Nov 292011
 

We are pleased to re-post some early remarks by Matti Riekki from the Inferno (Finland) web site about Swallow the Sun’s fifth album, Emerald Forest and the Blackbird, which will be released on Feb. 1, 2012, by Spinefarm Records. Thank dog for Google Translate:

“Swallow the Sun’s boss Juha Raivio said recently Inferno haastiksessa band from the forthcoming album to tell stories.

“If you mirror this against the Emerald Forest and the Blackbird is the atmosphere like a colorful blend of narrative, but the brutal teachings Grimm production, and even M. Night Shyamalanin life and fantasy adventures of the world movies.

“Musical waves are familiar in a large scale, tunnelmamelodisen matelumetallin marks go, but the trip can be found quite surprising ports, which should be enough to explore in the corners for a long time. Let’s just say this, that if one of the O-beginning with the band moving away from the metal market, annoying, this disc may be found in moments of comfort. (And do not now, pliis, take this, so that StS sounds like it is now beginning with the O-band. The question is more about building a political parable of the song.)

“Speech Shares, clean and rough vocals korinat alternate style, and the plate is sovitusten behalf of a good and balanced reverb. As far as the quality of the compositions, so deuce take, for the most part the songs do not leave a huge mind squeezing all correct any invalid. Right now, huimin kipale typeonegatiivisen atmosphere of the north end of the rotation period of a hymn on April 14th, which gets all the body hair sojottamaan smalliron bar. So is the man as the porcupine.

“Listening to the sum of the three in one sentence: I think this is definitely the most interesting Swallow’ta bushes, then come as a surprise debut. Invalid kaamosmasennella here.” Continue reading »

Oct 012011
 

September is behind us. Here in Seattle, it was such a beautiful month that it seemed like nature’s compensation for how late the summer started. Unfortunately, with September’s end, we’re on a short track to the onset of winter, which means about six months of short, cold, grey, ceaselessly wet days. Ain’t that just fuckin’ great?

Well, bitchin’ about the winter ahead won’t change one fucking thing. I prefer to think instead about the deluge of new metal that’s headed our way and try (momentarily) to forget about the deluge of rain on the horizon. Which brings us to the latest monthly edition of METAL IN THE FORGE.

You know the drill:  In these posts, we collect news blurbs and press releases we’ve seen over the last month about forthcoming new albums from bands we know and like (including occasional updates about releases we’ve included in previous installments of this series), or from bands that look interesting, even though we don’t know their music yet. In this series, we cut and paste those announcements and compile them in alphabetical order.

Remember — this isn’t a cumulative list. If we found out about a new album before August, we wrote about it in previous installments of this series. So, be sure to check the Category link called “Forthcoming Albums” on the right side of this page to see forecasted releases we reported earlier. This month’s list begins right after the jump. Look for your favorite bands, or get intrigued about some new ones. As usual, also feel free to tell us about how we fucked up by omitting releases that you’re stoked about. Continue reading »

Jul 012011
 


June is behind us, July lies ahead. Here in the U.S., we’re about to start the long weekend leading up to Independence Day, when Americans celebrate the birth of the nation by buying explosive ordinance wherever fine explosive ordinance is sold and lighting up the night sky (in addition to blowing the shit out of objects and sometimes themselves). People will also be exposing unsightly parts of their bodies wherever sun can be found and eating large quantities of health food prepared on outdoor grills. Our Founding Fathers would be proud of what they wrought!

Because the last month has ended, that means it’s time for another installment of METAL IN THE FORGE, in which we collect news blurbs and press releases we’ve seen over the last month about forthcoming new albums from bands we know and like (including occasional updates about releases we’ve included in previous installments of this series), or from bands that look interesting, even though we don’t know their music yet. In this series, we cut and paste those announcements and compile them in alphabetical order.

Remember — this isn’t a cumulative list. If we found out about a new album during May or preceding months, we wrote about them in previous installments of this series. So, be sure to check the Category link called “Forthcoming Albums” on the right side of this page to see forecasted releases we reported earlier. This month’s list begins right after the jump. Look for your favorite bands, or get intrigued about some new ones. And feel free to tell us about how we fucked up by omitting releases that we overlooked. Continue reading »

Feb 032011
 

I can justly be accused of being enthusiastic about almost everything. That may not be the most metal of outlooks, especially when my enthusiasm turns out to be misplaced, or cools after a little calm reflection; I do lose my bearings sometimes.

