Apr 022011
 


Technically, we should have posted this yesterday, but yesterday was April Fool’s Day, and people might have thought we were making up some of this shit. But it’s all true, and nothing happens on April 2 to plant doubt about truth. Except for what causes doubt to be planted about truth on any other day of the year.

Here we are at the beginning of the second quarter of 2011 — the time when for those of us in the Northern Hemisphere, spring is supposed to spring.  Where I live, spring has apparently been victimized by a brutal street mugging and is hospitalized at the moment.  A few plants have been deluded into thinking it’s spring, but for the rest of our local world, it’s still fucking winter.

Fortunately, the change of the seasons have fuck all to do with the release of metal. What we do with these installments of METAL IN THE FORGE is collect news blurbs and press releases we’ve seen over the last 30 days (or in this case, the last 31 days) about forthcoming new albums from bands we know and like (including updates about releases we’ve included in previous installments of this series), or from bands that look interesting, even though we don’t know them yet. And in this post, we cut and paste the announcements and compile them in alphabetical order.

This isn’t a cumulative list, so be sure to check the Category link called “Forthcoming New Albums” on the right side of this page to see forecasted releases we reported in previous installments. This month’s list begins right after the jump. Look for your favorite bands, or get intrigued about some new ones. There’s some awesome shit on the way. Dive in after the jump. Continue reading »

Feb 012011
 


The first month of the year has come and gone. January brought those of us in Seattle some typically ass-sucking winter weather, though it wasn’t nearly as bad as the brutality dished out by the weather gods on our metal brothers and sisters in the Midwest and Northeast of the U.S. And of course, our readers ins places like Russia, and Finland, and Sweden are probably laughing their asses off reading our complaints about our winter weather. So, we’ll just shut up about that.

Besides, January brought all sorts of great new metal to our tender ears, so who gives a shit about the weather anyway? And you know what else January brought? It brought news of still more metal goodness on the way — great bursts of audio sunshine in our collective futures that will part these winter clouds and leave them whimpering in cloudy tatters.

Okay, maybe we should leave poetry to the poets and just get on with this next monthly installment of METAL IN THE FORGE, where we collect news blurbs and press releases we’ve seen over the last 30 days about forthcoming new albums from bands we know and like, or from bands that look interesting, even though we don’t know them yet. And in this post, we’ve cut and pasted the announcements and compiled them in alphabetical order. Look for your favorite bands, or get intrigued about some new ones:

AJATARRA: “AJATTARA — the Finnish band featuring former AMORPHIS frontman Pasi Koskinen (a.k.a. Itse Ruoja Suruntuoj) — will release its seventh album, Murhat (“Murders”) on February 2 via Osasto-A Records. Murhat is available for streaming in its entirety on the AJATTARA Facebook page.”  (much more after the jump . . .) Continue reading »

Jan 292011
 

The March issue of DECIBEL magazine arrived a couple days ago at the NCS island. There on the cover was a photo of a smiling Chuck Schuldiner licking blood from a nasty cut on his finger. And to commemorate the magazine’s 12-page oral history of Death, the issue included a “Flexi” disk recording of Boston’s Revocation covering “Pull the Plug” from Death’s 1988 album, Leprosy.

I stared at that Flexi disk for a few minutes, trying to think what to do with it.  I tried to shove it into my computer’s CD drive, but it was too big. I shook it really hard and held it up to my ear, but no music came out of it. I even chewed on it, but it still wouldn’t give up its secrets. Slowly, it dawned on me that this thing was meant for a turntable — y’know, those things that make stuff spin around and around, with an arm that holds a needle that somehow makes sound come out of the spinning things?

Problem is, we don’t have any turntables here at NCS. So that Flexi disk is destined to go through life as a coaster.

Then, just as I was resigning myself to having to imagine what “Pull the Plug” would sound like as performed by Revocation, that dim bulb in my head flared briefly and I remembered an e-mail I’d gotten earlier in the week from NCS contributor BadWolf telling me that the Revocation song was streaming over at MetalSucks. I hadn’t been anyplace where I could listen when that e-mail arrived, and then I just forgot about it. So I guess that Flexi disk served a purpose after all.

