Jan 032018
 

 

(In what has become an annual tradition, former NCS writer, ex-Invisible Oranges editor, and current contributor to Decibel and Noisey, Joseph Schafer (whose NCS moniker was BadWolf) brings us a year-end list of favorite Not-Metal albums.)

 

As in previous years, this is my favorite article to write. There remains something delicious and transgressive about extolling the virtues of mainstream pop music to metal fans on a metal-centric platform. The reason why is no mystery: metal is intended itself to be delicious and transgressive, but too often becomes a stale and staunch conservative vomitorium. Eat the same diet of blast beats, high-gain distortion, and Lucifer sigils, vomit them back up, ingest a new round of the same, repeat.

I like a Roman feast as much as the next guy, but I also know to take myself out to sushi every so often, remaining Fukushima background radiation be damned. And yes I know that’s not what a vomitorum was actually used for but you all gleaned my meaning regardless, and if not what’s wrong with you?

Besides, as any social media window left open too long will tell you: even staunch metal fans love plenty of extra-metallic material. Tom G. Warrior loves David Slyvian. This is no great act of rebellion, this is the simple acknowledgement that metal is pop music, as in art meant for popular consumption. That is no damning admonishment. It describes Mozart, too. Continue reading »

Jan 032018
 

 

(Here’s Andy Synn’s review of the new album by Watain, which is slated for release on January 5 by Century Media.)

 

There once was a band named Watain
Whose music and gimmick became
Extremely divisive
They dressed up like bikers
And from it reaped “fortune” and fame

Ok, so the above limerick may not be 100% accurate, but I think it gets the broad strokes right for the most part. But perhaps, for an album as important (and potentially provocative) as this one, some more context is needed? Continue reading »

Jan 032018
 

 

(2016 was the year when I discovered Montréal’s Tumbleweed Dealer through their extremely cool album Tokes, Hatred & Caffeine (and may there be a new one soon, please). The band’s main man Seb Painchaud has very expansive and very eclectic musical tastes, and a way with words, and so for a second year I asked him to share his year-end list with us.  As before, he pulls us off our usual beaten paths by highlighting favorite releases that are outside the usual metal lists… including a lot of very interesting Not-Metal.)

 

 

 

  1. Kusanagi – Aeon

A band I always enjoyed yet never recommended, they seemed like a 2nd- or 3rd-tier math rock band with really good albums but never transcending into anything great. This all changed with Aeon. The band puts song writing before technicality on this album and 5 songs averaging a format of 8 minutes each puts emphasis on that, as these are actual songs with recurring riffs and melodies rather than a collection of angular riffs.

https://kusanagi.bandcamp.com/album/aeon

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Continue reading »

Jan 022018
 

 

This is the second part of a post I began here on the last day of the old year, delayed by one day so that I could recover from a cataclysmic hangover produced by unforeseen New Year’s Eve revels; the old year died, and then I felt as if I had, too.

I’ve collected streams of six albums here, all of them released in December or November, accompanied by nothing that would justify the term “review”, only a few inadequate words of description and praise that I hope will induce you to explore the music. This won’t be the last of my efforts to catch up with music released last year, though inevitably we’ll start paying increasing amounts of attention to the march of metal in 2018.

ENTHEOGEN

Andy Synn already included this record on his listing of 2017’s “Great Albums”, and it recently appeared on Brendan Sloan’s list (here) as an Honorable Mention — but only because he thought it would be greedy to put more than one Alex Poole project in his Top 17 list (the other being Chaos Moon). Yet despite this attention, both at NCS and elsewhere, I wanted to give my own nudge to those who haven’t yet heard Without Veil, Nor Self. Continue reading »

Jan 022018
 

 

(As our 2017 LISTMANIA series continues, we present a Top 10 list assembled by NCS contributor Todd Manning.)

Another year, another avalanche of Metal to sift through. It’s not a bad thing, but if you’re open-minded and would like to try to keep up with everything, well it’s downright overwhelming. This year seems to be particularly backloaded, with a lot of incredibly powerful releases popping up in the final quarter. Hell, Krallice put out two heavyweight full-lengths less than a month apart. It’s a lot to try to absorb, and also tricky to try to give things equal weight whether they came out last spring or in October and November.

Getting down to brass tacks, though, this is supposed to be “The Year of Death Metal” and who am I to argue? Fact of the matter is, there’s been a goddamn flood of quality DM and it will probably take at least another year to sort through it all. It’s nothing short of an embarrassment of riches. And yes, several veteran acts put out some great releases in 2017, but only one old school Titan made my year-end list. For me, I’m more excited about bands pushing the limits of the genre and I think my list testifies to that. So without further ado… Continue reading »

Jan 022018
 

 

 

(For the fourth year in a row we invited Semjaza, the main man behind the superb Greek black metal band Thy Darkened Shade and also a member of the formidable Acrimonious, to share with us his lists of favorite releases, and he again agreed. This year, his year-end thoughts will again be presented in multiple parts, of which this is the first.)

