Aug 082012
 

Job For A Cowboy’s 2012 album Demonocracy got high marks from our Andy Synn, who called it this band’s best album yet: “Preconceptions be damned, this is a fine slab of dark, meaty death metal.”

The album’s closing track, “Tarnished Gluttony”, is a dynamic turn from much of the rest of the album — a long, slow, crushing piece that exudes a sensation of apocalyptic doom. Today, Blood Disgusting premiered a nearly nine-and-a-half minute official video for that song (the music in the video adds a dirge-like instrumental segment to the album’s song, as accompaniment for part of the story until the music on the album track resumes again).

The video puts an imaginative Lovecraftian spin on the song that isn’t present in the lyrics, yet there is still a thematic linkage, as the band’s frontman Jonny Davey explained in a statement that we’ll quote after the jump. Much of the video moves in slow motion, matching the slow pacing of the song, and the integration of the visual story and the terrifying music is beautifully done.

Actually, the whole thing is just brilliant, though there’s a graphically gory sequence that may affect where you choose to watch this. Credit goes to director  Michael Panduro (the man who direct Cephalic Carnage‘s “Ohrwurm” video) and actor Morten Klode. Panduro is quoted as saying: “As a commercial director, I’m a complete failure. The band asked for just one thing and I couldn’t deliver. Indeed, this video has no boobs.” No, it doesn’t, but it’s a riveting thing to watch nonetheless. Continue reading »

Aug 082012
 

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Somewhere, against all odds and all reason, there are pathetic, deluded motherfuckers who believe that the Westboro Baptist Church are doing God’s work, when in truth they are simply whores for publicity who have no reluctance to damage the feelings of innocent people in order to get it. For them, no outrage is too outrageous, and the Bible by which they claim to swear clearly means nothing, because if it did, they would be too fearful of the final judgment to do what they have done.

I have yet to see any metalhead who has condoned or supported the mental and emotional cruelty these animals have attempted to inflict in a very calculated way on people who are already suffering from the random losses and pain and prejudice that the dice-roll of human life has a way of inflicting.  It makes me proud to be a part of a community that has condemned their bullshit so consistently and so vehemently.

But now we have an anthem, a way to exorcise the anger, a form of catharsis that sure made me feel good, and I suspect will make others feel good, too. We have the new official video for “The Westboro Massacre” by Flayed Disciple.

Could this song and this video also be taken to task for fighting fire with fire, for reacting to hatred with anger and the suggestion of violence? Absolutely, yes, it could. But I think it’s a lot better to work out through music the anger that people like the Westboro Baptist scum ignite than through actual violence or confrontation.

Or maybe I should just speak for myself: I got something nasty out of my system by watching this video and listening to this music, and I feel better for it. Also, the song is just really fuckin’ good metal. Continue reading »

Aug 072012
 

At the end of July I posted about the plans of Candlelight Records to release a new album by the UK’s Winterfylleth in September. The album’s title is The Threnody of Triumph. When I last wrote about this news, Zero Tolerance magazine reported that it would be including a feature on the band AND a track from the new album — “Void of Light” — on a bonus CD with the magazine. I expressed the hope that the song would surface on the web soon. And so it has.

This morning, Candlelight started streaming the song on Soundcloud. With blasting drums and vibrating guitars forward in the mix, the music rushes like a riptide. The dense wall of  tremolo guitar carries a majestic melody of the kind for which Winterfylleth have become known, while the anguished vocals flay the senses with razor-edged shrieking. The song is primal in its power, and though the core melody is a simple one, it’s the kind that will stick in your head.

“Void of Light” makes me even more eager to hear the new album, and I was damned eager to begin with. Find Winterfyleth on Facebook here and listen to the song after the jump. Continue reading »

Aug 072012
 

Inspired by the Art Nouveau movement, this is the CD jewelcase artwork for Monolith, the new album by the UK’s Sylosis. The artist is Dan Goldsworthy, who also created the cover art for the band’s last album, Edge of the Earth. According to the band, some of the inspiration came from Greek mythology, and that figure on the left loosely represents the devil in disguise or a satyr and may have something to do with the album’s concept.

Also, Dan Goldsworthy created a second piece of artwork for Monolith, which it appears Nuclear Blast is using as an “O-card cover”, whatever that is. You can see that after the jump, too.

Monolith will be released by Nuclear Blast on October 5 in Europe and October 9 elsewhere. Sylosis has been promising to premiere a new song for weeks, setting specific dates and then no-showing. Most recently, the promise was that a new track — “A Dying Vine” — would premiere yesterday on the band’s new web site. Nope.  More undisclosed “technical issues” reared their venomous heads. I was beginning to think that this was a new Machiavellian strategy designed to pump up fan frenzy.

However, though not quite johnny-on-the-spot with the premiere, Sylosis have today finally unveiled a new track called “Born Anew”. This song isn’t the one that was scheduled to appear on their web site. It’s one that was broadcast last night on a BBC radio program, which means that it’s now up on YouTube, which means the radio rip is embedded here after the jump. The band are also now streaming “Born Anew” on their Facebook band page HERE.

In addition, Sylosis has stated that they will soon be providing more news about the still-not-yet-functional web site, which presumably will include news about when “A Dying Vine” will be unveiled. To stay on top of that, visit their Facebook page.

And unless you get the wrong idea and think this post is nothing more than a whine session about Sylosis’ delays, allow me to say that “Born Anew” fucking rips.
Continue reading »

Aug 062012
 

I didn’t hear all the songs in this post today, because my nuts are clamped in a day-job vise and I’m spending more time squirming with the agony than I am listening to new music. Actually, that’s been true since Friday. But even though my listening time has been viciously pinched, I have heard some tunes over the last three days that I wanted to pass along — from Norska (U.S.), Obscenity (Germany), and Mendel (The Netherlands).

