Sep 072017
 

 

I latched on to the music of Acephalix back in 2010 after discovering their Interminable Night demo and have been greedily following their output ever since, though I began fretting over the years of silence that followed 2012’s masterful Deathless Master. But then they reappeared on stage in the summer of 2015, and I eagerly made the trip to Portland the following February to see them perform at Famine Fest.

I had some inkling of what I was in for before Acephalix played, but I’m not sure anything could have prepared me for the reality of it. It was like being caught up in the midst of a tumultuous force of nature. I transformed from a merely drooling fan to a rabid fanatic, with the rabies strengthening to poisonous dominance in my organs after witnessing their explosive stage show twice more since then.

And so I confess I’ve been panting hard over the prospect of their new album, Decreation, which will soon be released by 20 Buck Spin. And while it’s conceivable that I’ve thrown my own objectivity into serious question already, I must say… it’s the best of Acephalix yet… and that puts it very high on the list of the best death metal albums you’ll find this year. Continue reading »

Sep 072017
 

 

in 2014 the Romanian band Bloodway launched a conceptual trilogy of planned releases with an EP named Sunstone Voyager And The Clandestine Horizon and then continued the story the following year with the band’s debut album, Mapping The Moment With The Logic Of Dreams. In early November, with assistance from the esteemed I, Voidhanger Records, Bloodway will draw the trilogy to a close with their new album, A Fragile Riddle Crypting Clues.

The names of each of these three releases are signs themselves that the music is off the most well-beaten of metal pathways, and the song “Midlight Scout” that we’re premiering today (along with an accompanying video) gives us no reason to believe that Bloodway had any intention of altering their own idiosyncratic course and suddenly embracing convention when they wrote and recorded this new album.

To the contrary, the music challenges the listener, will throw you off-balance, yet pin you in place, eyes wide, shaken by the strange, head-spinning intensity of the experience. Continue reading »

Sep 072017
 

 

WORWS come our way from Portland, Oregon, just down the interstate from our own HQ. Their second album Truth To Power is due for arrival on September 22nd. Based on its sound, that will be sort of like the projected date for a hurricane making landfall, though without producing the human misery of the real ones that now seem to be weekly fodder for our news feeds.

There is tangible fury and elemental power in this band’s brand of hardcore, fueled by anger at the toxic stew of injustice and ignorance that permeates our social fabric. “Standing In Place” is an example of how they channel that rage into a bruising sonic experience. We have the premiere of that track below. Continue reading »

Sep 072017
 

 

I’ve written before, and I don’t think many people would argue the point, that many excellent metal bands located outside North America and Western Europe would probably be household names (at least within the filthy households of metal) if they lived in the West. It’s not so much a matter of regional prejudice (though undoubtedly there’s some of that at work) as it is a challenge to gaining exposure. You can add India’s Gutslit to that list of deserving but under-appreciated bands. Though their success in arranging two European tours (with a third one in progress now) has undoubtedly helped their cause, I suspect their new album Amputheatre is going to elevate their profile significantly, notwithstanding the challenges posed by being located outside the West.

Amputheatre is the band’s second album, which follows their debut full-length Skewered In the Sewer by four years. It’s scheduled for release on October 15 by Transcending Obscurity India, and it’s going to catch a lot of eyes based on the cover art alone, which was painted by the phenomenal Berlin artist Eliran Kantor, who has a long list of credits on his resume, including album art for the likes of Incantation, Hate Eternal, Fleshgod Apocalypse, Testament, and Archspire. And the music’s going to catch a lot of ears, too. It certainly caught ours — and then proceeded to wreck them. We’re very happy to host a premiere of a song from the new album called “Necktie Party“. Continue reading »

Sep 072017
 

 

This will be a very busy day at our site. We’ve posted one review already, we have another one coming, and we have four (!) very good premieres lined up. But thanks to DGR, we also have a brief round-up of new songs and videos that have recently appeared elsewhere — to which I’ve added one news item at the front end, one wisely suggested by my comrade Mr. Synn. So, you’ll have to tolerate a bit of my verbiage for the first item, and then I’ll turn you over to the words and selections of DGR.

COMMUNIC

This has been a banner year for metal album covers, and Berlin-based Eliran Kantor has been responsible for many of the best ones, including the one above, which accompanies a new album by the Norwegian progressive metal band Communic. And the fact that we will have a new Communic album this year is itself very welcome news.

