Islander

Jan 062019
 

 

I got a slow start on the day yesterday, and by the time I got my head in gear it was too late to put together a post of new music. So I decided to focus on what I might recommend today.

I listened a lot to things I’d spotted over the last week or two, focusing mainly on advance tracks from forthcoming releases, and found so much I enjoyed that I’ve had to split this SHADES OF BLACK installment into two parts. Look for the other one later today.

MO’YNOQ

If North Carolina’s Mo’ynoq still aren’t on your radar screen, it’s time you put them there, dead center. Their debut album, Dreaming In A Dead Language, is coming out on January 11th. I premiered a song from it called “The Collector” last month, and now there’s a second one I can share with you, which premiered at Antihero on Friday. Continue reading »

Jan 042019
 


an 1888 painting by Vasily Vasilevich Vereshchagin

 

We’re now at the end of that hybrid week which always ends the holiday season, and which for most people seems to be a mix of fucking off and becoming wage slaves again. Although no one asked me, I thought I’d commemorate the moment by telling you where we are in our posting schedule and what lies ahead (other than another probably shitty year in the outside world).

We’re almost finished with our year-end LISTMANIA series — almost, but not quite. Next week we’ll have at least one more year-end list from a guest, and possibly two or three (I’m crossing my fingers that those latter two, which are a bit uncertain, will pan out, because in past years those particular writer/musicians have delivered highly anticipated and eagerly viewed collections). But either way, we’ll close out the main part of LISTMANIA next week…

…and we’ll also begin the final segment, which is my sole contribution to the series, i.e., the list of last year’s Most Infectious Extreme Metal Songs, which I’ll roll out in installments every day or two until around the end of February. Continue reading »

Jan 042019
 

(At last, we reach the fifth and final installment of DGR’s 5-part year-end effort to sink our site beneath an avalanche of words and a deluge of music. It includes his Top 10 albums, plus a list of EPs, and one final non-metal entry.)

Here we go into the final installment. One last grouping of albums and one last collection of thudding riffs, heavy guitars, and enough drumwork to leave one’s head spinning by the time it wraps up.

This final ten is all over the place, in terms of both genre and location. My lists tend to be pretty international always, but the consistent bouncing back and forth that is happening in this part has proven to be entertaining in its own right.

This group also reveals just how much of 2018 turned out to be the year of cathartic release for me. Alongside all the genre-bending, all the experimentation, and all of the well-executed groove, I found that every once in a while this year a disc would hit that would just boil down to a half-hour-plus of yelling, and I would relish every single second of it. I’m sure we could credit that to the wider situation of the world these days but I’ve also always been a sucker for turning music into an instrument of release, and for some reason that approach won me over hard this year.

So let’s begin with the final ten, and then a grouping of EPs I enjoyed this year, my final non-metal (ish) release recommendation, and a small (ish) closing paragraph… because why would I ever stop typing after just finishing the final ten?

That’s for crazy people. Continue reading »

Jan 042019
 


Photo by Stephansdotter Photography

 

(This is Andy Synn‘s review of the new 11th album by Sweden’s Soilwork, which will be released on January 11 by Nuclear Blast.)

One thing which you may have noticed, if you’ve been visiting NCS consistently for any length of time, is that we sometimes purposefully refrain from covering what you might think of as “the big names” in Metal.

Largely this is because we feel that our time would be better spent focussing on smaller, and less well-exposed artists, but also due to the fact that these “bigger” bands invariably receive so much attention and fawning flattery (in fact I’ve just recently stumbled across a few suspiciously sycophantic reviews which seemed like they’d been half-written before even hearing the album), that any attempt on our part to offer a more nuanced or critical appraisal would likely just get ignored and lost in the flood.

Still, every so often one of us will stumble upon a particular take or angle that they feel compelled to follow up on, which is why you’re about to read my review of the soon-to-be-released eleventh album from those stalwart Swedes known as Soilwork.

Be warned though, if you’re expecting nothing but blind praise based on the band’s name-value alone, then you might want to look elsewhere. If you’re after a more measured appraisal of the album’s pros and cons, however, then please, read on. Continue reading »

Jan 032019
 

 

(We present a 2018 year-end list by NCS contributor Grant Skelton, which consists of 15 miserable, mutilating, and mesmerizing titles, not all of which are metal.)

Salutations fellow metalheads! My choices this year were a bit more of a mixed bag than in previous years. Per our usual MO here at No Clean Singing, I tried to focus on bands whose albums seemed to slip into the proverbial cracks. I hope you find something you like here, and by all means leave me recommendations in the comments. Continue reading »

Jan 032019
 

 

How bands come to exist and the connections between their lives and their music is usually of only secondary importance (if important at all) to the appreciation of the music itself. Yet in some cases it proves interesting, and might even shed a bit of light on what we’re hearing, and this is such a case.

