May 112013
 

(DGR brings us this little round-up for your Saturday.)

This right here is probably going to be the most throwback to my old writing assignments post that I have written here at NCS because just about every single band in this post will be one that I used to champion about two years back. You might already recognize it from the headline, but yes, I will in fact be resurrecting the spectres of Bispora and Dagoba, groups whom I haven’t really been presented much of an opportunity to chat about here simply because there hasn’t been much to show in terms of activity (outside of the occasional concert review in the case of Bispora).

However, within about three days of each other each group released new material – stuff they had been hinting at for a long time but finally got out there for people to hear. Both have huge plans for 2013, too, with Bispora changing up their live setlist quite a bit and hoping to put out a full release some time this year and Dagoba nearing the release date for their new disc Post Mortem Nihil Est – which translates to something from Latin….I think, although to be fair it sounds like Post Mortem Nihilest and that is something completely….ooooooooooh, I get it.


Continue reading »

May 102013
 

Demonhood Productions, as I learned this morning, is a relatively new Norwegian label mainly focusing on underground black, death, and thrash metal. It was established in 2012 as “a cooperation” between Duplicate Records and Neseblod Records. As I also discovered only this morning, they released a compilation in March that’s a free download on Bandcamp. Entitled Enlightened Darkness, it consists of 14 tracks by 14 different bands.

I’m not familiar with all the bands on this comp, but the names I do know are impressive (and we’ve written about them here at NCS): Nekromantheon, Wormlust, and Cobolt 60. The compilation also includes a song by a Czech band named Cult of Fire that I’ve recently become interested in. In fact, that’s how I found this comp.

Last year Cult of Fire released their debut album Triumvirát through Demonhood; one of the tracks from that album is what’s included in this comp. However, Cult of Fire are now signed to the German label Iron Bonehead for release of their next album (which should be coming in 2013). This morning I saw that Iron Bonehead has started selling a Cult of Fire shirt called “Insane Dance of Kali”, and it’s so eye-catching that I promptly ordered it (here). This is what the shirt looks like (it comes in black and white): Continue reading »

May 092013
 

The Ruins of Beverast is a one-man project of Alexander von Meilenwald, a German multi-instrumentalist and vocalist who formerly was the drummer of a now-defunct band named Nagelfar and has also been involved with other bands as a live member and session musician. To date, The Ruins of Beverast has released three well-received full-length albums, and a fourth named Blood Vaults (The Blazing Gospel Of Heinrich Kramer) will be released by Ván Records later this year on a date to be announced.

Last month a song from the new album surfaced on YouTube, and I discovered it a few days ago thanks to a message from NCS supporter deckard cain. The song is called “Malefica” and it’s more than 10 minutes long. But despite its length I’ve been listening to it 3-4 times a day since finding it. I can’t remember if I’ve ever listened to this band’s music before, despite having seen rave reviews of previous albums, but this song is completely fantastic.

It begins with echoing electronic pulses, mournful reverberating guitar notes, and a combination of distorted and clean vocals. The weight of the song increases dramatically as massive, distorted guitar chords come in, but the hook doesn’t really get set until organ and guitar take up the core melody and deep, dark, ghastly, harsh vocals enter in. That core melody is absolutely captivating — it continues to wind through the song like a black river, with the instrumentals becoming increasingly intense and heavy. Continue reading »

May 092013
 

Dark Tranquillity’s promised official video for the song “Uniformity” has just premiered at Metal Hammer. It’s the third song to be unveiled from Construct, the new DT album that will be released on May 27 via Century Media Records. The video was filmed by Patric Ullaeus.

The song is the second of the three released so far that to my ears has a doom vibe. It’s mid-paced, extremely melodic — even dreamy — and half the vocals are cleanly sung. I’m enjoying the song, but I have to say that I prefer the last single, “The Science of Noise” (featured here), which was a more high-energy track closer to DT’s traditional sound.

Anyway, check out the video and the music right after the jump and share your reactions in the Comments. Continue reading »

May 092013
 

I’m getting a late start on the day and didn’t write a post last night that would be ready to start things off this morning. I stopped at my favorite watering hole at the end of the work day and lions got me. I shouldn’t call my friends lions, but once I used the term “watering hole”, images of prey animals being mauled in the savannah immediately came to mind. I felt well and truly mauled by the time I fell into bed late last night.

While I recover from too much drink and smoke, I thought I’d give you something to gaze upon. This is a collection of recent artwork completed by various artists for forthcoming metal albums or merch. We’ve featured the work of most of these artists before, and I follow what they’re up to, because they kick ass, figuratively speaking of course. There will be new music accompanying some of the art, too.

The first piece, above, is by Japanese master Toshihiro Egawa. It’s something he did for a Russian band I’m pretty high on, 7 H.Target. They’ve now finished a second album, Psy Slam Damage, which is coming out May 16 via Coyote Records. But Egawa’s artwork isn’t for that album. It’s an illustration for the next album . . . 0.00 Apocalypse . . . which will feature vocals by Mirus (ex-Katalepsy) and will be released by Sevared Records sometime later this year. Mark Cooper has also created artwork for the album, and this post will include something by him, too. Continue reading »

May 082013
 

I was just about ready to call it a day here at our metallic island, but then I discovered two songs that have just gone up for streaming, and they hit me so hard upside my head that I just had to put together one more post.

