Dec 152011
 

This is the fourth and final part of a multi-part post about up-and-coming Norwegian bands. The first part is HERE, the second part is HERE, and Part 3 is HERE.  And below is an abbreviated version of the full explanation, which appears long-form in Part 1. But first, since I’m on the subject of Norwegian metal, here’s a bit of breaking news:

The Spellemann Awards are the Norwegian equivalent of the Grammy’s here in the U.S. The first Spellemannprisen were awarded in 1973 for albums released in 1972, so if my math is correct, we’re approaching the 40th annual awards show, and today the Spellemann nominees were announced. In the category of Best Metal Album, the following bands and albums were nominated (and we’ve featured four of the five nominees here at NCS):

INSENSE BURN IN BEAUTIFUL FIRE
SHINING LIVE BLACKJAZZ
TAAKE NOREGS VAAPEN
VREID V
ÅRABROT SOLAR ANUS

And now, onward to the explanation about the rest of this post: “Pyro” is the name of a radio program on one of the radio channels (P3) operated by NRK, the state-owned Norwegian Broadcasting Corporation. The NRK P3 radio channel is mainly aimed at younger listeners, and Pyro is the program that focuses mainly on metal and hard rock. Continue reading »

Dec 142011
 

Yeah, it’s kinda late in the day for another post, but I just saw a press release about a new tour running from March 15 through April 21 of next year that I thought was worth talking about. This tour had been forecast previously, but now we have a concrete schedule. Here’s the line-up:

DevilDriver
The Faceless
Dying Fetus
Job For A Cowboy
3 Inches of Blood
Impending Doom
Wretched

Why is this interesting? Well, first of all, it should be loaded with new music. The Faceless is currently putting the finishing touches on its third album for a tentative February release on Sumerian. Stands to reason that they’ll be performing songs from that album. I’ll be curious to hear it, because guitarist Michael Keene has described the CD as “the most musical and progressive record we’ve made” and says the songs will be more focused “on musicality and making an expressive, unique, moody and expansive record.”

On top of that, Dying Fetus is currently recording a new album. It’s not projected for release until the middle of next year on Relapse, but they will clearly be finished with the recording before hitting the road on this tour, and so we can expect new songs from them, too. And that’s not all. Continue reading »

Dec 132011
 

We originally featured this unsigned Melbourne, Australia band with the mouthful of a name back in March 2010, focusing on a 2007 demo called The Aurora Veil. We checked in with them again in October, having learned that they had completed their debut album, Portal of I — a 7-track behemoth with a total run-time of more than 1 hour 11 minutes. In October, the band also released one of the new songs for streaming — “And Plague Flowers the Kaleidoscope” — which fuckin’ floored me. It’s a long, but remarkably multi-faceted piece of music.

We heard from the band yesterday with a bit of news. As reported on their Facebook page, the band has parted ways with their drummer, Dan Presland, who was involved in recording both the Aurora Veil demo and the forthcoming Portal Of I album. The band is already rehearsing with a new drummer, and we hope the loss of Presland (who’s quite good — he won the Australian finals of the World’s Fastest Drummer competition) won’t be a setback. At least it won’t delay the release of the album, since that’s already finished.

In an offsetting bit of good news, the band’s lead guitarist Benjamin Baret has been allowed to return to Australia after protracted wrangling over obtaining a visa. Baret lives in France, and his imminent return to Australia on Thursday of this week appears to be the prelude to release of Portal of I and touring in support of it. The band is still in discussions with labels, and so we’re not yet able to provide a specific release date — but you can be sure we will as soon as that’s set.

So, why are we spending time with this bit of news? Go past the jump and listen to “And Plague Flowers the Kaleidoscope” and you’ll understand (or be reminded, if you’ve heard it before). It’s not like anything else I’ve heard this year — and it makes me so damned curious to hear the rest of the new songs when the album drops next year. Also after the jump, a scorching new track from Devolved . . . Continue reading »

Dec 132011
 

On December 13, 2001 — ten years ago today — Chuck Schuldiner died of a brain tumor after a two-year battle to survive. To honor his memory, NPR writer Lars Gotrich persuaded eleven metal musicians to pick their favorite Death song, and write what it and Schuldiner have meant to them. The list of contributors includes three former members of Death — Paul Masvidal (Cynic), Gene Hoglan (Fear Factory), and Richard Christy (Charred Walls of the Damned), all of whom, interestingly, chose songs from the 1991 album, Human.

The list of contributors also includes Arthur von Nagel (Cormorant), Elizabeth Schall (Dreaming Dead), John Dyer Baizley (Baroness), Stephan Gebedi (Hail of Bullets), Matt Harvey (Exhumed), Kevin Conway (East of the Wall), Anthony Buda (Revocation), and Steffen Kummerer (Obscura).

It’s an interesting read (and includes streams of the chosen songs), and I thought Gotrich’s introduction eloquently captured the wonder many of us have experienced as we listened to Death’s music from different albums over time — as an artist, Chuck Schuldiner was not only a great talent, he was also constantly moving in new directions. Here’s an excerpt from Gotrich’s introduction (which continues after the jump). To read the whole thing, go here.

“There’s something to be said for the visionary who dismantles the very movement he’s created or pioneered. . . . For a humble guitarist from Florida named Chuck Schuldiner, his metal band Death (not to be confused with the proto-punk band of the same name) was a mere instrument. Along with the Bay Area’s Possessed, Death not only helped spawn an entire extreme genre around gore and technical guitar wizardry, but like horror movies sometimes do, Death also challenged our notions of life. Continue reading »

Dec 092011
 

It appears we have helped spawn a new blog. And not just any blog. And not just by anyone. Ladies and gentlemen, allow us to introduce you to ALSO, WOLVES, the new blog dedicated to folk, Viking, and pagan metal launched by our very own Trollfiend.

