Apr 162010
 

HIATUS: The radio show hosted by two of your NCS Co-Authors is on summer vacation, but should resume in September 2010.

Two of the three perpetrators of this site have landed a radio gig. Alexis and IntoTheDarkness will be co-DJs for two hours of metal every Friday morning from 10:00 – 12:oo Pacific Time on KSUB, the radio station of Seattle University.

But you don’t have to live in Seattle to listen, because the broadcast will be streaming worldwide over the web. You will need Winamp, iTunes, XMMS or an mp3 player capable of listening to shoutcast streams to tune in.  You can listen by clicking this link. And for future reference, here’s the URL:

http://www.seattleu.edu/ksub/default.aspx?id=26824

If you like the kind of demented extreme music we cover on this site, check out this show.

And yes, the first broadcast starts today (this thing got cleared at the last minute or we’d have given you more warning). And if Alexis and IntoTheDarkness commit any fuck-ups, be forgiving. This DJ thing is a first for them.

Apr 162010
 

The official line-up for the Summer Slaughter Tour 2010 has now been confirmed (by Metal Sucks).  Here it is:

DECAPITATED
THE FACELESS
ALL SHALL PERISH
THE RED CHORD
VEIL OF MAYA
CEPHALIC CARNAGE
DECREPIT BIRTH
CARNIFEX
ANIMALS AS LEADERS
VITAL REMAINS

That is one mouth-watering band list of extreme metal awesomeness, isn’t it?

But as you scan your greedy eyes over that list, which band doesn’t exactly fit with the rest? If you’re like us, your eyes probably came to a halt at Animals As Leaders. Wonder how they came to be included. Mind you, we’re not complaining at all. We saw Tobin Abasi and his mates play in Seattle last week (and wrote about it here, with photos), and they are gobsmackingly good. But it’s an interesting choice.

Tour dates and places aren’t available yet. You can be abso-fucking-lutely sure that if this tour comes anywhere near Seattle, we will be there.

Apr 152010
 

Yesterday we posted some news about a promising metal band from Mumbai, India, called Demonic Resurrection. Astonishingly, that short piece drew more visits than any other post we’ve written, save one, since we began this blog last November. One of those readers, “Infected0718,” urged us to check out another Mumbai band called Bhayanak Maut, and we did. Today we feel compelled to write about them, too. (We received other recommendations, and we’re also following up on them.)

Metalheads well know that we’re in the middle of an extreme metal renaissance (and NO, we’re not talking about Axl Rose taking the stage again or Slash releasing a new album). In recent years, we’ve seen an explosion in the number, quality, and popularity of bands putting out the kind of music we love.

That phenomenon is not confined to North America and Western Europe. It’s happening throughout the world. And to us here at NCS, there’s something reassuring about that. As fucked up as the planet is in so many ways, and as many religious, cultural, and political barriers still divide people around the globe, music is a common language. Even in our tiny corner of the music universe (where a ridiculously small percentage of all people are thoroughly hooked on this brand of music), we have brothers and sisters everywhere who speak this demented language.

As a pretty random set of examples, we’ve written here at NCS in the not-too-distant past about bands and artists from Italy (Hour of Penance, Psychofagist, and Carnal Rapture), Hungary (I Divine), Romania (Negura Bunget), Moldova (Neuromist), Costa Rica (Sight of Emptiness), Finland (e.g., The Jasser Arafats), Sweden (Soreption and Valkyrja), Greece (Rotting Christ and Gus Drax), Indonesia (Bloodshedd), Germany (Thrudvangar), Norway (Shining), France (Eryn Non Dae), South Africa (Haggis and Bong), and — well, you get the idea.

Not so long ago, we never would have known of bands like this or had any realistic chance of hearing their music. But thanks to the miracles of modern technology invented by Al Gore, they’re now just a few clicks away. And that brings us back to Bhayanak Maut.  (stay with us, after the jump . . .) Continue reading »

Apr 142010
 

As regular readers know, we’re suckers for extreme music from far-away places that aren’t particularly well-known in the U.S. for their metal scenes.  (Though we like American bands, too!) Mumbai, India, qualifies. It’s far away. It’s not known here in the U.S. for its extreme metal scene. And it has produced a band called Demonic Resurrection that turns out to be worth some close attention.

Some of you guys probably already know of this band, but they’re a discovery for us. But what you probably don’t know is this breaking news from Mumbai: Demonic Resurrection have signed a deal with Candlelight Records for the worldwide release of their latest album, The Return To Darkness, which the band self-released in January. We now know that The Return to Darkness is the band’s third album, and the completion of a conceptual trilogy.

If we had seen Global Metal, the documentary film by Sam Dunn and Scot McFadyen, we would have known about these Mumbai metallers before now, because they’re apparently featured in that film, along with bands from other exotic locales such as China, Iran, Indonesia, and Israel. (We’ve really got to watch that film.)

(more after the jump, including the band’s latest music video . . .) Continue reading »

Apr 132010
 

Two nights ago the three perpetrators of this site attended the Seattle stop of the Twilight of the Thunder God Tour II at The Showbox. In Part 1 of this post (which you can find here), we wrote about the performances of the first two bands on this show — Eluveitie and Holy Grail. Today, we’re bowing down before the awesomeness of Amon Amarth. And after we’ve sung our praises, continue on after the jump for a big batch of our photos from their set.

We’ve been listening to Amon Amarth’s Viking-themed melodic death metal for almost as long as we’ve been listening to death metal, but this live performance was a first. We got so stoked when we found out they were coming to Seattle this spring that we posted an announcement of the tour back in February under a two-word title: HOLY SHIT! So, how did the actual show measure up to our inflated expectations? Well, we still can’t improve on what we wrote in February: HOLY SHIT!

