Oct 072011
 

(Here’s an update from Andy Synn about Abigail Williams’ work on their next album.)

Some of you may know (or may not, hell, I don’t know how much any of you pay attention) that I’m a big fan of Abigail Williams. You might also know that since we opened for them a few months back I’ve been in pretty regular contact with Ken “Sorceron”, keeping tabs on their various tours and the writing and recording of their upcoming third album.

The band recently completed drum-recording at Keene Machine Studios in LA, with the irrepressible Michael Keene (of The Faceless fame) engineering. The rest of the record is being recorded at the group’s own home studio, with frontman Ken Sorceron acting as producer (as, contrary to popular belief, he has done on both the group’s previous records). With that in mind, I thought it the perfect time to issue a bit of an update on how things are going and collect together the various hints and bits of info that I’ve managed to glean so far . . .

First things first, as you may have seen, the band are collaborating with drummer Zach Gibson, who originally appeared with them way back on the Legend EP (btw – if you can track down “Watchtower: Revisited”, the re-recording of one of the debut EP’s best tracks, I recommend you do). Mr Gibson has been appearing of late with “Phobia” and “Gutrot”, delivering short spasming blasts of grindcore devastation. As he says in the video you’ll see at the end of this post, he’s had to adapt his style a bit to the new AW material… (more after the jump) Continue reading »

Oct 012011
 

September is behind us. Here in Seattle, it was such a beautiful month that it seemed like nature’s compensation for how late the summer started. Unfortunately, with September’s end, we’re on a short track to the onset of winter, which means about six months of short, cold, grey, ceaselessly wet days. Ain’t that just fuckin’ great?

Well, bitchin’ about the winter ahead won’t change one fucking thing. I prefer to think instead about the deluge of new metal that’s headed our way and try (momentarily) to forget about the deluge of rain on the horizon. Which brings us to the latest monthly edition of METAL IN THE FORGE.

You know the drill:  In these posts, we collect news blurbs and press releases we’ve seen over the last month about forthcoming new albums from bands we know and like (including occasional updates about releases we’ve included in previous installments of this series), or from bands that look interesting, even though we don’t know their music yet. In this series, we cut and paste those announcements and compile them in alphabetical order.

Remember — this isn’t a cumulative list. If we found out about a new album before August, we wrote about it in previous installments of this series. So, be sure to check the Category link called “Forthcoming Albums” on the right side of this page to see forecasted releases we reported earlier. This month’s list begins right after the jump. Look for your favorite bands, or get intrigued about some new ones. As usual, also feel free to tell us about how we fucked up by omitting releases that you’re stoked about. Continue reading »

Sep 172011
 

As a public service, I thought I’d let you know about two North American tours I just noticed yesterday, plus two others announced earlier but not previously mentioned at NCS. The first of the newer ones is advertised by the poster above. What caught my eye, in addition to the name Korpiklaani, was the fact that Russia’s Arkona is on this tour. Arkona is a recent discovery for us here at NCS, thanks to our friend Trollfiend, who provided a guest review of the band’s new album Slovo. Also included on the tour are Polkadot Cadaver and Forged in Flame. I don’t yet know anything about those two bands, but I’m very tempted to see this show simply because of Arkona (though I like Korpiklaani, too), especially because the Seattle stop will be at a relatively small club.

The second tour is the 2011 edition of Thrash and Burn. This has been a summer tour since its inception, but it was a no-show in the summer just past and now appears to have emerged as a re-branding of Winds of Plague’s fall headlining tour. Following in the footsteps of Summer Slaughter, Winds of Plague and the promoters of this tour nominated a group of bands to fill the last tour slot and let fans vote for a winner. A couple days ago, the winner was announced, and it’s Volumes. Interestingly, Volumes was also one of the nominated bands on the Summer Slaughter ballot, but didn’t make the cut that time and instead were included on the Slaughter Survivors Tour. Volumes has a new album called Via that’s getting some buzz, though I haven’t heard it yet.

The rest of the bands on this version of Thrash and Burn are Chelsea Grin, As Blood Runs Black, For the Fallen Dreams, Upon A Burning Body, In the Midst of Lions, and Like Moths to Flames. In other words, the tour should be renamed Deathcore and Burn. No tour schedule has yet been announced.

I must admit that among the fall tours we haven’t yet mentioned at this site, I’m personally more interested in the Mastodon/Dillinger Escape Plan/Red Fang tour and the Mayhem/Keep Of Kalessin/Hate/Abigail Williams tour (which will be joined by Woe on 13 dates not yet specified). The schedules for the Korpiklaani tour and those others I just mentioned are after the jump. Continue reading »

Jul 072011
 

OK, time to court some (albeit minor) controversy. To compare and contrast with the “Wintermoon Wednesday” piece on post-millennial black metal by Tr00 Nate (unseen at the time of this writing) over at TheNumberOfTheBlog, I’ve decided to list my own picks for the prize.

