Here in the U.S., we’re in the middle of Labor Day weekend, a 3-day break that culminates in Labor Day tomorrow. Most Americans probably don’t know the history of the holiday, or maybe even the fact that it’s intended to celebrate the labor movement (only about 12% of salaried workers in the U.S. still belong to a labor union). It’s simply viewed as a sign that summer has ended, football season is about to start, and school is resuming.
Most people spend the holiday taking it easy, goofing off, partying, enjoying the break. Here at NCS, we’re still working away like demented bees, or ants, or some kind of mindless insectile creatures that just mindlessly work until they mindlessly die. That’s how much we care about you. So we sure hope you get something out of the posts this weekend, because if you don’t, we’ll feel even stupider than we really are. Yeah, we know that’s tough to imagine, but still.
So today we have part two of the MISCELLANY post we began yesterday, finishing off the log of new music or videos we randomly checked out in a recent exploratory session. Yesterday, we left off with Synapse Defect. Today, we resume with Gloria Morti (Finland), and finish up with Steven Wilson (Kingston-Upon-Thames, Hemel Hempstead, Tel Aviv, London), and Resistant Culture (U.S.). (music and video after the jump . . .)