NORSKA

About two weeks ago I came across the name of this band for the first time (and mentioned them in this post) because they were listed as participating in a new tour headlined by YOB and also featuring Cormorant. What I knew about them then (which was not much) I put in that earlier post: “Norska features YOB bass player Aaron Rieseberg and his brother Dustin and is described as a ‘progressive tech-sludge rock band.’”

Well, guess what? Today, MetalSucks premiered a song from Norska’s self-titled debut album, which is due for release on September 18 by Brutal Panda. The song is called “Nobody One Knows”, and man, I’m diggin’ it. Listening is like being beaten . . . slowly . . . with sledgehammers . . . wielded by a crew that’s staggering relentlessly toward the brink of insanity. Continue reading »

Aug 062012
 

Over the weekend just ended, the Wacken Open Air festival laid waste to a horde of lucky fans in Wacken, Germany. And now, pro-shot video of many of the performances has surfaced on YouTube.

After the jump, we’ve embedded film of Amon Amarth’s entire set, plus clips of the performances by Dark Funeral and Overkill.

I don’t think I really need to say anything more. Continue reading »

Aug 062012
 

Here are some thoughts, one of which is well-established and the rest of which are just assertions based mainly on my own observations:

–  Across all genres of music, CD sales have declined drastically over the last decade (well-proven)

–  Production and sale of vinyl records are on the rise, at least in the world of metal

–  Album art (as opposed, for example, to photos of the artists) is more prevalent in metal than in any other genre of music

–  Being able to get a big physical piece of artwork is part of the reason why vinyl metal is on the rise

–  At least among metalheads, album art is still important, and is a significant part of what attracts listeners to new music, even when listeners are only buying digital downloads instead of physical formats

–  A band doesn’t need the financial backing of a label to get a cool piece of artwork for their album covers; just as there are a lot of talented but broke bands hungry to get their music spread around (and not expecting a big payday from it), there are a lot of talented artists trying to do the same thing

I really do think it’s undeniable that album art is a vital part of metal culture. How much it has to do with a band’s success in selling/distributing their music I really don’t know — maybe I just hope it’s true, because I love metal album art and I want it to continue. But my guess is that bands who neglect the importance of album art are hampering their success in attracting listeners, building their own identity/”mystique”, and amassing a fan following. Continue reading »

Aug 032012
 

So yesterday one of my good friends, who also happens to be a co-worker at my fucking day job, sent me a link to a story in the online edition of The Washington Post under the headline, “Is Listening To Music Making You Worse At Your Job?” It reported on the results of recent psychology research about whether people perform better or worse on the job while listening to music.

Researchers found that when people performed “cognitive tasks”, they did worse when listening on headphones to music they like. And then the article said this:

“Not ready to ditch your headphones quite yet? There is one fix: The researchers found that participants listening to music they decidedly did not enjoy – in this case, a song from “grind core metal band” Repulsion – actually did better than those tuning into music they liked. The researchers chalk that up to a lack of ‘acoustical variation’ in the music, which likely made it less distracting.”

My first thought was “Fuck yeah! Proof that listening to grind improves job performance!” And then I read that paragraph more slowly. Apparently, listening to grind only improves your performance if you don’t like grind.

So I decided to root around some more and I found a more detailed article about the study, which compared the performance effect of “Acid Bath” by Repulsion to a pop song by a band called Infernal. Here’s what it said: Continue reading »

Aug 022012
 

Well, hell, that didn’t take long. On July 31 I reported the news from Ben Sharp’s tumblr that a new Cloudkicker album would be released in August, and today it was released. It is August, after all, and who needs to mess with a big, protracted run-up to a release anyway, with teasers and studio reports and singles and hints all over the social media? I mean, other than every metal label and 99% of all metal bands.

Anyway, yes, the album is up on Bandcamp now where it can be downloaded for the unfuckwithable price of $WhateverFeelsRight.

It consists of seven tracks. I’m in such a rush to spread the word about the release than I only paused long enough to listen to one song, because the song is named “Seattle”. I don’t often see a song by a metal band I like that’s named for this beautiful, cool place where I live. Actually, I’ve never seen one.

“Seattle” is more than 10 minutes long. It makes me really curious to hear the rest of this album, because there’s a blackened/doom feel to this song, which I wasn’t expecting. It rolls through phases, the intensity building and subsiding, and I really liked the drum programming on this song, too. Continue reading »

Aug 022012
 

Here are some things I saw and heard this morning.

DEVOLVED

I heard a new song by Devolved. They’re a band I’ve been following for more than two years here at NCS. They have a new album (their fourth) entitled Reprisal that’s due for release by Unique Leader on November 20. Drummer and lyricist John Stankey is still at the helm, but the rest of the line-up is new. As we reported last December, he’s now joined by guitarist Mark Hawkins (who is also handling the bass parts) and vocalist Mark Haggblad.

We’re told that the album will include a guest vocal appearance by Tony Campos (Soulfly, Prong, Ministry, Asesino, ex-Static X) plus guest solos by Francesco Artusato (All Shall Perish), Nate
Vennarucc (Ontogeny, Anomalous), Malcolm Pugh (Diskreet, A Loathing Requiem), and Vishal Singh (Hawkins’ bandmate in Robots Pulling Levers).

We featured a demo version of a new track the last time we wrote about Devolved, but as of this morning we now have the first finished song from the album — “Supremacy Enforced”. Holy hell, is it a face-shredder! Continue reading »