Sep 092011
 

“Crushing” is a great descriptive word for certain kinds of metal, which is why it’s used so often. It’s a very physical word — it refers to a physical act of destruction, and the obliteration of something solid into pieces, rendering it no longer recognizablle as what it was.

An argument can be made that the word is overused. I don’t pay attention to those arguments, because although I work hard on my vocabulary, there aren’t many other words that convey the meaning of “crushing”. To me, it connotes the decimating effect of massive, irresistable weight brought down hard on something relatively fragile. Like my skull, or yours.

“Crushing” is the dominant word that came to mind when I watched three live videos late yesterday by Tombs. I feel guilty about Tombs, because I’ve been overwhelmed by their June 2011 album Path of Totality, and although I’ve featured songs from that album before (here), I’ve never repaid the favor of this music with a review. I take solace from the fact that I’ve similarly defaulted on my moral obligations to dozens of other bands. In this way, the more you repeat the same mistake, the less consequential the mistake becomes. The human capacity for self-delusion is amazing, and amazingly wonderful.

Where was I? Oh yeah — Tombs. I’ve always had trouble trying to classify their music. It’s part American black metal, part catastrophic doom, part grindcore, part sludge. I can’t fix on a genre label, which I suppose is why I revert to the word “crushing”. (more after the jump . . .) Continue reading »

Sep 082011
 

I doubt I’ll be able to continue doing this on a regular basis, but for the third day in a row, here’s a round-up of news I saw and music I heard today that I thought were worth sharing.

KRISIUN

It’s been three years since Krisiun released Southern Storm, and that’s far too long to wait for another slab of death metal bestiality from these Brazilian kings of the genre. Today’s wonderful news is that Krisiun will be releasing their eighth studio album, The Great Execution, on October 31 in Europe and November 1 in North America via Century Media Records.

A press release explains that the album “musically expands Krisiun’s trademark high-speed death metal violence with a heavily increased amount of diversity ranging from extreme tempo variations over distinct rhythm patterns to clean guitars and even Flamenco parts!” In addition, “Krisiun only used analog gear and instruments this time to avoid the compressed sound that so many musicians produce today. This wise decision resulted in a more organic sound, with the songs on The Great Execution possessing both warmth and rawness, which are so often lost through digital production. The low end is deeper, with drums that pound instead of bounce and guitar tones that sear rather than hiss.”

That just sounds fuckin’ peachy, don’t it? And what about that album art up above, by by Japanese artist Toshihiro Egawa (Suicide Silence, Heaven Shall Burn, Devourment, Dying Fetus)? Metal As Fuck.  (more after the jump . . .) Continue reading »

Sep 082011
 

(NCS writer BadWolf reviews the new album from Chicago’s High Spirits, one of the many projects of Chris Black (aka Dawnbringer).)

As I sit here, there’s a million things I should be listening to: brushing up on my beardo/nerdo metal in preparation for SUCKFEST ’11, putting together my Norwegian Hardcore playlist for Invisible Oranges, and brushing up on my Enslaved for their upcoming tour with Alcest and Ghost, not to mention the loads of promo records clogging my inbox.

None of those has factored in for the past 6 days thanks to Another Night, the debut record by Chicago’s High Spirits. This piece of self-released, Neo-Traditional metal awesomeness has possessed my iPod harder than Pazuzu possessed Linda fuckin Blair.

“The power of ‘Core compels you, the power of ‘Core compels you.” I scream at the little glowing screen… and then I listen to “Full Power” one more time. 45 repeats in 6 days. I need help. Islander—this is my vote for catchiest song of the year.

Don’t let that fool you into thinking this is a one-song record. Hell no. Another Night is a 40-minute nostalgia trip that delivers. No concepts, no conceits, no bullshit. Just good times and hard rocking.

