Jun 272016
 

Slow Green Thing - band

 

(Our friend Comrade Aleks delivers to us on a platter this entertaining discussion with two members of the German stoner-doom-hard-rock band Slow Green Thing.)

How do you like it? Slow Green Thing! Bloody Green Thing! What could you expect from such a band?

That’s right – slow, doomy, psychedelic or stoner-alike music. Heavy riffs, trippy solos, relaxed vocals, and a little bit muddy sound were incarnated firstly in an EP named simply I (2014) and in an LP named II (2016). Slow Green Thing are able to write catchy rocking tracks, and I like this sort of doom, so it was just a question of time to get in touch with the band and ask them a few vital questions.

Singing guitarist Sven Weise answered this interview with unexpected help from Jörg Steinhauer, the drummer. Continue reading »

Jun 262016
 

Kaeck-Stormkult

 

I’ve been playing catch-up on new and newly discovered music this weekend. It’s been a very good series of listening sessions, and now I’m up to my eyebrows in tracks I’d like to share. I posted one round-up earlier today, and in this one I’m focusing on new music in a blackened vein.  But this post won’t exhaust all the black(ish) music that’s now burning in my head, and so my plan is to compile a second installment of Shades of Black for posting tomorrow. As usual, I’ve tried to select the songs, and to divide them between Parts 1 and 2, in a way that would provide a diverse listening experience.

KÆCK

When I reviewed Kaeck’s Stormkult last year, I identified two aspects of the music that I thought made it one of the brightest stars in the firmament of 2015 black metal releases:  First, even in a genre known for its extreme intensity, Stormkult is extremely intense. For almost its entire duration, it’s a raging hurricane of sound — bombastic, terrorizing, and chillingly grim. If you want to be electrified by music, this will do it, and leave your head smoking. Continue reading »

Jun 262016
 

Fistula-Longing For Infection

 

I enjoy hosting premieres of music here, but when those commitments accumulate in large numbers as they did over the last three days, they tend to restrict my ability to assemble round-ups of music appearing elsewhere. And so once again I find myself awash in new discoveries with not enough time to roll them all out for you. Hard choices must be made, and I’ve made them.

I confess that my decisions may have been influenced by the bleak feelings of dismay that I’ve been experiencing over the results of a certain referendum across the Atlantic coupled with the celebratory gasbaggery of a certain apricot-faced hellbeast hoping to capitalize on similarly ignorant, bigoted, and self-destructive impulses among the electorate on this side of the ocean. But I’ve also attempted to express my foul emotional state in a musically diverse way. Continue reading »

Jun 262016
 

Rearview Mirror

 

For yet another week I’m devoting this backward look at metal’s past to a band I’ve only recently discovered. The band is Disincarnate, and the music I’ve chosen to stream is their lone album, 1993’s Dreams of the Carrion Kind.

The band was formed by guitarist James Murphy. Before then, he was a member of Death on their 1990 album Spiritual Healing, a session soloist on Cancer’s 1991 album Death Shall Rise, and a member of Obituary for their 1990 album Cause of Death. He was also a member of Testament from 1993 to 2000.

In 2001, Murphy was diagnosed with brain cancer but recovered after surgery. He has been a busy record producer and operates a recording studio (SafeHouse Production), and he has made guest appearances on dozens of albums (listed here). Continue reading »

Jun 252016
 

Simulacro album cover

 

Simulacro are a talented trio based on the Italian island of Sardinia. They released their debut album, Fall of the Last Idol, in 2013 and an EP named SuperEgo this past March. In September, the UK-based label Third I Rex will release the band’s second full-length, bearing the title Echi Dall’Abisso (“Echoes From The Abyss”). The album includes eight “echoes”, denominated by Roman numerals, and today it’s our pleasure to premiere the second one in the sequence, “Eco II“.