 

Upon contemplating which albums I listened to and bought this year, I comprehended that the list is vast. I don’t view my lists at NCS as the regular end-year lists since I am not completely interested in that. This is an opportunity to spread the message and, along with it, some of the releases that spoke to me each year. This is by no means a way to review these albums. With the over-flooding of the mainstream, I see lists including the same albums over and over again. That’s one of the core reasons I decided to appear regularly at a web-zine like NCS.

With that being stated, I prefer a no year list than another tasteless list with the same bands that engulf the magazines and the internet. It is infrequently that a list can do anything to me personally. Some of us are here to prove that brain-dead paid reviews or public relationship praise aren’t the solitary reasons to write such articles. Continue reading »

Jan 022018
 

 

(As part of this year’s LISTMANIA series, our friend from the Dominican Republic, Vonlughlio, prepared a list of Top 20 brutal death metal albums from among the vast number that he listened to in 2017… although it actually works out to more than 20 because of ties at various positions, and at the end there is a list of Honorable Mentions as well.)

 

 

 

  1. Abuse – Nothing Is Safe

After 16 years from their debut album, they released their sophomore album, and although it is not as raw or near the length of Like a Virgin they maintained their essence as a ferocious, fast blast-beast with nasty vocals. This has a special place for me and I appreciate that the band decided to make more music. Hope they continue but won’t take as long for a follow-up.

https://comatosemusic.bandcamp.com/album/nothing-is-safe

Continue reading »

Jan 012018
 

 

Happy New Year to everyone!

Our 2017 LISTMANIA series isn’t finished yet, even though the year now is. And really, there’s no reason to think that it should be finished. There’s a decent argument to be made that before you decide which releases were the best ones in a given year, the year should be allowed to end first.

We have seven more year-end lists in hand and ready for publication, and three more that should arrive this week, including two eagerly awaited ones from Austin Lunn (Panopticon) and Semjaza (Thy Darkened Shade). Even if we post two per day beginning tomorrow, LISTMANIA will continue on into the second week of the year. And at some point soon I’ll begin rolling out the Most Infectious Song list.

But today I’ve decided to highlight some Lists of Lists that have appeared recently. These represent the efforts of some hard-working people to aggregate a wide range of Best of 2017 lists, including one master list that’s based on the selections of our own readers. Continue reading »

Dec 312017
 

 

As you can see, I have ambitions… ambitions for a SHADES OF BLACK post that carries over, one that’s both the last SHADES OF BLACK of the old year and the first of the new year. Of course, those ambitions depend on my being able to write Part 2 tomorrow and your ability to read it. Since my New Year’s Eve will probably consist of a quiet evening at home with Ms. Islander and a bottle of champagne, I’ll probably be able to give a decent account of myself come the dawn. I wish I could be more hopeful about you. If you wake up in a pool of your own urine with the taste of vomit in your mouth, please don’t send photos.

I’ve divided my selections this week as follows: In Part 1 I’ve included a few recent EPs and advance tracks from forthcoming albums.  In Part 2 I’ve collected some complete 2017 albums that I’d like to call attention to, not all of which are brand new.

JANUARY 1 UPDATE:  That prediction about New Year’s Eve being a placid, well-behaved time for yours truly turned out to be load of horseshit. The extent of my suffering today is of epic proportions. Part 2 will be delayed until January 2.

VARNAK

I’m indebted to my friend Miloš for recommending this first two-song EP. Entitled Вопль о Земле, it was released via Bandcamp by the Russian black metal band Varnak on December 28th (the cover art is at the top of this post). I processed the Russian lyrics through Google Translate, and although the results are a bit garbled, I found them fascinating — just as I did the music. Continue reading »

Dec 312017
 

 

At roughly this same time one year ago the ground-breaking Singaporean band Rudra released their eighth album, Enemy of Duality, through by Transcending Obscurity-Asia. In advance of its release we had the pleasure of premiering two songs — “Abating the Firebrand” and then “Ancient Fourth”. And now, on this final day of 2017, in which Rudra have celebrated 25 years as a band, we bring you a reminder of that wonderful album as we join other sites around the world in premiering a music video for “Ancient Fourth“, the song that close the record.

Discerning and adventurous listeners will be familiar with Rudra, but even in a career that dates back to 1992, they remain to be discovered by more people. They claim for themselves the genre term “Vedic metal”, which is a form of blackened death metal in which the band (who are themselves of Indian lineage) have often incorporated elements of music rooted in Hindu traditions (including the use of Indian classical instruments), with lyrics often drawn from Vedic Sanskrit literature and philosophy. Continue reading »