But, with all those caveats out of the way, I have to tell you, right now, about a song I just heard.

On the way to my fucking day job this morning, I started listening to the brand new album from Finland’s Alghazanth, which is called Vinum Intus. I wasn’t familiar with this band until we started that Finland Tribute Week thing, and one of our readers (CarlSK) recommended them in a comment, noting that the band’s vocalist is Mikko Kotamäki, who also fronts Swallow the Sun and Barren Earth.

I only got two songs into this new album and then stopped and started replaying that second song. The way I feel right now, this beautiful song is blowing out of the water almost all the other new black metal releases I’ve yet heard in 2011.  (more after the jump . . . including the song) Continue reading »

Dec 172010
 

Finland Tribute Week started on a lark, and then took on a life of its own. One week of Finnish metal turned into two weeks, and it could easily continue for many more days. But all good things must come to an end. Among other things, this good year for metal is coming to an end, and you know what that means: Year-end lists. We have some for you, beginning on Monday.

Looking back on Finland Tribute Week: Finland has produced a rich variety of metal, and we’ve done our weak-minded best to provide a sense of that. We’ve covered an array of melodic death metal, funeral doom, black metal, humppa metal, folk/pagan metal, battle metal, cello metal, monster metal, and more. Undoubtedly, we will have fucked up in the eyes of many of you by neglecting bands we should have written about. That’s to be expected: “Disappointing” is our middle name (one of many).

We’ve been scratching our pointy heads about what to do in this final post — our last chance before this series ends to highlight Finnish metal bands. We’ve been holding on to one well-known band that’s a favorite of your three NCS co-founders — Swallow the Sun. So,we’ll lead with that. Then we’ll move on to another band we didn’t know about before starting this series, but that many of you have recommended to us: Fall of the Leafe.

And then we’ll finn-ish off this series by doing what we’ve tried to do consistently since the beginning of NCS — tell you about bands you may never have heard of that hit our sweet spot, including promising bands just getting their start. The ones we’ve picked, somewhat randomly, for this wrap-up are Depressed Mode, Nation Despair, and -1 World. Lots of music to cover. Therefore, we will have few words (yeah, we know that will come as a shock). We will let the music speak for itself — after the jump. Continue reading »

Apr 232010
 

On the night of April 21, The Finnish Metal Tour 2010 played Seattle’s El Corazon, and two of your NCS Co-Authors were there to bear witness and file this report — along with a big batch of our amateurish photos.

With the likes of Finntroll, Moonsorrow, and Swallow the Sun on the bill, we expected nothing less than excellence on stage, and that’s what we got. Which brings to mind a question we’ve had before:

How does a country with only 5.4 million people produce so many awesome metal bands? We still don’t know the answer. But whatever the explanation, here’s hoping it doesn’t stop. Judging by the reaction of the full house at El Corazon, we’re not alone in feeling that way.

Before the procession of Finns took the stage, two local bands got the growing crowd nice and warmed up.

BLOOD AND THUNDER

This five-piece Seattle band plays Gothenburg-flavored, melodic death metal, driven at a galloping pace by some flashy keyboard and guitar work. They’ve got some good song-writing chops, too. The songs were memorable, and we’ve been drawn to the band’s MySpace page to listen again.

They’re one of those rare bands whose lead vocalist is the guy behind the drum kit, and his evil, death-metal vocals make a nice contrast with the memorable melodies. We were told that the band has finished tracking a debut album, to follow an EP released last year. We definitely want to hear it. A strong start to the night!  (our concert notes continue after the jump, plus lots of photos at the end . . .)

Continue reading »

Apr 222010
 

We got caught in a temporal vise. On one side was The Finnish Metal Tour 2010 at El Corazon in Seattle last night. Two of your NCS Co-Authors hit that up, and man, was it awesome! Finntroll (pictured above in one of our photos from last night), Moonsorrow, Swallow the Sun, and two very good local bands (7 Horns 7 Eyes and Blood and Thunder).

Those Finns don’t do half-measures. They all played long and late. We’re not complaining — but let’s just say it was the wee hours of the morning before we hit the rack. That’s one side of the temporal vise. And on the other side? The fucking day job. And the time in between the two just got squeezed down into a wafer-thin layer of almost nothingness. Certainly not enough time to finish messing with all the photos we took or to write our reactions to what we saw and heard.

