, presented here in alphabetical order by band name except for the last one, which is a twist on what I usually feature in these pages.

ABIGAIL WILLIAMS

Thanks to Andy Synn, we’ve previously reviewed the excellent new album by Abigail Williams, The Accuser, which will be released by Candlelight Records on October 30. Yesterday CVLT Nation premiered a video for one of the new songs named “Nuumite”. It’s the track that ends the album, and takes a sharp turn from what preceded it (though if you listen closely to the preceding songs, you’ll realize that the twist was forecast all along). Here’s what Andy wrote about the song: Continue reading »

Oct 172015
 

Forefather-The Fighting Man

 

Here, once again, is a collection of recent musical discoveries in a blackened vein that I’ve been enjoying — and I hope you’ll enjoy them, too. As is often the case, I’ve filtered what I’ve found to provide a diverse playlist, and I’ve found so much that I’ve divided this Shades of Black installment into two parts. Part Two will arrive tomorrow. Or possibly the day after (I’m going to a late show tonight, and that tends to play havoc with the morning after.)

I’ve had to make some compromises in this two-part post. In some cases, I’m featuring full-album or full-EP streams despite the fact that in some cases I haven’t had a chance to listen carefully to every song. Ideally, I would wait and do that and then write a thorough review. But I’m able to write so few reviews while doing everything else I need to do for the site that it’s safer to feature the music this way rather than risk omitting it altogether. I’m just facing reality.

So here we go… and don’t expect this is all going to sound the same. Continue reading »

Oct 162015
 

Panopticon-Autumn Eternal
As I explained in a previous round-up today, I managed to find some time to catch up on new things yesterday. The previous round-up focused on album announcements with artwork (and one very good new song), and in this one I’ve collected some new music streams plus one older one that has really gotten under my skin. Lots of music in here, but I hope you’ll give all of it at least a test drive.

PANOPTICON

I was one of the fortunate few who got an advance listen to Panopticon’s new album Autumn Eternal, and therefore I had my say about it in July (here). I won’t repeat or attempt to summarize that review, except to say that this is one of my favorite albums of the year. And today, everyone else gets to hear it, too — because it’s now available for streaming (and purchase) on Bandcamp. Continue reading »