Well, he’s not really ours. We explored the possibility of establishing ownership but learned to our dismay that the 13th Amendment to the U.S. constitution prevents that here in the States. But even though we don’t own him, Trollfiend has become a welcome presence around NCS through his frequent comments and occasional guest posts about pagan and folk metal, which is a sub-genre we had been unfairly neglecting before Trollfiend showed up.

After spending some months around NCS, Trollfiend evidently came to the logical conclusion that if people will read the kind of shit we post at NCS, well then, fuck, why not do it himself? And so he has. And it’s really good. So far, Trollfiend has put up 3 posts on the new site since launching in late October (we knew about it then, but Trollfiend asked us not to spout off about it until he had built up a bit more content), and all three are worth reading. The headline for today’s offering at ALSO, WOLVES is at the top of this post, and you should definitely check it out.

But don’t stop there. Show Trollfiend some love. And no, I don’t mean e-mailing him photos of your genitalia. Well, I mean don’t just do that. Continue reading »

Dec 072011
 

When I had my head in the clouds on vacation last month, the French label Listenable Records compiled a sampler of music for free download that I completely missed. Fortunately, it’s still available, and it’s quite a collection of music. There are some bands on the list whose names I don’t recognize and a few whose music doesn’t do anything for me, but on the other hand, it includes songs from some bands that are as strong as horseradish. Just to name a few:

GOJIRA

SVART CROWN

HATE

PANZERCHRIST

CAVUS

DARKANE

LIVARKAHIL

THE RED SHORE

There are 22 tracks in all. After the jump, you can check out the full track list and get the download link. Continue reading »

Dec 072011
 

I discovered a French band called Svart Crown more than a year ago when I reviewed their second album, Witnessing the Fall. I compared them to a joint venture between Immortal and Immolation. Since then, the band signed with Listenable Records, which put the album into wider distribution. It’s still a damned strong listen.

This morning I saw that the band have released an official video for “Into A Demential Sea”, one of the songs from Witnessing the Fall. To crib from my review (since I’m too fucking lazy to come up with any new phraseology), it’s “almost experimental in its combination of raging guitars, complex drumming, and sharp rhythm breaks that cause the song to trudge with death-doom chord progressions.”

But more importantly, it will trigger the old headbang reflex, which is a reflex that needs to be triggered often, so that you don’t get fixed-neck syndrome, which is a precursor to tight-sphincter complex and stick-up-the-ass disease.

And in other welcome news, an Ulcerate-Svart Crown European tour has been announced for February 2012. I say “welcome” because I’m trying to be happy for our European readers. I myself do not find this news welcome, because, since I can’t go to any of these shows, the news simply makes me jealous and slightly miserable because of my loss. I’m going to console myself by watching this video again. It’s after the big goddamn tour poster which immediately follows the jump. I hope all you Euro motherfuckers are happy. Continue reading »

Dec 052011
 

For those of you who subscribe to DECIBEL magazine or happened to see our post about DECIBEL’s “Best of 2011” list, you know that Lamb of God is on the cover, right above this headline: “INSIDE 2012’S BIGGEST METAL RECORD”. That’s a pretty big claim, especially since the album isn’t out yet — but it’s coming. And today, Metal Sucks premiered the first song from the album, “Ghost Walking”.

The long feature story in DECIBEL about the band and the making of the album (which is titled Resolution) includes this quote from Randy Blythe: “This is the first Lamb of God record that I actually like listening to.” Nick Green, who wrote the piece, calls it “the most diverse-sounding Lamb of God offering to date, mostly because guitarists Mark Morton and Willie Adler each contributed about half the songs, and there’s a wild contrast between their songwriting styles” — with Morton providing the more hook-driven, straightforward songs and Adler writing songs that sound like journeys (“the weird and unconventional stuff”, as Chris Adler puts it in the article).

Based on the article, it appears the album will include “true bookends and an instrumental interlude”, and one of those bookends — a closer called “King Me” – begins with Blythe’s “hushed vocals draped in eerie echo effects” and then volleys back and forth between his harsh vocals and an operatic female vocalist, with lyrics in Latin adapted from Mozart’s Requiem. There’s also reportedly “an arty and angular” song called “The Number Six” and “a bona-fide punk rock song” called “Cheated”. Yeah, that all sounds pretty diverse. Continue reading »

Dec 012011
 

Definitions of the words in the title to this post from The Oxford English Dictionary (online):

MEME

noun
an element of a culture or system of behaviour passed from one individual to another by imitation or other non-genetic means.

Origin:

1970s: from Greek mimēma ‘that which is imitated’, on the pattern of gene

Word trends:

When Richard Dawkins coined the word meme in his 1976 book The Selfish Gene, he wanted a word like gene that conveyed the way in which ideas and behaviour spread within society by non-genetic means. Since then the word has been picked up to describe a piece of information spread by email or via blogs and social networking sites. A meme can be almost anything—a joke, a video clip, a cartoon, a news story—and can also evolve as it spreads, with users editing the content or adding comments. Common collocates in the Oxford English Corpus are spread, pass, and transmit: as with the Internet sense of  viral, meme uses the metaphor of disease and infection

THALL

Ask Vildhjarta, because I have no fucking idea. Continue reading »