Then again, that shouldn’t come as a surprise—High Spirits is (in studio) a one-man project of Chicago metal royalty Chris Black. This man is an absolute beast. He writes lyrics for Nachtmystium when he’s not writing every instrument for High Spirits and another little project called Dawnbringer. (more after the jump . . .) Continue reading »

Sep 082011
 

Last year, Andy Synn reviewed After the Burial’s 2010 album, In Dreams, and was underwhelmed. I was, too. After high expectations, it was indeed one of the most disappointing releases of the year. I have a sad feeling that ATB has left the brilliant days of Rareform behind forever.

So I really can’t explain why I watched the band’s just released official video for an In Dreams song called “Pendulum”. There are moments in the song when the band latches onto a riff that at least conjures up memories of Rareform, but the rest of the song just comes way too close to generic metalcore.

I guess the video is an attempt to sex-up the song, or rather convince everyone that it will sex you up if you listen to it. Y’know, take a stereotype of repressed teenagers (girls in a Catholic school) and show how they get all uninhibited and rebellious when listening to the rad music of ATB. I thought it was a little creepy, in addition to being grossly cliched. So, why am I including it in today’s NCS posts? Fuck if I know. Anyway, the video is after the jump. Continue reading »

Sep 082011
 

Let’s start with a confession: I can’t stand Dave Mustaine. Really can’t stand him. I do my best to avoid reading anything he says, but it’s difficult because  he just WILL. NOT. SHUT. UP.

Another confession: I’m not a huge Megadeth fan. Never have been. Among “The Big Four”, I was much more into Metallica and Slayer. But — I’m also bored shitless reading about The Big Four. All of them. BORED. SHITLESS.

I’m making these confessions so you’ll understand that when I say the new Megadeth song is good, it’s not the reaction of a slobbering fanboy or an effort by an ambitious metal blogger to give a knob-job to the Old Gods. I just really like the damned song. It’s called “Public Enemy No. 1”, and it started streaming today on the official Megadeth web page (here). Of course, it has already made its way to YouTube. Listen to it after the jump. It fucken rocks.

By the way, though I suppose it’s pretty damned obvious, the album cover art for the next Megadeth album, TH1RT3EN, has also been revealed. It’s by John Lorenzi. Continue reading »

Sep 082011
 

(Trollfiend displays his erudition about Hungary and about Hungarian folk-metal band Dalriada in this guest post. I’m enjoying laughing my ass off while learning about new metal. And Hungarian pizza.)

The tiny landlocked nation of Hungary in Central Europe is home to, uh…um…wait, I think Bela Lugosi was born there.  And, uh…the inventor of the Rubik’s cube.  And incidentally when I attempted to Google edutaining facts about the country, “Hungary Howie’s” restaurant was the first thing to come up, so I can only assume pizza was invented there as well.  It is also home to a massive and diversified metal scene (some members of which have already appeared in these hallowed halls, such as Thy Catafalque, Gire, Slytract, MytraMeankind, and I Divine).

Hungary’s land mass is approximately 36,000 square miles.  Preliminary research suggests that at least 87.9% of this land mass is comprised of metal bands.  Aside from being the birthplace of the guy who discovered vitamin C (the actual vitamin, not the orange-haired pop singer), it’s also the home of HangSúly, the national Hungarian Metal Awards.  Metal Awards? Do WE have that? I mean I know not every country can boast spawning the creator of the three-phase alternating current electric locomotive, but that AND a national metal awards show? It must be something in the water (of Lake Héviz, the second largest thermal lake IN THE WORLD).

I’m only mentioning Hungary here because I am totally craving a pizza right now.

No, wait, there was another reason.  Folksy folk metal folk band Dalriada is from there as well.  By “there” I mean Hungary, home of the largest medicinal bath house in Europe.  Now I know Dalriada is going to be a hard sell to most of the NCS crowd: aside from the clean female vocals, it’s motherfucking PEPPY.  Peppy as shit.  I wouldn’t lie to you about something like that. (more after the jump . . .) Continue reading »

Sep 072011
 

Here’s another daily round-up of news and new music that I noticed today. All of these items perked me right up, so I thought I’d share them.

THY CATAFALQUE

Compared to other metal blogs, we’re late to the Thy Catafalque party, but we’re making up for lost time because the unique music of this Hungarian band has been a cool discovery (you can see our first post about them here).  We knew that the band had recently signed with the dependable Season of Mist label, but this morning we got a message from Tamás Kátai with further details.

