Sep 242012
 

This is another daily collection of things I saw and heard this morning that I thought were worth sharing. It’s heavy on the death metal, because the death metal is heavy on me.

GOATWHORE

This is a big Goatwhore day. First, I saw the news that Goatwhore will be touring the U.S. and Canada with High On Fire and Lo-Pan. The tour begins on Nov. 15 in Austin and concludes on Dec. 22 in San Francisco. On selected stops, Primate (featuring Brutal Truth vocalist Kevin Sharp) and Corrosion of Conformity will also be performing.

This should be an ass-mauling, face-lacerating show. I’m happy that it’s stopping in Seattle, because it’s important to be happy for yourself in order to be happy for other people, or so I tell myself whenever I see stupendous tours that stop in Seattle but may not stop where you live. The full schedule is after the jump.

I also saw that Goatwhore have today premiered a new official lyric video for “Death To the Architects of Heaven”, a killer song from their 2012 album, Blood For the Master. You can watch that after the jump, too. Continue reading »

Apr 112012
 

(BadWolf and friends attended a special performance by Goatwhore in Toledo on March 7. This is his review, plus his on-site interview of Ben Falgoust and Sammy Duet. All photos accompanying this post were taken for NCS by Nicholas Vechery.)

I’ve had the most rotten luck with local shows lately. That awesome Black Dahlia Murder/Skeletonwitch/Nile tour was supposed to come through my hometown, as was the Faceless/Dying Fetus/Goatwhore tour. Both of those were cancelled. In fairness, the Black Dahlia Murder decided to headline a huge local metalcore festival—the Jamboree—instead, but I’m no huge proponent of skinny-jean deathcore. Thank god (or satan or wotan or whatever) for Goatwhore, who decided to play Toledo anyway—for free.

Ramalama Records

Goatwhore picked the perfect venue: Toledo’s finest record store, Ramalama Records. I have a long history with the establishment; it’s fair to say I would not be a metalhead were it not for the owner, Rob, and his clerk, Nick. A story within a story:

I rode into the store on bicycle on a Saturday afternoon at the age of 15. I was dressed in black jeans and a Master of Puppets tee-shirt—Nick said I was the first cool-looking guy to enter the store all day, and as such if I bought a record the second would be half off. A sick deal, but I had no idea what to get, so I just pointed at my tee shirt and said “Stuff like this.”

Nick picked out Municipal Waste’s Hazardous Mutation record. “What’s that sound like?” Nick threw it on the stereo.

“The good old days,” he said. Twenty seconds into ‘Unleash the Bastards’, I said he had himself a deal.

For my second buy I took a gander at the new releases shelf, and a  record cover caught my eye—some really great art of a ship being sunk by a whale. The band was called Mastodon. The album, obviously, was Leviathan. Nick let me listen to “Blood and Thunder”, and that was the end of normalcy in my life. $20 or so later, I was in metal for life. Continue reading »

Mar 272012
 

Goatwhore’s 2009 music video for “Apocalyptic Havoc” is one of my all-time favorites. It’s not terribly fancy, though it’s well-made. There’s no story. It’s just the band playing in something that looks like the interior of a church (except for the inverted crosses), with assorted close-ups of spark-shrouded Ben Falgouth looking badass (which is not difficult, since I bet Ben Falgouth looks badass even when he’s asleep) and Sammy Duet looking serious and cool, carving those tasty riffs with the neck of his guitar almost vertical.

I’m sure the song has something to do with how much I like the video. To be honest, Goatwhore could have been filmed playing dominoes and eating shelled pecans in a NOLA icehouse and I still would have loved it, as long as “Apocalyptic Havoc” was blasting out of the speakers.

But now Goatwhore have gone and gummed up the video works. Yesterday, we witnessed the debut of the video for “When Steel and Bone Meet”, which is a track on their most recent album Blood For the Master (reviewed here by Andy Synn). They could have just let the song carry the video again, as they did for “Apocalyptic Havoc”, because the song is great. To borrow Andy’s word, “When Steel… is a bar-room brawl set to music, chains and fists flying in a drunken, grooving orgy of violence that manages to cram in a swaggering groove, pummeling power-riffage, and some switchblade soloing in barely more than 3 minutes.”

But no, they had to throw in brief shots of two unclothed chicks licking blood off each other. I mean, really, who wants to see that? Bor-ing. Continue reading »

Feb 022012
 

(In this post, NCS writer Andy Synn reviews the new album from Louisiana’s Goatwhore.)

The first rule of Project Satan is . . . kill for the master.

If Goatwhore were a car, they’d be the were-car from Futurama, a savage, intelligent military car built from the most evil parts of the most evil cars in all the world. The steering wheel from Hitler’s staff car. The left turn signal from Charles Manson’s VW. The windshield wipers from that car that played Knight Rider . . . either that or the stalking murder-mobile from Stephen King’s Christine. Hot and nasty, definitively deadly.