I’ve left out the obvious choices, so no Satyricon or 1349 – even though the former have transformed themselves post-2000 very successfully, courting both success and controversy in equal measure, while the latter have pushed their hyper-blast style beyond the breaking point, only to discover a new lease on life through their exploration of gnarled, twisted atmospherics.

No Rotting Christ? Or Samael? Nope. I love both of them, but they both had long pre-millennial careers and spent much of the post-2000 stage of their careers exploring less focussed, less black metal sounds — although both have recently released masterful examples of their own focussed and distinctive brands of black metal.

I have left out records which are perhaps less “purely” black metal — records for which a strong case can be put forward that they belong more as “blackened” examples of another genre — so there’s no place for Altar Of Plagues or Withered, both great bands in their own right. No Akercocke either, the sheer weight of their crushing death metal heft disqualifying them for this list.

I have also by choice left out artists/albums I have covered recently. Therefore, no Iskald (though The Sun I Carried Alone IS one of the best black metal albums of the last ten years), or Elite (see HERE for my thoughts) or The Axis Of Perdition (HERE), even though I’d argue that each of them has at least one example under their belt of near perfect post-millennial black metal.

So who have I chosen? Well look upon my choices dear reader, and despair… Continue reading »

Jun 012011
 

(Andy Synn had a full, black (metal) weekend (except for the fact that he missed Enslaved on Sunday). Before jumping the ocean waters to visit Oslo for that Dimmu concert he wrote about yesterday, he spent a night with Abigail Williams, Thulcandra, and Iskald in England, and has kindly provided us with a report. You should know that he started that night, not in the audience, but on stage roaring with his band Bloodguard.)

On Friday the 27th of May, my band and I were lucky enough to open the show for three extremely talented black metal acts. Though the crowd was small, they were all passionate about their love of the genre and equally appreciative of all the bands’ efforts. Each of the three bands demonstrated a different facet of the black metal template, be it the proggy, thrashy approach favoured by Iskald, the streamlined melodicism of Thulcandra‘s Dissection-worship, or the tense, introverted catharsis of Abigail Williams.

Openers Iskald played a short, tight set, delving into material from all three of their albums.”Under The Black Moon” off their latest (phenomenal) album was a sumptuous delight of crunchy guitars and awkward, obscure rhythms, while “A Breath Of Apocalypse” pummelled and grooved with a refreshing directness and power. Throughout their set, thrash-style speeds and an at-times death metal aesthetic wrapped around soaring, crystal clear melodies, intelligent, driving drums and rough, propulsive Immortal/Enslaved-style riffage.

Sharp and icy, the band delivered time and time again, with each song bearing a different and distinct flavour. Songs like “Domesdag” (introduced as “a true Norwegian song”) and “Det Stilner Til Storm” brought a fiery passion to match the cold melancholy of their icy melodies, their moody, progressive diversions and impressive, yet restrained, technicality demonstrating exactly why Iskald deserve to be held amongst the elite of modern-day black metal. In particular, their most recent material demonstrates more growth and ambition than most latter-day members of the black fraternity can muster, unafraid to explore different textures and impressive, forward-thinking structures. (more after the jump . . .) Continue reading »

Sep 182010
 

I’m a bit behind in my reading of Blabbermouth, and therefore missed some orgasmically good news that appeared late yesterday. But thanks to some info last night from my collaborator IntoTheDarkness and then a pathetically sad post today by DemiGodRaven at The Number of the Blog, I now know that Rotting Christ is coming to NorthAm in a headlining tour next spring. And may I say just how fucking happy I am?  I believe I will.  I am just soooooo fucking happy!

This almost makes up for the deep depression I experienced when learning that THE DECIBEL DEFIANCE TOUR, featuring Suffocation, The Faceless, Through the Eyes of the Dead, Decrepit Birth, and Fleshgod Apocalypse would be playing Tulsa but not Seattle — the sort of mortification that DemiGodRaven expressed upon learning that Rotting Christ would be playing Seattle but not Sacramento.

Brother, I feel your pain. Well, not really.  It’s more accurate to say that I would feel your pain except that I’ve managed to get over THE DECIBEL DEFIANCE TOUR’s snubbing of Seattle and I’m now in a painless state of bliss just thinking about the chance to see Rotting Christ in about six short months when they stop here.