From the first chords of “Twilight of the Thunder God” to the last notes of “The Pursuit of Vikings” in the encore, Amon Amarth proved why they have not only survived for more than 20 years but have remained to this day one of the best death metal bands on the scene.  (more after the jump, including the best of our amateurish photos . . .) Continue reading »

Apr 122010
 

The Twilight of the Thunder God Tour II featuring Amon Amarth, Eluveitie, and Holy Grail, stopped at the Showbox in Seattle last night. All three of your NCS Co-Authors were there, despite the fact that two of us were still a bit bleary-eyed from attending the Dillinger Escape Plan show the night before at El Corazon (you can see our write-up on that show and photos here). On the other hand, it would have taken major bodily injury to keep us away from a chance to see Amon Amarth in person.

We took so many photos of this show that we’re going to split this post into two parts (plus it was another late night and we have day jobs that require our fucking attention very shortly). Today, we’ll say a few words about Holy Grail and Eluveitie, with photos from their sets at the end of the write-up, and then tomorrow — tomorrow will be all about the awesomeness that is Amon Amarth in concert. Don’t miss that!

(continue on after the jump . . .) Continue reading »

Apr 112010
 

“Doin’ It Live ‘Til We’re Dead” appears to be the motto of The Dillinger Escape Plan for 2010. They passed through Seattle and stopped for a show at El Corazon on the night of April 10, with support from Darkest Hour, Animals As Leaders, and local favorites 7 Horns 7 Eyes. Two of your three NCS Co-Authors were on hand for the fun, and we file this report. In a word, the show was just amazing from start to finish. And for a change, we got some decent photos. You can see a lot more of them at the end of the write-up.

7HORNS 7 EYES

We last saw this local quintet (featuring two pairs of brothers) on January 26 as support for the Metal As Art tour. We hadn’t seen or heard them before that show, but they made a huge impression. We wrote then: “‘Epic” is an overused word in our community, but it truly suits the music that 7H7E delivers. The music is atmospheric but technical . . . It’s some mesmerizing shit!”

And it was more of the same last night: Complex, mid-tempo rhythms, sweeping melodies, a mix of growly and high-pitched vocals, tight instrumental interludes — and their own light show, with the fog machine pumping out the smoke. This is some mighty tasty progressive/death-metal fusion. And based on some mid-set comments from the stage, it appears we will finally have a debut album in the next couple of months. An awesome way to start the night!

(lots more after the jump . . .) Continue reading »

Apr 102010
 

We’ve been diehard fans of Heaven Shall Burn for eons. Or at least years. They’ve got a new album called Invictus due for release on June 8 in the U.S. and on staggered dates from May 21 – May 24 throughout Europe. You can see the recently unveiled album cover above.

And the band has just put up a song from the album, called “The Omen,” for streaming on their MySpace page. It starts with a haunting melody by piano and strings, but at about the 1 minute mark, it erupts. Marcus Bischoff has never sounded better, and the song is a classic HSB killer. You can listen here.

Our status: Pretty fucking stoked to hear the whole album.

Apr 102010
 

Back on Jan 11 (which seems about a decade ago), I posted still photos from the then-forthcoming movie Clash of the Titans and suggested how those images could represent different kinds of extreme metal bands. You can see that here. The movie is now out, and seems to be drawing hoards of viewers. I haven’t seen it yet, though I intend to — despite a review I read by the always wicked Anthony Lane in the April 12 issue of that famous metal zine, The New Yorker. It’s just too funny not to share a few excerpts:

There is an awful lot of clashing in “Clash of the Titans,” but no Titans. A pity, for the real Titans were early-model deities, born of Uranus and Gaea; she, peeved by her husband, took the unusual step of forging what one ancient text describes as “a saw-toothed scimitar,” with which her son Cronos then “harvested his father’s genitals.” All of which would have made the perfect Lars von Trier film.

Instead, we have to be content with late-period gods and monsters, plus efficient head removal and the odd winged horse, but not a single act of castration. How do these people hope to earn our respect?

(more after the jump . . .) Continue reading »

Apr 102010
 

Name of the band, Melt Banana. Country of origin, seems to be Japan. Latest studio release, Bambi’s Dilemma. Not really new (came out in 2007), but new to me, so that makes it new, right? 18 songs on the album. Average length per song: 01:94. Thoughts while listening:

Not metal. But extreme, for sure. So maybe I could write about it.

Definitely not clean singing. Vocalist sounds like a 12-year old girl, screaming. Or maybe Alvin from the Chipmunks. No, it’s a girl (Yasuko). (That’s her picture over there to the right.) Oh well.  A singing chipmunk woulda been cool.

Pretty damned fast. This is throw-back punk music.  Like Buzzcocks or Sex Pistols.  No, wait. Weird electronic noises. Outer Limits-style keyboards. And a dog barking. Yeah, pretty sure that was a dog.

Wholly shit, but that guitarist can get a lot of different sounds out of his axe. Name is Agata. When he hits those loud punk riffs, it really rocks! Dude can fucking play.

Drummer can hit the shit out of the snares and cymbals. Clattering and crashing — but fast. Man, that guitarist can shred, too! But he’s doing something weird to his guitar. How many dozen pedals is this dude using?

Is that song really called “Cat Brain Land”? Now the vocalist is talking — like a 12-year old girl. I take that back — like a 6-year old girl. Or like Alvin from the Chipmunks. Like when he was a really young chipmunk. Oh good! Here comes that crazy-ass guitar again!   (more after the jump, and just maybe, we might get to a point . . .) Continue reading »