“Blood For The Master” is a pitch-black muscle-mobile that runs on the blood of virgins, devouring the innocent and spewing out noxious fumes of poison thick enough to blot out the sun for a thousand years. Quite simply, it is the finest record the band have ever produced and a fitting soundtrack to the end of all things, a whiskey bottle in one hand, a straight razor in the other.

The record takes the best aspects from both their most recent breakthrough releases, the razor-sharp blackened savagery of A Haunting Curse and the sludgey death-march bludgeon of Carving Out The Eyes Of God, and mixes them up into something utterly toxic and bad for the environment. The production is utterly stunning, going one step beyond its predecessors’ thick and powerful sound by bringing back some of the bite of the more blackened guitar tone from A Haunting Curse without losing those thick, tangling bass tones and high-octane drum blasts. Continue reading »

Jan 062012
 

Yesterday, I was whining about the INFERNO Metal Festival in Oslo Norway this April — exciting line-up of bands, too fucking far away for me to see. One of the comments on that post, from Kazz, pretty much summed up my feelings about the matter:  “Sometimes the Atlantic Ocean just pisses me off.” To which I responded, “Damned ocean. If it were only smaller, we could kick the shit out of it.”

But look! Now we have help with the shit-kicking! This morning I saw the announcement about the tour featured in that flyer up there. Now THAT is going to be one skull-fucking abomination of a musical extravaganza. It will be particularly sweet because the tour starts only four days after GOATWHORE releases their new album on February 14, which was recorded by Erik Rutan at his Mana Recording Studio in Florida.

And speaking of Erik Rutan . . . HATE ETERNAL! Hells yeah. No one puts the power drill to your cranium quite like Hate Eternal in a live setting.

Oh, and speaking of boring holes in your skull . . . CEREBRAL BORE, all the way from Scotland! And fucking FALLUJAH on top of that!

I’m not saying this is better than Inferno Fest, I’m not saying that we’ve found the secret to subjugation of the Atlantic Ocean, but it do make me feel a damned sight better than I did when I was whining yesterday — because this death metal juggernaut will be stopping in Seattle, which involves no Atlantic Ocean crossing for me to reach. Maybe it will make a stop somewhere near you, too. The full schedule is after the jump. And because these four bands are now on my mind, I’ve got videos from each of them after the jump, too. Continue reading »

Jan 062012
 

December and 2011 are both over, and with the end of the last month, it’s time to round up what we saw over the last 30 days about forthcoming albums.

We usually try to post these updates on the first of the month, but the first of this month was New year’s Day, and I was moving kinda slowly that day. Plus, I’ve been focusing on year-end lists from a variety of sources, and, well, I’m late with this. I have more excuses, if you’d like to hear them.  No?  Okay, I understand.  I’ll just shut up and get going with this list.

So, here’s the deal:  In these METAL IN THE FORGE posts, I collect news blurbs and press releases I’ve seen over the last month about forthcoming new albums from bands we know and like at NCS (including occasional updates about releases we’ve included in previous installments of this series), or from bands that look interesting, even though we don’t know their music yet. In this series, we cut and paste those announcements and compile them in alphabetical order.

Remember — THIS ISN’T A CUMULATIVE LIST. If we found out about a new forthcoming album before December, we wrote about it in previous installments of this series. So, be sure to check the Category link called “Forthcoming Albums” on the right side of this page to see forecasted releases we reported earlier.

This month’s list begins right after the jump. It includes some real eye-openers. In fact, it’s not too soon to say that 2012 is already looking like yet another royally skull-fucking year for metal. But as usual, this list is half-assed rather than comprehensive. I confess that in December I was even more half-assed than usual in keeping my eyes open for news about new albums. So, feel free to leave Comments and tell all of us what I missed when I put this list together. Let us know about albums on the way that  you’re stoked about, even if you don’t see them here! Continue reading »

Oct 052011
 

Oh baby, did yesterday bring some titillating musical teasers. Actually, only two of the four teasers featured in this post are actual music. The other two are simply forecasts of music that will become available shortly.

By the way, I’m writing this in a hurry because I’m about to leave for the airport. The old fucking day job is sending me to the East Coast for a couple of days. I’ll tell you, the life of a coke mule isn’t as glamorous as it’s cracked up to be. The prospect of parking my tender, balloon-filled butt in a cramped airplane seat for 5+ hours isn’t appealing. But it comes with the territory, y’know? Anyway, when I ignore all your comments until tonight, it won’t mean I don’t love you.