While Simulacro’s roots are in black metal, the sound of their creations has been evolving. The conceptual approach of this new album was explained by the band’s drummer and backing vocalist Anamnesi: Continue reading »

Jun 242016
 

PAGES.indd

 

Internal Suffering is a name well-known to fans of technically proficient yet brutal death metal. In a career that reaches back into the late 1990s and included a move from the band’s home in Pereira, Columbia, to Madrid, Spain, Internal Suffering has released five albums — and the fifth one, Cyclonic Void of Power, is out today via Unique Leader Records. We’re giving you the chance to stream all 10 tracks right now.

It’s worth mentioning that Cyclonic Void Of Power was recorded by Stefano Morabito (Eyeconoclast, ex-Hour Of Penance) at his 16th Cellar Studios in Rome, where scathing onslaughts by such bands as FleshGod Apocalypse, Hour Of Penance, and Hideous Divinity were also captured, and that this new work is a concept album divided into three chapters, again exploring the mad, mystical universe the band has used as their music’s setting in previous releases. Continue reading »

Jun 242016
 

Liquid Graveyard-By Nature So Perverse
 

The word “supergroup” gets tossed around a lot, but in the case of Liquid Graveyard, it’s a fitting label. The band was created by Raquel and John Walker, the frontman and leader of the seminal British death metal group Cancer, and in addition to that formidable duo the line-up includes Napalm Death’s Shane Embury on bass and drummer Nicholas Barker (Lock Up, Brujeria, ex-Dimmu Borgir, ex-Cradle of Filth), with live bass duties now being handled by Spanish musician Daniel Maganto (Eternal Storm).

After two well-received albums released in 2009 and 2011, On Evil Days and The Fifth Time I Died, the band have completed a new full-length entitled By Nature So Perverse, which is projected for release in July on CD and vinyl by the Greek label Sleaszy Rider Records. It’s our pleasure to bring you the premiere of a song from the new album named “Influence Corrupt“. Continue reading »

Jun 242016
 

Monolithe-Zeta Reticuli

 

“The Barren Depths” is the third and final song on Zeta Reticuli, the monumental new album by the unusual French progressive doom band Monolithe, which is set for release on July 8 by Debemur Morti Productions. In its full length, the song lasts for 15 magnificent minutes (as do the other two tracks). However, Monolithe have also prepared an edited version of the song that is almost exactly half that length, and it has been made the soundtrack for a stunning video that we’re premiering today.

After a sequence of four records (collectively known as “The Great Clockmaker” saga), each of which consisted of a single album-length track, Monolithe spent most of 2015 on a new project with an expanded line-up, recording two connected new albums respectively titled Epsilon Aurigae and Zeta Reticuli (each named for a binary star system). The first of those was released in December 2015, and Zeta Reticuli will follow six months later. Continue reading »

Jun 232016
 

Lord of War-Suffer

 

Next month Unique Leader Records will release the second album by San Diego’s Lord of War. It’s an 11-track, 45-minute affair entitled Suffer, adorned by the cover art of Colin Marks. Today we’ve got the premiere of a playthrough video for the album’s third track, “Embryo“.

The video features the performance skills of the band’s two guitarists, Alex Walshaw and Daniel Richardson. With heads down, they devote themselves to the task of both bludgeoning listeners like buildings marked for destruction in a demolition zone and generating the queasy, pestilential atmosphere that shrouds the song. Continue reading »

Jun 232016
 

Necroptic Engorgement cover

New York’s Necroptic Engorgement are on the verge of releasing a new EP — in fact, tomorrow is the appointed day. Entitled Realms of Incessant Bloodshed and featuring the distinctive cover art of Mark Cooper, it will be delivered by Manifest Records, whose personnel will no doubt be wearing body armor as they attempt to distribute this piece of weaponized mayhem. If you’ve got any body armor lying around, you might want to get strapped in yourself before you press play on our premiere of a full stream below.

As a title for this new release, Realms of Incessant Bloodshed provides truth in advertising, because that’s the landscape you’ll be entering through the portal of these six songs (which include such other titles as “Endless Malevolence”, “Bound Gagged and Gutted”, the tender ballad “Sandpaper Masturbation”, and a song about a brain-eating amoeba named “Nagleria Fowleri”). Continue reading »