Apr 242013
 

Here are a few things I’ve been listening to recently. They’ve been bouncing around my head, insisting that I say something about them, and so I am. They have no connection to each other and one of them isn’t even metal at all. But for different reasons all three songs have sunk their claws into the mushy gray matter and won’t let go. Let me know what you think.

TERATISM

I latched on to this Minneapolis band because of the artwork you see above. It’s a Mark Riddick creation for the vinyl LP version of the band’s 2010 album Via Negativa (which was their fourth full-length), and it fuckin’ kills — one of my favorite pieces he’s ever done. The vinyl will be released at some point later this year by Behold Barbarity Records, and the album is available for streaming at the Teratism Bandcamp page. Unfortunately, you can’t download it there but CDs are available here.

But the song that’s been wrecking my head recently isn’t from that album (though the album is massively good). Instead, it’s one I found after the Riddick art drew me to the Teratism FB page. It’s called “Shadows Flee the Burning Sons of Light” and it will be included on a forthcoming vinyl 12″ EP named La Bas, which consists of four previously unreleased Teratism tracks (recorded in 2009) and a cover of “Come To the Sabbat” by Black Widow. And that EP also features this vicious Mark Riddick cover art: Continue reading »

Apr 242013
 

I’ve seen the Woolite commercial that Rob Zombie made because Phro linked to it in an NCS comment once upon a time, but I’ve never seen a Rob Zombie movie. This is because (a) I don’t particularly enjoy horror movies (I scare easily), and (b) because I’ve never particularly enjoyed Rob Zombie’s music. I would add, (c), that I prefer not to spend money on bad movies, except I can’t say the movies are bad since I’ve never seen one. So, I will not be seeing his new movie, The Lords of Salem. However, I have now seen a music video that may be in the movie and is at least connected to it.

The video is for a song by a fictional black metal band named Leviathan The Fleeing Serpent, who apparently appear in the movie, as does the song, “Crushing the Ritual”. Rob Zombie and guitarist John 5 wrote and recorded the song, and I guess that’s Rob Zombie appearing as the corpse-painted frontman, who bears a passing resemblance to Gaahl in his Gorgoroth days.

I guess the song and the video are parodies — but I’m not 100% certain of that. On the one hand, Rob Zombie’s bug-eyed, campy facial expressions, the ridiculous headgear worn by his bandmates, and the selection of words flashing across the screen suggest this is satire. Also, the song has about two chords in it (plus non-stop blast-beats, of course). Continue reading »

Apr 232013
 

I’m going to pretend I’ve never heard of The Dillinger Escape Plan. I’m going to imagine that I have no idea what their music is like. I’m going to forget that I’ve heard “Prancer” from their new album and develop temporary amnesia about the fact that they convincingly lose their minds on stage, just as they often do in the studio. I’m just going to watch this brand new DEP video for a song called “When I Lost My Bet” and react to it with no preconceptions. I know I can do this. Here we go:

HOLY FUCKING SHIT, WHAT DID I JUST HEAR AND SEE?!?

The music is totally off the chain — bursts of grind-like freakazoidica, explosions of spastic riffing and un-strung rhythms, vein-bursting yells, fast and slow, loud and soft, insane and . . . insane.

And the visuals? Thoroughly surreal — umbilicals that go where they don’t go in nature, walls with mouths, feathers and blood, faceless heads, dust and dirt, and too many other things to even comprehend on a single viewing. Mitch Massie directed this video, and you can’t not watch it once it starts. So, brace yourselves . . . and watch it! Continue reading »

Apr 232013
 

Today Norway’s Extol released their first new music in more than eight years. The single “Open the Gates” appears on the band’s self-titled fifth album, which will be released by Indie Recordings on June 21 in Norway, Germany, and Austria, and on June 24 everywhere else in Europe, and by Facedown Records on June 25 in North America. Pre-orders in a variety of formats and bundles can now be placed here. Today the band also unveiled the album’s cover art, shown above, by the renowned Travis Smith.

For fans of this band, the wait has been a long one. In 2007, after six studio-releases, a Norwegian Grammy award nomination, worldwide touring with bands such as Mastodon and Opeth, critical praise, and the amassing of devoted legions of fans across the globe, Extol seemingly disappeared without any explanation. Cryptic hints began appearing in 2012 on an unheralded web site which suggested that a film might be in the works — and indeed, it turns out that a documentary film about Extol is indeed in production. And then it became clear that the band was working on new music. (To find out more about all these events, check out our October 2012 interview with Extol’s Peter Espevoll at this location).

We probably have some readers who weren’t even listening to metal during Extol’s hey-day. For those of you who may be unfamiliar with the band, check out Andy Synn’s January 2011 SYNN REPORT on Extol, which includes a review of their entire discography plus sample songs. You can find that via this link.

But enough with the background . . . let’s move on to “Open the Gates”. Continue reading »

Apr 222013
 

There’s a theme to this post. Can you guess what it is?

HOWL

I’m so far behind in listening to new albums that I’ve given up home of ever catching up. The new one named Bloodlines from Howl is one I really want to hear. But so far all I’ve heard are two tracks, both of which are publicly streaming. I thought today would be a good day to mention them because today I saw the complete album art for Bloodlines. Kicks ass, don’t it?