The name of the album is Where Echoes Gather, and it will be released on October 27 by the band’s new label, AFM Records, following four previous albums released by Nuclear Blast. Continue reading »

Sep 072017
 

 

(Here is Andy Synn’s review of the new album by the Finnish band Raster Density, which was released in May of this year.)

It’s been something of a banner year for the Technical side of the Death Metal spectrum so far, with new releases from both established luminaries (Decrepit Birth, Origin, Inanimate Existence) and up-and-coming acts (Replacire, Enfold Darkness) grabbing hype and headlines for their furious fretsmanship and shameless dedication to crushing complexity.

And while this torrent of technical tumult doesn’t show any signs of abating any time soon – with new albums from Archspire (which I should be reviewing next week), Fleshkiller (aka Extol 2.0), and The Faceless (which, yes, I have heard) all on the horizon – the sheer array of impressively OTT offerings clamouring for our attention means it’s inevitable that some bands will slip through the cracks.

Which, until now at least, had very much been the case with Finland’s Raster Density. Continue reading »

Sep 062017
 

 

(Austin Weber prepared this post highlighting the upcoming 2017 edition of Louisville Deathfest, which boasts an especially killer line-up this year.)

Here in my hometown of Louisville, Kentucky we have a yearly metal fest event called Louisville Deathfest. The event serves to highlight a mix of local acts and acclaimed national groups many of us know and love. I’m writing a short post about it here because this year’s line up is fucking ridiculous and it only seemed right to try to shine a spotlight on it for anyone who may not have heard about it but might be intrigued enough to make the trek for it.

A two-day pass for the event is currently a mere $30, with single one-day passes just $20, though I would assume day-of-show prices might be higher as is normal.

Without further adieu, here is the incredible line-up I was speaking of, and I’ll have some short observations to make after listing them. Continue reading »

Sep 062017
 

 

I think I need to repeat something I wrote when I first came across the title track to the new full-length by Horrified: “If Adam Burke’s artwork for the new album by the UK’s Horrified doesn’t compel you to listen to the music, there may be no hope for you (or perhaps you just need to visit your optometrist for a prescription update)”. That remains just as true today. But there is now abundant evidence besides the artwork that this album is something very special.

Entitled Allure of the Fallen, it’s set for release on September 29th via Shadow Kingdom Records, and now we have one more song to present as proof of the album’s power, in addition to streams of two others that have previously premiered. The new song is named “The Perceiver“.

For those new to Horrified, this is their third album, following Of Despair last year and 2014’s Descent Into Putridity, and the strength of the band’s continued musical evolution and their increased sophistication, self-asssurance, and distinctiveness of vision is fully revealed in this new one. In the simplest of genre terms, you could call Horrified a melodic death metal band, but their new music is far from simple. “The Perceiver“, for example, is impressively multi-faceted, rhythmically dynamic, intricately plotted, and emotionally evocative. It vividly summons sensations of torment, terror, and paralyzing grief. Continue reading »

Sep 062017
 

 

(Austin Weber prepared this post about news of a new release by a favorite band — the multinational combine known as Coma Cluster Void.)

Just one year after their amazing 2016 debut, Mind Cemeteries, made a massive and terrifying impression on the death metal world, the international dissonant death metal/math metal collective that is Coma Cluster Void are back at it again.

Yesterday, the band unveiled the artwork and teaser video for their upcoming EP entitled Thoughts From A Stone. Which is a single-song composition clocking in at over 21 minutes. The EP is set for release on Friday, October 13th, through Translation Loss Records. Continue reading »

Sep 062017
 

 

Offered in praise of the Harvester of Worlds, the great Swallower of Suns, the new EP by the Polish band Devil’s Emissary is a stunning amalgam of black and death metal that shocks and seduces in equal measures. It’s due for release on September 9 by Third Eye Temple, but we present a full stream of the EP today. Its name is Demiurge Asceticism.

This new three-song work follows the groups’s second album by two years, and reflects an evolution in sound, one in which staggering doses of heaviness have been blended with spine-shivering eruptions of black fury. The result is a changing pageant of armageddon-like chaos, pestilential doom, and blood-freezing grandeur, a tale of destruction and resurgence. Continue reading »