If you happened to miss that song-stream over at MS, don’t make the same mistake twice — you can stream the song here, right after the jump, and you should, because, to use a journalistic term of art, it’s hot shit. Continue reading »

Sep 222010
 

We’ve displayed our dog-like devotion to Boston’s Revocation many times at this site. They’re an extremely talented group of musicians and song-writers, and they’re in the vanguard of modern extreme metal with a technical blend of death and thrash that’s both head-spinning and massively infectious.

We’ve had shitloads of fun at both of the Seattle shows where we’ve seen them perform, in part because they look like they’re having so much fun when they’re playing and in part because they’re just so fucking good. In fact, we’d crawl across broken glass to see them play live. Fortunately, Seattle’s metal venues don’t yet require crawling as the price of admission and they do a pretty good job keeping the sidewalks clear of broken glass.

Revocation has released two albums to date, 2008’s Empire of the Obscene and last year’s Existence Is Futile. We’d have a hard time picking which one of those is our favorite even at gunpoint. Fortunately, we only know one dude who actually owns a gun, and he wouldn’t threaten us with a gun to find out which of those albums is our favorite. At least we don’t think he would. On the other hand, the fact that he owns a gun means, by definition, that all the wiring in his brain isn’t connected up as it should be. Plus, everyone knows the old saying: “Guns don’t kill people. Metal albums kill people.”

Where were we?  Oh yeah, Revocation. Well, as of a few hours ago, Revocation has released a new performance video of the song “ReaniManiac”, which is being exclusively premiered at the Jackson Guitars web site. In connection with that premiere, Jackson is also sponsoring the giveaway of The Jackson/Revocation JS32 Warrior™ Guitar. So, if you play guitar, or if you just want to stare longingly at one in your room, you can go there and enter your name in the contest.

If all you want to do is watch the video — which you should do — you can do that right here at NCS . . . after the jump. Continue reading »

Aug 062010
 

As you know if you’ve been reading our earlier posts this week, we’ve been feeling kind of bleak. But there’s only so much dwelling on the sadder things in life that we can get away with and still have anyone bother to read what we’re writing.

So, we’re moving on to brighter topics. And in fact, we do have some bright, metal things to write about. That’s one of the many reasons why we listen to extreme metal. It crowds into your space like a giant hairy thing, glowering at you with red-eyed, dripping-fanged, predatory hunger, panting with hot breath. But it does scare all of your worrisome cares into running straight for the exits.

First, we’ve got details on two mouth-watering fall tours that — wonder of wonders — will be stopping here in The Emerald City (that would be Seattle, not Oz). That was the subject of our first post today.

Second, two of our favorite bands just released new videos. One of those bands — Boston’s Revocation — will be on one of the new tours we mentioned in the earlier post. The other, Xerath (from the UK), is hard at work on their second album, which is very welcome news.

The 2009 releases from both bands just knocked our fucking socks off. They were among our favorite albums of that year. Both of the new videos are for tracks off those 2009 albums.

Both videos only show you the bands playing the songs, and in the case of Revocation’s, it’s a live performance. Nothing as mind-blowing as the animation in Heaven Shall Burn’s latest video, but nothing as stupid as the kind of unconnected or poorly executed imagery we see on most metal videos either. And besides, the songs themselves are hot shit.

(See the videos, plus a few more details about the news from each band, after the jump . . .) Continue reading »

Aug 062010
 

Man, have we got some breaking news for those of you who occasionally enjoy the sensation of leaving the caves where you live and spending a night in a different kind of cave — one that’s filled with really loud, skull-splattering metal and other cave-dwellers like yourselves.

We’ve just gotten confirmed dates for two new tours that make us gleeful with anticipation. Bet you can’t guess which ones.

Oh, wait. I guess you can guess which ones.

Well, bet you can’t guess the dates and places where these two tours will descend in order to lay waste to paying cave-dwellers. S’okay, you don’t have to guess, because both tour schedules are laid out in all their glory after the jump.

In our humble opinion, these will be two of the fall’s best tours. Not that it matters to you, but we’re particularly stoked because they’re both coming to a cave near us — way the fuck up here in the Northwest corner of the U.S. And there are Canadian dates on one of them, too.

(check it out after the jump . . .) Continue reading »

May 202010
 

Job For A Cowboy, Whitechapel, Cattle DecapitationRevocation, and I Declare War hit Seattle hard on JFAC’s current Ruination tour on the night of May 18 at El Corazon. All three of your NCS collaborators turned out for the carnage and we file this somewhat incomplete report, along with a somewhat incomplete batch of our half-assed photos (be sure to scroll to the end of the review to see those).