So, to tide you over until tomorrow, when we can post our review and a batch of photos, we’re doing this: After the jump, we’ll post one photo from each of the Finnish band’s sets last night plus one album track to stream of a song from each of those sets. So, you’ll get songs from Swallow the Sun, Moonsorrow, and Finntroll to hear as you gaze at the photos — and imagine just how ridiculously good this concert was.  (all that, after the jump . . .) Continue reading »

Jan 272010
 

We have seen the future of extreme metal, and it is bright!

The METAL AS ART tour featuring Hypno5e, Revocation, and The Binary Code is one we’ve been waiting for with bated breath for months. We’ve been curious about Hypno5e and huge fans of Revocation and The Binary Code for a while now (we’ve written about our admiration for Revocation here and The Binary Code here and here).

On January 26, the wait ended as the tour rolled into Seattle’s Studio Seven, with support from local band 7 Horns 7 Eyes — which was the biggest revelation of the night — and two of your NCS Authors were there.

This was, bar none, one of the best shows from end to end that we’ve seen in many moons. These are young bands that are capable of carrying the future of extreme metal on their shoulders.  If merit counts for anything (and unfortunately, it doesn’t always), these hard-working dudes will find a place in the vanguard and the kind of widespread notice they deserve.

For our detailed review of the performances and a big collection of our amateurish photos, continue on after the jump . . . . Continue reading »

Dec 192009
 

wacken10smallVans WarpedYesterday, NCS Co-Author IntoTheDarkness posted a piece on the brutality of German extreme metal bands. In an episode of synchronicity, this morning I saw three news updates about festivals scheduled for 2010 — one in the U.S. and two in Germany. And the comparison speaks volumes. On the one hand, we have the 2010 Vans Warped Tour spreading across the US next summer like a brain-sucking plague. On that tour, you’ll have the opportunity to see such stupifyingly awful bands as Attack! Attack!, Breathe Carolina, and Eyes Set to Kill. There are a few saving graces on the tour — Parkway Drive, Suicide Silence, and Whitechapel. But suffering through the rest of the 67-band lineup for the opportunity to see those dudes would be worse than a garden-hose colonoscopy without anesthesia.

SUMMER_BREEZE_2010On the other hand, next year in Germany we’ll have the latest installments of (a) the Summer Breeze festival scheduled for August 19-21 in Dinkelsbühl; and (b) the Wacken Open Air festival scheduled for August 5-7 in (where else) Wacken, Germany. At Summer Breeze, you could see the likes of Asphyx, Barren Earth, Behemoth, Dark Tranquillity, Despised Icon, Dying Fetus, Hypocrisy, Necrophagist, Obituary, Sepultura, Swallow the Sun, The Crown, and Maroon. And Wacken Open Air will feature bands such as Amorphis, Arch Enemy, Caliban, Immortal, Iron Maiden, and Slayer.

What’s really mind-blowing about the contrast is that those German festivals, each spread over just a few days in a single location, will draw tens of thousands (e.g., 70,000 tickets were sold for the 2009 edition of Wacken Open Air more than 200 days in advance). To get that kind of attendance in the U.S. for metal, you apparently need to have a line-up of largely craptastic bands and a schedule of about 40 dates in 40 cities.

To be fair, the German festivals draw crowds from all over Europe, and the U.S. does have some legitimately extreme festivals that are drawing headbangers in increasing numbers (the Maryland Deathfest, now in its 8th year, comes to mind most prominently). But still, so far, it’s no contest.

For full lists of the bands scheduled to date for these 3 tours, continue reading after the jump.

Continue reading »

Nov 242009
 

[Editor’s Note: NO CLEAN SINGING was originally founded by three metalheads who go by the names of Islander, Alexis, and IntoTheDarkness. In this post, IntoTheDarkness tells you a little bit about himself, and below that, Alexis introduces herself. Islander hasn’t yet written anything about himself, other than what you can read into what he writes on this site — and this photo.]

Why is there such a separation within the metal scene? Why is it that if someone likes more than one distinct type of metal, he or she gets ridiculed? For example, if you’re someone who likes both death metal and deathcore, you are suddenly no longer a true metal fan. Continue reading »