SKELETAL SPECTRE

I really fuckin’ enjoyed this multi-national band’s last album, 2011′s Occult Spawned Premonitions (reviewed here). The band includes an extraordinary extreme female vocalist named Vanessa Nocera whose many projects I’ve covered so zealously here that suspicions of stalkerism wouldn’t be out of place. But that’s not all. The band also includes  Roger “Rogga” Johansson of Ribspreader and Bonegnawer fame (and about 100 other projects, too), and as far as I’m concerned Rogga is death metal royalty.

So, needless to say, I’ve been watching Skeletal Spectre pretty closely as they move forward toward the release of their next album, Voodoo Dawn. I’ve previously posted about the album’s stunning cover art (Adam Geyer), as well as a track called “Bone Dust” that became available for listening late last year. But today brought yet another song. This one’s named “Black Augury Hollow”. If you’re lucking for truly ghastly, pestilential, maggot-infested, beautifully executed, old-school death metal that stomps and romps with an infusion of d-beat energy and a lot of chainsaw distortion, you really need to hear this. Continue reading »

May 082013
 

Although I’ve been temporarily distracted by such things as Tim Lambesis getting arrested for soliciting murder, Frank Palmeri getting his shit zapped in Russia, and this guy (who used to play some licks for Obituary and Six Feet Under) getting arrested for running a meth lab — after calling the cops himself — I finally remembered that metal is about the music. So here’s some actual music and music news that I came across this morning.

IMMOLATION

Unless you’ve been living in a cave, you know that NYDM legends Immolation have a new album (Kingdom of Conspiracy) coming out on May 13. Although I’m the sort of fan who would buy the album without hearing any of it (because it’s fuckin’ Immolation, and they seem to just get stronger with age), others may wish to hear it first. And you can now do that because today the full album went up for streaming exclusively at Terrorizer. Go HERE to listen.

ARCKANUM

Sweden’s Arckanum also have a new album coming. Entitled Fenris Kindir, it’s due for North American release by Season of Mist on May 14. Explaining the album’s name and concept, Arckanum main man Shamaatae is quoted as saying this: “The sounds and music on this album are my auditory vision of the march of Fenrir convoyed with his hordes of giant wolves from the depths of the underworld to face Ragna Rök with warlike glory – deformed giant-wolves swarming in thousands. This is my tribute to the wrathful, harsh and untamed anti-nature of Fenrir’s mighty essence! The anti-cosmic enemy of the worlds! Heill Tungls Tjúgari! Heilir Fenris Synir!” Continue reading »

May 072013
 

I’m hoping everything in this post will tickle your fancy. It includes four quite diverse songs that I heard this morning. They’re nothing alike, but I thought they were all cool . . . and not the kind of thing you’re likely to come across elsewhere (at least not packaged together and hand-tied with a pink bow, like I’m doing for you).

HAGGIS AND BONG

Still one of the best metal band names ever. And still some of the most stirring bagpipe-injected metal you can find. Haggis and Bong come not from Scotland but from South Africa, and they’ve been a favorite topic of mine here at NCS dating all the way back to January 2010, when the band was just a duo of pipers and a drummer (you can find all of my blathering about them over the years via this link).

Since those early days they’ve expanded themselves into a genuine metal band — but one in which the pipes still play a prominent role — and today they’ve released a free single that’s their heaviest work yet. In addition to including some mosh-worthy distorted riffing and pounding rhythm work, “Battle Destroyer” incorporates the pipes in an unusual way — no jigs or reels this time. Check out the song after the jump and go download it here if you dig it as much as I do. Continue reading »

May 072013
 

This morning, Taiwan’s Chthonic premiered their official video for “Defenders of Bú-Tik Palace”, the first single from their forthcoming album Bú-Tik. Man, is it a feast for the eyes. With very high-production values, it’s like some kind of cyber-legend, bursting with acrobatic martial artistry and fantastic settings, blending the past and the future.

Although the video is a high-budget fantasy, the Bú-Tik Palace is also intended to draw together historical connections important to Cthonic. According to the band, “The BuTik Palace in Puli was used as command headquarters by Japanese colonial government to repress a Seediq Aboriginal Uprising in Wushe in 1930. During the initial phase of the 228 Massacre in 1947, militiamen in Taiwan also used it as its command headquarters. The chants in the second half of the song are the names of all martyrs who sacrificed themselves in resistance against dictators and fought for independence.”

According to this interview with Doris Yeh, the song was also intended to draw together connections between the band’s three previous albums. Musically, it’s an electric piece of Scandinavian-style melodic death metal, but one in which traditional music and a traditional vertical fiddle eventually make their appearance. The song also features guest vocals by Mei-yun Tang, a famed Taiwanese opera singer. Continue reading »

May 062013
 

What do you do when you get flooded with tantalizing news and new music over the span of 24 hours, and it’s all too much to cover in your usual long-winded style of prose (I don’t mean your long-winded style, I mean mine)? You swallow all those words and you do this . . . really short blurbs about many items . . . from Howl, The Resistance, Strychnia, The Absence, Darkane, Mordbrand, and After the Burial. Whew!

HOWL

Today, Rhode Island’s Howl premiered a new official music video for “Demonic”, a song off their new album Bloodlines, which is out now and which features some incredibly eye-catching cover art. “Demonic” is a cross between scorching and crushing. Scorshing? It’s catchy, too. The video comes next . . . Continue reading »