Somewhat incomplete, because we had to leave before JFAC’s set. Maybe if we were being paid to run this site, we’d have stayed to the bitter end, but the people who actually do pay us were expecting our asses to show up on time early the next morning. Life is full of fucking compromises, isn’t it?.

I DECLARE WAR

Well, what can we say? It’s just so fucking cool to see our local boys making good. As we reported here back in March, IDW has signed with Artery Recordings and has a new album (Malevolence) due out on June 8, with two of the songs currently streaming on their MySpace page. They played some dates earlier this month in California with Whitechapel and Son of Aurelius, and next month they start a nationwide tour with Molotov Solution, Dr. Acula, and Monsters.

But this night was a show for the home folks — something of a coming-out since the news of their label-signing, and man, did the home folks turn out. El Corazon was packed to the gills in time for the first chord of IDW’s first song, and they showed these hard-working, hard-playing dudes a lotta love.  (more after the jump . . .) Continue reading »

Feb 242010
 

Miseration‘s new album, The Mirroring Shadow, is not at all what we were expecting — but it’s a most welcome surprise.

Our expectations were based on the band’s first album, 2007’s Your Demons – Their Angels. That album was a particularly melodic rendering of melodic death metal, marked by the same mixture of clean singing and harsh growling that vocalist Christian Älvestam brought to his former band, Scar Symmetry. In fact, the similarities to Scar Symmetry were far more dominant than the differences.

That wasn’t a bad thing (cuz we liked the old Scar Symmetry just fine), but it seemed to us that Älvestam’s partnership in Miseration with guitarist/drummer Jani Stefanovic had become less a catalyst for change than a vehicle for continuing on with the songwriting style and musical sound of the band Älvestam had just left.

But on The Mirroring Shadow, Miseration has become a different breed of cat altogether. And we mean something like a prehistoric sabretooth — big, fast, powerful, vicious, and with teeth the size of carving knives. (more after the jump, including songs to hear and a digression about album artwork. . .) Continue reading »

Jan 272010
 

We have seen the future of extreme metal, and it is bright!

The METAL AS ART tour featuring Hypno5e, Revocation, and The Binary Code is one we’ve been waiting for with bated breath for months. We’ve been curious about Hypno5e and huge fans of Revocation and The Binary Code for a while now (we’ve written about our admiration for Revocation here and The Binary Code here and here).

On January 26, the wait ended as the tour rolled into Seattle’s Studio Seven, with support from local band 7 Horns 7 Eyes — which was the biggest revelation of the night — and two of your NCS Authors were there.

This was, bar none, one of the best shows from end to end that we’ve seen in many moons. These are young bands that are capable of carrying the future of extreme metal on their shoulders.  If merit counts for anything (and unfortunately, it doesn’t always), these hard-working dudes will find a place in the vanguard and the kind of widespread notice they deserve.

For our detailed review of the performances and a big collection of our amateurish photos, continue on after the jump . . . . Continue reading »

Dec 282009
 

This past weekend we finished dribbling out our list of the Ten Most Infectious Extreme Metal Songs of 2010. Here’s the final line-up:

1.  Asphyx: Scorbutics

2.  Mastodon: Crack the Skye

3.  Amorphis: Silver Bride

4. Goatwhore: Apocalyptic Havoc

5.  August Burns Red: Meridian

6.  Pelican: Ephemeral

7.  Scale the Summit: Age of the Tide

8.  Daath: Wilting On the Vine

9.  Molotov Solution: The Harbinger

10. Revocation: Dismantling the Dictator

Yes, the list is finished — and for your listening pleasure, we’ve added a playlist of the listed songs to our MySpace page — with one slight alteration:  we couldn’t find Scale the Summit‘s “Age of the Tide” on MySpace, so our playlist includes another of our favorites tracks off Carving Desert Canyons.

Even though we finished the list, your NCS Co-Authors had some infectious favorites that didn’t survive our final negotiations — but they just missed by a nose. So we’re going to roll those out later this week. It’s the next best thing to just reneging on our commitment to make this a list of the Top Ten and instead renaming it the Top Fourteen.