Specifically, the band seems to have finished 60 minutes worth of new music (10 songs) that will be released on November 11 in Europe and on January 10, 2012 in North America. It will be entitled Rengeteg, and you can see the cover art up above, which is the result of a collaboration between Tamás and Portuguese photographer Ruy Luz. The art seems connected to the meaning of the album’s title, which is an obsolete Hungarian word referring to a vast, trackless forest. We’ll be all ears when this album becomes available for listening.  (more after the jump . . .) Continue reading »

Sep 072011
 

I had only planned to feature one Finnish band yesterday (Decaying), y’know, because, like, I didn’t wanna come off as such a Finland fanboy that people would think we don’t have any objectivity about Finnish metal at all, like, people will think we get off on the sound of Finnish bands taking a big dump in the gold-plated, mic-ed up toilets that all people in Finland have, with the sounds becoming instant demo’s that metal labels worldwide just eat up like good fucking pancakes.

Where was I? Oh yeah, I was only going to feature one Finnish band yesterday, even though I saw this review at Steff Metal. But that was yesterday and today is today, so I’m going with it now. Maybe if you see just an excerpt from her review you’ll understand why NOT listening to this band was an impossibility for me:

Observation is a shocker of an album – it’s a prime example of a bunch of talented musicians taking an idea and running with it, no holds barred, no stopping to wonder if maybe they’re being a bit silly. It’s an album that, had some lesser bunch of weirdos put it out, it would have been the shittiest album of the year. But this bunch of weirdos know exactly what they’re doing. . . .

The music consists of sporadic, fuzzy riffs, catchy hooks and song structures that could only occur when Dr. Frankenstein took the brains of every member of Kalmah and stuck them into Rammstein. The vocals alternate between a artificially distorted screeches, and that low goth industrial rumble that turns most girl’s insides all mushy. Add a splattering of electronic blips and bloops, and some lyrics about science gone mad, and you’ve got mathdeathboogie, my new favorite made-up genre.

(more after the jump . . .) Continue reading »

Sep 072011
 

Yes, we are pimping the MetalSucks-sponsored METAL SUCKFEST again. When another metal blog succeeds in pulling off something this good, we will pimp the shit out of that, too.

Seriously, get a load of the almost-fully-revealed lineup for this show, which will be held in New York City on November 4 and 5. There are still 4 bands yet to be announced, and I’m already blown away by who’s appearing. There’s tremendous variety in the metal that will be on display, and the announced bands include some of my current favorites in the world of metal, including Today is the DayHowlBlack TuskMagrudergrindObscuraThe Red Chord, and Scale the Summit — and I don’t mean to imply that the others are only tolerable.

I have to make special mention of A Life Once Lost. There was a time, back when metalcore was a thing, when I would go for days without listening to anything but A Life Once Lost, and I’m usually the sort of listener that constantly flits from one band to the next when I’m in listening mode. I was massively disappointed when it appeared ALOL had broken up, and super-happy when I found out last year that they were back and working on new music. The latest word is that a new album will be coming in 2012 — the first since 2007’s Iron Gag. I would dearly love to see them at the SUCKFEST. (more after the jump . . .) Continue reading »

Sep 072011
 

Last night I came across three new songs — from Nightrage, Dagon, and Skeletonwitch. Each of them individually is blistering. Listening to them all together runs the risk of leaving you like this:

So, y’know, maybe it’s better to listen to one now and then another one tomorrow and then the third one sometime next week. Unless that picture up above would be an improvement in your looks, in which case just GO FOR IT!

NIGHTRAGE

Right after the jump, we’ve got the second song to premiere from Insidious, the new album coming on September 27 (a day earlier internationally) from Sweden’s Nightrage. Based on this track (“Hate Turns To Black”) and the one we featured last month (here), this album sounds like it’s going to be the strongest Nightrage release since Sweet Vengeance (2003) and Descent Into Chaos (2005). Continue reading »