There are some other bands on that tour — Melechesh, Hate, Abigail Williams, and Lecherous Nocturne — and that’s a pretty strong set of supporting acts. I’m especially interested in listening to Melechesh play their unique brand of Mesopotamian metal in the flesh. But — and no disrespect is intended to any of those other bands — I would gag my way through a supporting lineup of Katy Perry, Justin Bieber, and Nelly as long as Rotting Christ was waiting at the end.

I am soooo fucking happy. (The tour dates and places are after the jump.) Continue reading »

Jul 312010
 

My, how time flies. Another month is in the history books. However much time you have on earth, you now have 31 days less of it since since the last installment of this post. Drink up!

But have no fear. You’re headed for a better place. That’s right, basically the same existence you had a month ago, but with more new metal ahead of you. Drink up!

And all those physical processes that are inexorably decaying your bodies on the rocky road to your demise, they’re still there and they’re still working on you like termites that have found a rotting log. But hey, you can still bang your head, so . . . Drink up!

Yes, we’re now a full seven months into 2010, and so it’s time for another monthly update to the list of forthcoming new albums we first posted on January 1. (All the other updates can be found via the “Forthcoming Albums” category link on the right side of our pages.) Below is a list of still more projected new releases we didn’t know about at the time of our previous updates, or updated info about some of the previously noted releases.

Once again, we’ve cobbled together news blurbs about bands whose past work we’ve liked, or who look interesting for other reasons. Perhaps needless to say, these are bands that mostly fit the profile of music we cover on this site — the kind that would like to tear your head off.

So, in alphabetical order, here’s our list of cut-and-pasted items from various sources since our last update about forthcoming new releases. Look for the bands you like and put reminders on your calendar. Or if you’re like us, just stick post-it notes on your forehead. Of course, if your foreheads are the low, sloping kind, you may only have room for a few, so be choosy. Continue reading »

May 012010
 

We’re now a full four months into 2010, and it’s time for our fourth update to the list of forthcoming new albums we posted on January 1. (See the original list here, the first update here, the second update here, and the third update here.) Below is a list of still more projected new releases that we didn’t know about on January 1 or at the time of our last three updates (or that we’ve found updated information about) — and the new sickness is still spreading in epidemic proportions.

Once again, we’ve cobbled together news blurbs about bands whose past work we’ve liked, or who look interesting for other reasons. Needless to say (but we’ll say it anyway), these are bands that mostly fit the profile of music we cover on this site.

So, in alphabetical order, here’s our list of cut-and-pasted blurbs from various sources since our last update about forthcoming new releases. Look for the bands you like and put reminders on your calendar. Or if you’re old school like us, just get em tattooed someplace you can see without a mirror (because reading stuff backwards is hard).

ABIGAIL WILLIAMS: “Abigail Williams have completed recording of individual performances for their still untitled second full-length. Captured at Conquistador Studios in Cleveland, Ohio, eight new songs were laid down with vocalist/guitarist Ken Sorceron and engineer Cole Martinez controlling the audio takes. The songs are currently being mixed by Peter Tagtgren (Dimmu Borgir, Immortal, Celtic Frost) and are expected to be completed later this month.”

ABYSMAL DAWN: “Los Angeles-based metallers ABYSMAL DAWN will enter Trench Studio in Corona, California in May with producer John Haddad (PHOBIA, INTRONAUT, HIRAX) to begin recording their new album for a tentative fall release via Relapse Records. The follow-up to Programmed To Consume will be mixed by Erik Rutan (HATE ETERNAL, VITAL REMAINS, CANNIBAL CORPSE) at his Mana Recording Studios in St. Petersburg, Florida.”  (the list continues after the jump .  .) Continue reading »

Dec 192009
 

goatwhore_3

Here at NCS, we’re putting a different spin on year-end listmania. Ours isn’t a list of the best metal full-lengths of the year. It’s not even our list of the best individual extreme metal songs of the year. Ours is a list of the most infectious extreme metal songs we’ve heard this year. We’re talking about songs that produce involuntary physical movement and worm their way into your brain to such an extent you can’t get ’em out (and wouldn’t want to) — you mentally replay them at unexpected times and revisit them for repeat listening. You know, when the shit is sick. When it infects you like a disease that you don’t want to cure.

We’re not ranking our list from #10 to #1 because that would be too much fucking work (and your co-Authors would still be arguing about it this time next year). So, our list is in no particular order. We’re also dribbling the songs out one at a time because your lazy Authors still haven’t yet figured out the whole list. We’re making it up as we go along. And we could still use help, so feel free to chime in. Our list heretofore:

1.  Asphyx:  Sorbutics

2.  Mastodon:  Crack the Skye

3.  Amorphis:  Silver Bride

And for our fourth entry on the list, continue reading after the jump. Continue reading »