THY CATAFALQUE

This talented Hungarian band has already teased us about their new album on Season of Mist, Rengeteg, which won’t actually see the full light of day until November 11 and fucking January 10, 2012 in North America. Yes, last month we got some snippets of music (featured at NCS here) — not even a full song, but certainly enough to stir our loins in anticipation. Now we have a full song, the first to debut from the new album. It’s called “Fekete mezők”, which means “black fields”. And guess what? Season of Mist has made it available for free download HERE. Listen up (right after the jump): Continue reading »

Oct 012011
 

I spent some time yesterday catching up on metal news over the last week and came across an assortment of videos I thought were worth sharing.

The first one is footage of the almighty Goatwhore playing a club in Fort Walton Beach, Florida on September 16. What makes this video worth sharing is that they’re playing a NEW SONG, called “Beyond the Spell of Discontent”, and it’s a smokin’ hot piece of black ‘n’ roll. The video quality isn’t great, but the sound is pretty good. I’ll have the vid of that song for you after the jump; video of the band’s entire set can be viewed here.

The second video is a clip of Insomnium playing “The Gale” and “The Mortal Share” at the 2010 Summer Breeze Festival. The band linked to this video on their FB page last night, which is how I found it. Again, the video quality isn’t pro-standard, but the sound is decent, and it’s fucking Insomnium, and I’m getting tremendously tumescent in anticipation of their new album, so yeah. (Okay, this video isn’t exactly new, but I’m going with it anyway.)

The third video is a recent official release by a Finnish band called Grendel for the song “Apocalyptic Rain”. I wasn’t familiar with Grendel before seeing the video, but I likey the song — it’s a headbanging blast of melodic death metal. The video, which is organized around a game of Russian Roulette, proves two things: (1) the guys in this band weren’t very lucky that night; and, as if we needed more proof, (2) dudes will do almost anything for a chick with big knockers.

Last, but not least, I have a recently posted MetalInjection video of Revocation performing “Conjuring the Cataclysm” live. I always have a shit-ton of fun at Revocation shows, and I really like this song, so there. Continue reading »

Jul 072011
 

OK, time to court some (albeit minor) controversy. To compare and contrast with the “Wintermoon Wednesday” piece on post-millennial black metal by Tr00 Nate (unseen at the time of this writing) over at TheNumberOfTheBlog, I’ve decided to list my own picks for the prize.

I’ve left out the obvious choices, so no Satyricon or 1349 – even though the former have transformed themselves post-2000 very successfully, courting both success and controversy in equal measure, while the latter have pushed their hyper-blast style beyond the breaking point, only to discover a new lease on life through their exploration of gnarled, twisted atmospherics.

No Rotting Christ? Or Samael? Nope. I love both of them, but they both had long pre-millennial careers and spent much of the post-2000 stage of their careers exploring less focussed, less black metal sounds — although both have recently released masterful examples of their own focussed and distinctive brands of black metal.

I have left out records which are perhaps less “purely” black metal — records for which a strong case can be put forward that they belong more as “blackened” examples of another genre — so there’s no place for Altar Of Plagues or Withered, both great bands in their own right. No Akercocke either, the sheer weight of their crushing death metal heft disqualifying them for this list.

I have also by choice left out artists/albums I have covered recently. Therefore, no Iskald (though The Sun I Carried Alone IS one of the best black metal albums of the last ten years), or Elite (see HERE for my thoughts) or The Axis Of Perdition (HERE), even though I’d argue that each of them has at least one example under their belt of near perfect post-millennial black metal.

So who have I chosen? Well look upon my choices dear reader, and despair… Continue reading »

May 022011
 


What the hell is that big yellow thing up in the sky? It looks vaguely familiar, but it’s appeared so rarely here in The Emerald City over the last six months that we’re having trouble placing the name. Well, maybe the name will come to us. The great wheel of the seasons surely must continue to turn someplace, but in Seattle it seems to have been stuck on Winter since, like, forever. In some parts of the world, April showers bring May flowers, but here, April showers will probably bring . . . May showers.

Okay, enough whining. At least we don’t get tornados dropping from the sky like atom bombs and wiping whole towns off the map. And even though the weather hasn’t been our friend, we have metal to make up for the cold shoulder — and there’s a bunch of new metal headed our way.

What we do with these installments of METAL IN THE FORGE is collect news blurbs and press releases we’ve seen over the last month about forthcoming new albums from bands we know and like (including updates about releases we’ve included in previous installments of this series), or from bands that look interesting, even though we don’t know them yet. And in this post, we cut and paste the announcements and compile them in alphabetical order.

This isn’t a cumulative list, so be sure to check the Category link called “Forthcoming Albums” on the right side of this page to see forecasted releases we reported in previous installments. This month’s list begins right after the jump. Look for your favorite bands, or get intrigued about some new ones. Continue reading »