The two tracks you can hear at moment are “Your Hell Begins”, which premiered at Loudwire but is now on Soundcloud, and “Attrition”, which is now on YouTube and Bandcamp. The former is a diseased death/doom juggernaut that will throw you for a loop before it finishes, and the latter (also diseased) is an up-tempo number that jabs like a prize-fighter, but with a lot of sludgy, low-end weight. I like both of them. Continue reading »

Apr 222013
 

The 2013 edition of the Roadburn Festival took place over the last four days, from Thursday, April 18, to Sunday, April 21, 2013, in Tilburg, The Netherlands. There’s a dude whose web moniker is kkpgijsbers who lives in Tilburg and attends a lot of live shows and films them. He attended the 2013 edition of Roadburn and has been uploading a bunch of videos he shot of performances at the festival.

The audio and visual quality of these clips is generally excellent — kkpgijsbers obviously has good gear and he sets up at balcony-level, front-row vantage points that provide unobstructed views of the stages. So far this morning I’ve watched the film of Lantlôs performing “Intrauterine”, High On Fire performing “Snakes For the Divine”, Primordial delivering “The Gathering Wilderness”, Electric Wizard with “Witchcult Today” and “The Nightchild”, and Uncle Acid and the Deadbeats doing “Valley of the Dolls” with a excerpts of Sharon Tate’s appearance in the movie of the same name on the screen behind them.

I’ve embedded those videos after the jump, plus a random selection of other performances by Alcest, Godflesh, and Cult of Luna. You can find more Roadburn clips by visiting kkpgijsbers’ YouTube channel, and it appears that still more will be uploaded today and in the days to come. Continue reading »

Apr 212013
 

Happy Sunday, motherfuckers (and I mean that in the most affectionate possible way). My ass is dragging this morning because (duh!) last night was Saturday night. I won’t go into detail about what I did, but it was the kind of activity that produces Sunday morning ass-dragging. Still, I found time while attempting to kick my ass-gear out of idle to listen to a scattering of new music, some of which I’d like to share with you now.

ALRAUNE

Allow me to introduce you to Alraune. They are from Nashville, but there ain’t no country in their music. There is, instead, a whole lot of napalm, poison, razor blades, heavy drum artillery, and truckloads of musical talent. They’ve put a two-song album preview up on Bandcamp. The songs are named “Exordium” and “Kissed By the Red”. They’re both about 8 minutes long. I love them both.

“Exordium” is a black metal blast furnace — a strong, hot wind of hell-ripping guitars, off-the-hook drumming, and throat-ruining shrieks — and as added bonuses, it includes not only an ass-kicking black ‘n’ roll break and but also very cool melodic lines that slither through the music like snakes. Continue reading »

Apr 202013
 

Here are three excellent new songs that caught my attention over the last 24 hours. The bands are Djevel (Norway), Power Trip (U.S.-Texas), and In the Burial (Australia).

DJEVEL

This band is composed of musicians from other well-known Norwegian bands, including vocalist Erlend Hjelvik (Kvelertak), bass-player Lloyd Hektoen (“Mannevond”) (Koldbrann, NettleCarrier), and drummer Dirge Rep (NettleCarrier, ex-Enslaved). But despite the impressive collective talent of those people, the star of this show is songwriter/guitarist Trond Ciekals (also in NettleCarrier). He shines on one of the band’s new songs, “Stjernesluker”, which premiered last week and will appear on Djevel’s second full-length, Besatt av Manne og Natt.

Even when the song is blasting and whipping like a cyclone, the tremolo melody casts a dark spell, but the music also transitions into a slow groove that will get your head nodding while more swirling guitar melodies work their magic. The rhythm section is also top-notch on this song, and Hjelvik delivers a sulfurous vocal performance. I like this song a lot, and it’s a promising sign for the album as a whole. Continue reading »

Apr 202013
 

We’ve been anxiously awaiting Heaven Shall Burn’s official video for “Hunters Will Be Hunted”, one of the best songs on one of this German band’s best albums — Veto (which Andy Synn reviewed here for us and which will be released by Century Media in North America on April 30). The premiere apparently happened yesterday via Impericon and Tape.tv. Unfortunately, the video service is geographically restricted and only seems to be available in selected European countries, including Germany, Austria, Switzerland, and The Netherlands.

However, the internet being the internet, the video has been uploaded in high quality to YouTube by some enterprising soul, and so those of us outside those three countries can see it — though I suspect it won’t be up on YouTube for long.

Lyrically, “Hunters Will Be Hunted” is an attack on the killing of animals, and the vehemence of the condemnation comes through in the music, though the song also includes a shimmering melody (to use Andy’s words). The snow-bound video is beautiful to watch (in more ways than one), and makes its point in an unexpected way — which I won’t spoil for you. Have a look, and a listen, after the jump . . . for as long as this lasts. Continue reading »

Apr 182013
 

Yesterday turned out to be a banner day for new music videos, and I’ve collected the ones I didn’t have time to write bout yesterday, dividing them into two posts. This one is Part 2, and it’s devoted to the new vidz from Abnormality (U.S.-Mass.) and Forceps (Brazil).

ABNORMALITY

DGR reviewed this Boston band’s 2012 debut album Contaminating the Hive Mind last July, calling it “solid brutal death with very little in the way of compromise or ridiculousness . . . a meat-and-potatoes death disc with a lot to offer genre fanatics and [that’s] also accessible enough to lure new people into the madness”.

Yesterday Metal Injection premiered Abnormality’s music video for the track “Fabrication of the Enemy.” The video is sure to be controversial — especially the narrated preamble and its claim that for most of the world, it is the U.S. who are the terrorists. The fact that the video appeared only two days after “Marathon Monday” will no doubt inflame the controversy. Continue reading »