We are told that the origins of the Swedish black metal band Blodskam dates back to 1998 when the two brothers Aghora and Dödfödd (as they have named themselves) “decided it was time to put the family madness on public display”. But rather than fighting in public to the dismay of their parents (or maybe they did that, too), they began writing music. But it took quite a long time for the bad seeds planted then to bear fruit, “due to other musical engagements, and some mental health issues”. Continue reading »

Jan 032019
 

 

(Comrade Aleks returns to NCS in 2019 with more interviews, beginning with this one, in which he talks with Levi, vocalist of the long-running Polish black/death band Neolith, who are now at work on a fifth album.)

Neolith is a pretty old band from Poland. They started as a death/doom outfit in 1991, and kept a down-tuned vibe for almost a decade. A series of demo-tapes and the full-length Igne Natura Renovabitur Integra (INRI) were influenced by the UK Doom Trinity’s stuff to some degree. However Neolith’s anti-Christian message demanded a more suitable form of exposure, and they’ve done it in a blasphemous death/black metal way from their second album Immortal (2004) through the fourth one, Izi.Im.Kurnu-Ki (2015).

The band are half-way to new work, I Am The Way, and we had a nice talk with Neolith’s initial vocalist Grzegorz Lukowski, a.k.a. Levi. Continue reading »

Jan 032019
 

 

(Here’s the fourth installment of DGR’s 5-part year-end effort to sink our site beneath an avalanche of words and a deluge of music. The concluding Top 10 will appear tomorrow.)

A confession: For a long time the only words in this whole writeup prior to me breaking the whole thing into five parts and actually listing the bands was just a whole bunch of swear words. Even though I’ve been doing this for nine years now I still will occasionally try things I learned in writing classes over the years or even some things I’ve read about since then. Stream-of-consciousness writing is one of those, but the only thing I’ve learned from doing that in the context of talking about albums of the year is that I’ve assembled a pretty neat collection of permutations of the word ‘fuck’ that I’ve gathered from popular culture over the years.

It was at this point that I began going back through our review archives so that I could even remember what came out this year. Metal-Archives is also a tremendous help in that regard, since I often can’t remember what I talked about in January unless I’ve listened to it since then. It’s also one of my favorite things to do because I get to have a laugh at how far back I have to go in the segment tagged ‘Reviews’ on the site. I know that we’ve missed more than a few albums, but as it stands now,  our first review of something from 2018 is about forty pages back. And there can be anywhere between five to fifteen albums per page of results — depending on how we grouped them for each article.

I know that’s just reflective of the ‘relentless march of hashtag content’ that the internet has become, but it still makes me smile. If I ever need a reminder that heavy metal is — somehow, despite all the odds and all the editorials about rock music dying — a lively as all hell genre, that’s enough for me. I guess there will always be room for cathartic release via loud instruments, or the various experimentations outside of the tradional music sphere to which this genre loans itself. Continue reading »

Jan 022019
 

 

In the summer of 2017 the Indian metal band Hostilian released their debut EP, Monolith, and now they’re just roughly two weeks away from the release of a second EP, this new one entitled Catalyst. It’s a four-track affair exploring dark themes concerning the human condition, in which the worst of our instincts are also seen as the most indomitable, driving us to become a catalyst for the ultimate destruction of life on Earth.

The new EP’s closing track, “Regressive Instincts“, is the subject of a play-through video featuring Hostilian drummer Rajiv Kumar, and it’s our pleasure to premiere it today in advance of Catalyst‘s January 18 release. Continue reading »

Jan 022019
 

 

(Here’s the third installment of DGR’s 5-part year-end effort to sink our site beneath an avalanche of words and a deluge of music.)

Now that I’ve broken it out from the tremendous bulk of the rest of my year-end collective, I’m amused by how much world traveling this specific subset of the list does. It spends a surprising amount of time in France (which has done very well for itself these past few years), some time in the States, some time in Australia, and even manages to touch base with both Canada and Sweden for a few. It is also probably the most varied intsallment so far — the tech-death crews make a strong play here, but you’ll also start seeing some of the prefix-core resurgence that happened recently, as well as some ugly-as-fuck grind (on two fronts). And then there’s however in the hell Author & Punisher might be described.

Oh, did I spoil that Author & Punisher is making an appearance here? Whoops. Well too bad, Beastland is fucking killer but if you want to know why you’ll have to read on and see just where the San Diego noise-engineer found himself. There’s still a lot of list left to go, and knowing me, at least two-thousand more words of intro paragraph left to be written somewhere so let’s get the third chunk of this motherfucker going. Continue reading »